John Greenleaf Whittier
John Greenleaf Whittier’s verse lives on in the hymn book: calm, plain-spoken lines that ask for stillness, pity, and fellowship. Dear Lord and Father of Mankind and O Brother Man are the texts most often sung from his work.
An American Quaker poet of the nineteenth century, Whittier wrote for conscience as much as for the page. Anti-slavery poems and New England narratives made his name; later readers kept the quieter stanzas that fit worship. Dear Lord and Father of Mankind comes from the close of The Brewing of Soma, where the noise of false ecstasy gives way to ordered peace and a plea to be taken back to simple trust. Set to Parry’s Repton, it has become a standard of measured devotion. O Brother Man folds doctrine into neighbourly duty: right worship is love of one another, each kindness a prayer. On these recordings the words stand among other well-known hymns, carried by choir and organ rather than by literary reputation. The diction stays direct, the moral tone warm without ornament, and the music finds in that plainness room to breathe.
Compositions by John Greenleaf Whittier appear on

Hymns For All Seasons
16 more hymns from Cantus Choro, sung in the grand acoustic of St. Patrick's Cathedral, Melbourne. The hymns start with Advent and trace the great events of the Christian year. With Norman Kaye and the Melbourne Brass Ensemble.

Sing Out With Joy
The Cantus Choro directed by Peter Chapman. Imaginative organ accompaniments by Norman Kaye give these 17 well-known hymns a new dramatic impact.