Move Records Australian classical & art music, est. 1968
Front cover art for Sing Out With Joy

Sing Out With Joy

Cantus Choro, directed by Peter Chapman, sings seventeen favourite hymns from the Australian Hymn Book. Norman Kaye’s imaginative organ accompaniments give the well-known settings fresh dramatic shape and room for the choir to breathe.

  • CatalogueMD 3032
  • Released1987
  • Playing time49 minutes 17 seconds

Listen & tracks

1 of 36 tracks have a preview · 17 works · 49:17

  1. 1 All creatures of our God and King Traditional 3:42
  2. 2 Let all mortal flesh Traditional 3:29
  3. 3 Praise my soul, the King of Heaven John Goss 3:26
  4. 4 I to the hills Traditional 1:54
  5. 5 Dear Lord and Father of mankind Charles Hubert Hastings Parry 4:10
  6. 6 Be thou my vision Traditional 2:28
  7. 7 For the beauty of the earth David Evans 2:45
  8. 8 The God of Abraham Traditional 2:20
  9. 9 Glorious things of you are spoken Franz Joseph Haydn 3:09
  10. 10 Be thou my guardian and my guide Isaac Smith 2:17
  11. 11 My song is love unknown John Ireland 2:40
  12. 12 Immortal invisible Traditional 2:34
  13. 13 Love divine Rowland H. Pritchard 3:21
  14. 14 By your kingly power Richard Connolly 3:17
  15. 15 Be known to us Traditional 1:27
  16. 16 Forth in thy name, O Lord, I go Orlando Gibbons 2:48
  17. 17 Lord enthroned in heavenly splendour Sir George Martin 3:30

A selection of favourite hymns from the Australian Hymn Book, among them All creatures of our God and King, Praise my soul, For the beauty of the earth, Immortal, invisible, Be thou my vision and Love divine.

Recorded in Trinity College Chapel within the University of Melbourne, the programme draws on familiar congregational settings. Kaye’s organ writing supports rather than overwhelms the voices, and the choir’s clear diction and balanced tone carry the words with care.

Cantus Choro can also be heard on Hymns For All Seasons, Songs and Praises and Psalms.

Reviews

…The album was recorded in the chapel of Trinity College at Melbourne University with most imaginative organ accompaniment by Norman Kaye, who really demonstrates the versatility of a lovely instrument and a fine musician. More than that, he gives a lead to other musicians as he lets the choir breathe free of accompaniment, the breathing making the moments of accompaniment that much more effective than the usual barrage of full-scale accompaniment that so often dominates rather than supports the singing and the prayer…

…The harmonies are clean and lively — special mention should be made here of the superb tenor work and the beautiful flute-like soprano and descant voices…

It is a record which may be listened to with joy! Singing is superb. The pure choral tone is outstanding. Diction is clear, and it is all directed with fine musicianship!

For those who like to hear their favourite hymns superbly sung [these] three volumes ... cannot be bettered.

Artists

Photograph of Cantus Choro

Cantus Choro

choir

Cantus Choro has established a fine reputation for its broadcasts for the Australian Broadcasting Corporation and recitals of sacred and secular music. Directed by Peter Chapman, with Norman Kaye on the organ.

Photograph of Peter Chapman

Peter Chapman

director

Peter Chapman (1922–2006) was a choral conductor, singer and music teacher who achieved renown for his direction of the Choir of Canterbury Fellowship and of Cantus Choro in Melbourne for 25 years.

Photograph of Norman Kaye

Norman Kaye

organ

Norman Kaye (1927–2007) was an Australian organist, composer and actor. Schooled in the French organ tradition, he brought bold colour, humour and improvisatory flair to the console, and is remembered equally for the quiet depth of his screen performances.

Photograph of Franz Joseph Haydn

Franz Joseph Haydn

composer

Franz Joseph Haydn (1732–1809) was an Austrian composer of the Classical period, central to the making of the symphony, the string quartet and the piano trio. A vast body of chamber, orchestral and sacred music from his long career shaped the language of his age.

Photograph of Charles Hubert Hastings Parry

Charles Hubert Hastings Parry

composer

Hubert Parry's music still fills cathedrals and coronations. Best known for the choral song Jerusalem, the coronation anthem I was glad and the hymn tune Repton, his writing joins ceremonial splendour to a humane, singable warmth.

Photograph of Ralph Vaughan Williams

Ralph Vaughan Williams

composer

Ralph Vaughan Williams (1872–1958) was an English composer of nine symphonies, operas, ballets, and a large body of choral and vocal music. Drawing on Tudor polyphony and English folk-song, he helped free British music from its nineteenth-century German models.

