Featured recordings

Broken Words

Chamber works for concert flute, alto flute and piccolo; baritone saxophone, bass clarinet and alto saxophone; and piano by Frank Millward. Broken Words explores how technology is reshaping musical communication and meaning.

Exquisite Harmonies

Exquisite Harmonies features works for viola da gamba and harpsichord, and several harpsichord solos, largely from the French Baroque. The exceptions are Telemann, Abel and Australian composer Troy Russell. A nice treat is an improvised harpsichord fantasia in the style of Telemann.

The life in between

Michael Kieran Harvey anchors this solo piano programme with Martin Friedel’s final work, …the life in between…, then sets it among virtuoso scores by Pertout, Crossman, Spiers, Selleck and McAlley.

The Other Side of Tony Gould

Tony Gould is best known as a jazz pianist and improviser. This recording turns to his classical side: original concert works written over two decades, with Stravinsky’s The Rite of Spring in a four-hand piano version.

The Well-Tempered Clavier: Books 1 and 2

Distinguished Australian pianist and harpsichordist Judith Lambden presents J.S. Bach’s complete Well-Tempered Clavier, Books I and II (BWV 846–893), recorded across nine years as a five-CD set.

My Heart

Naarm/Melbourne pianist Danaë Killian presents an expressionist programme of solo piano, spoken word and tarot, centred on her own My Prussian Blue Heart and works by mostly Australian composers.

Shifting Landscapes

Shifting Landscapes is Australian flautist Kathryn Moorhead’s survey of the flute’s contemporary sound world, gathering works that push the instrument past its familiar range through extended technique, colour, and texture.

Homegrown

Themes of nature, motherhood, and a profound spiritual connection to place pervade Homegrown — art song by Australian women composers, performed by soprano Rebecca Cassidy and pianist Alex Raineri.

True Romantics

In True Romantics, clarinettist Philip Arkinstall and pianist Kristian Chong bring lyrical warmth to Brahms’s Clarinet Sonatas, Op. 120, and Clara Schumann’s Three Romances, Op. 22, here in Roger Young’s clarinet transcription.

Bach to China with Yu

Volume 3 of Julian Yu’s clarinet music, with Robert Schubert and ensemble in arrangements that join Chinese folk melody to Western classical craft.

Dreams: Works for Small Orchestra

Australian composer David Joseph gathers choreographically inspired works for small orchestra from 1986 to 1994 in Dreams, tracing memory, dream states and perception through richly textured, psychologically charged writing.

Flute Perspectives, Vol. 4

Derek Jones’s fourth Flute Perspectives volume gathers contemporary Australian flute music with Jerry Wong and Joshua Hyde. Sonatas, solos and electronics chart lyric landscape, multiphonic colour and modernist drive.

War Sonatas

Three piano sonatas by Michael Kieran Harvey, written as a response to twenty-first-century war. Spoken poems by Arjun von Caemmerer stand between the works, framing a triptych of anger, friendship and warning.

A Thousand Beautiful and Graceful Inventions

Subtitled ‘The glorious age of medieval and renaissance canons’, this programme of late Middle Ages and Early Modern choral music is sung by the University of Queensland Chamber Singers under Graeme Morton. The illustrated booklet has programme notes by Denis Collins and Jason Stoessel, with complete texts.

Through Tropical Stars

David Joseph’s Through Tropical Stars gathers five chamber works inspired by the natural world. From the garden-like imagery of Concertino to the quiet melancholy of The Afternoon, the music brings nature’s textures, patterns and sounds into focus.

Solos Duos Trios

Chamber music by Haydn Reeder for soloists and small ensembles, composed between 1998 and 2023. Piano, strings, flute and harp in solos, duos and trios, nearly all recorded here for the first time.

Nordic Moods & Baroque Echoes

A collaboration between Duo Langborn/Wendel and The Marais Project, this album blends baroque repertoire, new compositions and arrangements, and folk music from Australia and Sweden.

Dreaming in the Sand

Robbie James’s String Quintet No. 3, Dreaming in the Sand, is given a raw live performance by the Bentley String Quintet at Brisbane’s New Benner Theatre. Across nine movements it visualises early colonisation through a dream of a nation founded on inclusivity—a dream that still shapes Australia.

Gold

The Australian Chamber Choir, directed by Douglas Lawrence, performs works by eight Australian composers. From Gordon Kerry’s Shakespeare setting to Malcolm Williamson’s English Eccentrics, the programme turns individual voices into pure gold.

Crossing Paths

Ensemble Liaison and the Tony Gould Trio take turns across the programme: each piece is heard first in a scored reading, then in an improvised jazz response that opens the same melodic and harmonic material to fresh colour.

Keys to Heaven

The Australian Chamber Choir opens with the first recording of Agata della Pietà’s cantata Ecce nunc, written in eighteenth-century Venice by an orphan of the Ospedale della Pietà and reconstructed by Elizabeth Anderson. Sacred works by Palestrina and Allegri complete the programme.

Threnody

Michael Kieran Harvey’s landmark 1995 Astra recital of late twentieth-century Australian piano music returns in a 2024 Move re-master. Premiere recordings by Harvey, Vine, Campbell, McCaughey, Byrne, Humble and Anderson form one continuous programme.

The Sparrow and the Mead Hall

Composed and mostly performed by Michael Kieran Harvey, these 2021 works move from the rarefied extended techniques of Piano Sonata #7 and Liszt–Busoni bravura in the Four Ballades to bebop wit in Lawyers… and metal-edged satire in Death Cap Mushroom.

Shichiseki

Collaborations with violinist Miwako Abe and cellist Alister Barker sit beside solos written for Michael Kieran Harvey by Gabriella Vici and Andrián Pertout, spanning Japanese, Latin American and South Indian influences.

Where have you been all these years?

Claire Patti (vocal and harp), Louise Godwin (cello) and Tony Gould (piano) join in a warm tribute to musical friendship, bringing fresh interpretive colour to traditional songs they love.

Evenings with the French Horn

Mark Papworth (natural and valved horns) and Rosa Scaffidi (piano) play Berlioz and Blanc in repertoire that sets the two French horn types of the late nineteenth century side by side.

Night Thoughts

During the long still nights of Melbourne’s Covid lockdowns, pianist Len Vorster listened widely and thought hard about what he heard. Those evening ruminations became this programme of fifteen nocturnes and night pieces, from Schumann’s circle to Copland.