The Music of the 14th Century Vol. 1 is an anthology of recordings of the secular music of medieval France and Italy. Volume 1 contains works by Jacopo da Bologna and Giovanni da Firenze.
Jacopo da Bologna and Giovanni da Firenze are the most prolific representatives of the first known generation of Italian polyphonic composition. These works were written under the patronage of the della Scala family in Verona and the Visconti family in Milan, and exemplify the "sweetness and intricacy" of their melodies.
Press quotes:
“The performances have a fine flow and an impressive clarity ... it has opened my ears ...”
— Clifford Bartlett, Early Music News, UK
“a satisfying mixture of scholarly research and musical inspiration ... is of particularly good value and worth a listen by the general collector.”
Sì come al canto (3 part version) (Jacopo da Bologna) Sì come al canto (2 part version) (Jacopo da Bologna) Fenice fu' (Jacopo da Bologna) In su bei fiori (Jacopo da Bologna) Giunge 'l bel tempo de la primavera (Jacopo da Bologna) Aquila altera — Creatura gentile — Uccel di dio (Jacopo da Bologna) O in Italia felice Liguria (Jacopo da Bologna) Osselletto silvagio (3 part caccia) (Jacopo da Bologna) Osselletto silvagio (2 part madrigal) (Jacopo da Bologna) Lux purpurata — Diligite iustitiam — Tenor (Jacopo da Bologna) O cieco mondo (Jacopo da Bologna) Sotto l'imperio del possente prince (Jacopo da Bologna) Più no mi curo (Giovanni da Firenze) O perlaro gentil (Giovanni da Firenze) Per larghi prati (Giovanni da Firenze) Nascoso el viso (Rossi 215) (Giovanni da Firenze) Nascoso el viso (Panciatichi 26) (Giovanni da Firenze) Agnel son bianco (Giovanni da Firenze) O tu cara scienza (Giovanni da Firenze) Fra mille corvi (Giovanni da Firenze) La bella stella (Giovanni da Firenze) De' come dolcemente (Giovanni da Firenze)
John Griffiths studied vihuela and lute with Hopkinson Smith and Eugen Müller Dombois in Basel, and has published a broad range of books and articles on the vihuela. He has performed extensively in Australia, Europe, Asia and the USA both as a soloist and as a member of the ensemble La Romanesca. He was awarded the cross of Official de la Orden de Isabel la Católica in 1993 for his contribution to Spanish music and culture.
The Ensemble of the Fourteenth Century is a collective of specialist singers and instrumentalists brought together for the Fourteenth Century Recording Project. The ensemble was initially formed around the leading Australian mediaeval ensemble La Romanesca, which was expanded to provide the varied instrumental and vocal combinations required by the repertoire.