Photograph of Charles Wesley

Charles Wesley

composer

Charles Wesley's hymns still carry congregations and choirs: bold doctrinal verse made for singing, from Hark! The Herald Angels Sing and Christ the Lord Is Risen Today to Love Divine and Jesu, Lover of My Soul.

Photograph of John Greenleaf Whittier

John Greenleaf Whittier

composer

John Greenleaf Whittier’s verse lives on in the hymn book: calm, plain-spoken lines that ask for stillness, pity, and fellowship. Dear Lord and Father of Mankind and O Brother Man are the texts most often sung from his work.

No photograph: Francis of Assisi

Francis of Assisi

composer

No photograph: George Hugh Bourne

George Hugh Bourne

composer

No photograph: Mary Elizabeth Byrne

Mary Elizabeth Byrne

composer

No photograph: Richard Connolly

Richard Connolly

composer

Richard Connolly writes hymnody for the Australian Hymn Book repertoire. His 'Be Your Kingly Power' appears among familiar congregational tunes on these Cantus Choro recordings, set for choir and organ with clean, lively harmony that serves the words.

No photograph: William Cowper

William Cowper

composer

William Cowper was a hymn writer whose sacred texts remain central to English-language hymnody and appear among favourite settings from the Australian Hymn Book.

No photograph: Samuel Crossman

Samuel Crossman

composer

Samuel Crossman's hymn texts from the 1660s still sound in churches and on record. My Song is Love Unknown is the best known: a spare Passion meditation whose plain diction has drawn composers from John Ireland to later arrangers.

No photograph: David Evans

David Evans

composer

David Evans wrote and harmonised hymn tunes that still shape congregational singing, among them the familiar setting of Be Thou My Vision and Lucerna Laudoniae for For the Beauty of the Earth.

No photograph: Orlando Gibbons

Orlando Gibbons

composer

Orlando Gibbons wrote English madrigals, verse anthems, full anthems and keyboard music at the hinge of Renaissance and Baroque practice: lucid polyphony, rhetorical force without bombast, and lines that lodge in the ear like The Silver Swan.

No photograph: John Goss

John Goss

composer

John Goss wrote English church music marked by graceful vocal lines and careful word-setting. His hymn tune for Praise, my soul, the King of heaven remains one of the most familiar congregational melodies in the Anglican repertory.

No photograph: Eleanor Hull

Eleanor Hull

composer

Eleanor Hull wrote the English versification of the Old Irish prayer Rop tú mo baile, known as the hymn Be Thou My Vision. The 1912 text is sung as standard congregational hymnody on recordings of favourite hymns.

No photograph: John Ireland

John Ireland

composer

John Ireland wrote English art songs, piano miniatures and sacred choral music in a personal Impressionist vein, closer to Debussy and Ravel than to the folk-song school. His hymn Love Unknown and the carol The Holy Boy remain widely sung.

No photograph: Henry Francis Lyte

Henry Francis Lyte

composer

No photograph: Sir George Martin

Sir George Martin

composer

No photograph: James McAuley

James McAuley

composer

James McAuley is a songwriter whose hymn texts appear among settings drawn from the Australian Hymn Book.

No photograph: James Montgomery

James Montgomery

composer

James Montgomery's hymn and carol texts remain central to congregational singing. His words are heard here among favourite hymns and Christmas carols, including Angels from the Realms of Glory.

No photograph: John Newton

John Newton

composer

No photograph: Thomas Olivers

Thomas Olivers

composer

No photograph: Folliott Sandford Pierpoint

Folliott Sandford Pierpoint

composer

No photograph: Rowland H. Pritchard

Rowland H. Pritchard

composer

No photograph: Walter Chalmers Smith

Walter Chalmers Smith

composer

No photograph: Isaac Smith

Isaac Smith

composer

No photograph: Isaac William

Isaac William

composer

Isaac William is a composer and songwriter credited on a Move recording of favourite hymns drawn from the Australian Hymn Book.

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Performers

Technical credits

  • Contributor Andrew Earle
    Nick Alexander
  • Producer Martin Wright
    Warwick Papst
  • Recording Engineer Martin Wright
    Warwick Papst
  • Venue Trinity College Chapel
  • Credit Don Wirth
    Dr A. Harold Wood
    Howard Birnstihl

Details

List price
$25.00 AUD
Total playing time
49 minutes 17 seconds
Release date
Categories
Choral, Classical, Organ
Musical work copyright
© 1981 Move Records
Sound recording copyright
℗ 1987 Move Records
Catalogue
MD 3032
EAN
9314574303223

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