We are a recording label focused primarily on classical music, particularly Melbourne-based musicians and composers. Although we occasionally venture into jazz and contemporary fields, a broader scope would dilute our specialised focus.

We endeavour to offer as many performers as possible the opportunity of having their work recorded. A published recording is tangible evidence that their work is recognised by the Australian community as well as internationally.

For many artists, a CD represents years of hard work to achieve excellence in their field. Often the repertoire is highly innovative and unique. To deprive future audiences of these contributions would be to neglect the heritage Australia ought to be establishing today.

Many Move sessions take place in our purpose-built studio. With a reverberation time varying between one and two seconds, it is ideal for acoustic small ensembles and solo performers. The studio features a Yamaha C7 grand piano, hand-picked by pianist and composer Tony Gould.

Selecting projects

Large recording companies in Australia – for the most part – make decisions based primarily on quantity. While Move aims to buck this trend, it is not possible to take on every worthy project.

Move has never chosen projects on commercial viability alone, and in some instances recordings have proceeded with the knowledge that they may never break even financially. To see projects through to completion and remain sustainable, we have established clear criteria to select those that offer music of inherent value and, to some degree, commercial viability.

The works selected vary considerably. Some artists perform standard European classical repertoire, while others include Australian compositions in their concert programs. One of the company’s aims is to record not only living composers but also to rediscover composers and compositions of the past that have yet to enter the digital era.

There is often a dilemma when selecting material for a CD, particularly where funding is sought from the Australia Council. Performers know that live audiences tend to prefer the familiar. Yet we feel a responsibility towards living, working composers. So, the argument might go, why produce a CD featuring a little-known Australian composer when audiences request Schubert, Bach, Mozart or Chopin? Even though such recordings may sell fewer copies, we continue to undertake projects featuring more challenging repertoire.

Collaboration with artists

For every project we undertake, Move maintains a close professional liaison and personal relationship with the artist. Collaborative decisions extend beyond the music to recording, production and final presentation.

While being small has its limitations, it has also been central to our stability and longevity. Individual commitment to each project, and the delivery of consistent, high-quality recording services, underpin what Move represents. Our small size enables this. Artists often remark that they can pick up the phone and speak directly with Martin, rather than navigating layers of staff unfamiliar with their project.

Despite the frustrations that can beset a small record label, Move stands proudly on its reputation for quality recordings of Australian musicians and Australian music. The ever-increasing range of titles under the Move umbrella reflects the high standard and diverse talent present in Australia. At a time when economic rationalism might favour popular titles by established artists, Move continues to put the music first.