There is a very real need for Australian performers and composers to be recognised through the recording process. Since its inception in 1968, Move has provided the means for Australia’s leading classical and innovative musicians to have their work recorded, published and shared with the public.
As a recording label, Move is primarily focused on classical music, particularly Melbourne-based musicians and composers. Although Move occasionally ventures into jazz and contemporary fields, an overly broad scope would dilute its specialised focus.
We endeavour to offer Australian performers and composers the opportunity of having their work recorded. A published recording offers tangible recognition of their achievements within Australia and internationally.
For many artists, a recording represents years of dedication and the pursuit of excellence in their field. Often the repertoire is highly innovative and unique. To deny future audiences access to these contributions would be to neglect the musical heritage Australia should be establishing today.
Selecting projects
Large recording companies in Australia tend to base their decisions primarily on volume and market demand. Though Move aims to challenge this approach, our small size means we cannot undertake every worthy project.
Move has never selected projects on commercial viability alone, and in some cases recordings have proceeded with the knowledge that they may never break even financially. To complete projects while remaining sustainable, we have established clear criteria that prioritise music of inherent value, with commercial viability as a secondary consideration.
The works we record vary considerably. Some artists perform standard European classical repertoire, while others include Australian compositions in their concert programs. One of the company’s aims is to record not only living composers, but also to rediscover composers and works from the past that have yet to enter the digital era.
Selecting repertoire can present a dilemma, particularly when support is sought from government funding bodies. Performers know audiences often prefer familiar works. Yet we feel a responsibility to support living composers. The question may arise: why feature a lesser-known Australian composer when audiences request Schubert, Bach, Mozart or Chopin? Even though such recordings may sell fewer copies, we continue to undertake projects that feature more challenging repertoire.
Collaboration with artists
For every project, Move maintains a close professional and personal relationship with the artist. Collaborative decisions extend beyond the music itself to recording, production and final presentation.
While being small has its limitations, it has also contributed to Move’s stability and longevity. Move stands proudly on its reputation for producing high-quality recordings of Australian musicians and Australian music. Individual commitment to each project, together with consistent, high-quality recording services, underpins what Move represents.
The ever-growing range of titles under the Move umbrella reflects the high standard and diverse talent present in Australia. At a time when economic pressures might favour popular titles by established artists, Move continues to put the music first.