Maurice Duruflé
Maurice Duruflé (1902–1986) was a French organist and composer. His small output of organ and choral music is prized for its craftsmanship and its deep roots in plainsong.
Maurice Duruflé was born in Louviers, near Rouen in Normandy, on 11 January 1902. From 1912 to 1918 he attended the Schola Cantorum at Rouen Cathedral, studying piano and organ. In 1919 he moved to Paris, worked with Charles Tournemire, and later became his deputy at Ste-Clotilde.
He entered the Paris Conservatoire in 1920 and, between 1922 and 1928, took premiers prix in organ (with Eugène Gigout), harmony, fugue, piano accompaniment and composition — the last with Paul Dukas, who, with Tournemire and Louis Vierne, left a deep mark on his music.
In 1930 he was appointed organist of St-Étienne-du-Mont in Paris, a post he held for the rest of his life. That same year his Prélude, Adagio et Choral varié sur le thème du ‘Veni Creator’, Op. 4, won first prize from the new Association des amis de l’orgue. From 1929 to 1931 he also deputized for the ailing Vierne at Notre-Dame.
Publication of the Suite pour Orgue, Op. 5, in 1934, and of the orchestral Trois Danses in 1939, strengthened his standing as a composer. He gave the world première of Poulenc’s Organ Concerto in 1938. After deputizing for Marcel Dupré in the Conservatoire organ class in 1942, he became Professor of Harmony there in 1943, remaining until 1969.
After the war the Requiem, Op. 9, confirmed his reputation. Tours of Europe, the UK, the USSR and the USA, and recordings with his wife Marie-Madeleine Duruflé-Chevalier, extended his fame as a recitalist. A car accident in 1975 largely ended his concert and church playing. He never fully recovered and died in Paris on 16 June 1986.
Maurice Duruflé is featured on the following titles

Maurice Duruflé: Organ Music
Sydney organist Edward Theodore, a pupil of Maurice Duruflé, performs the French master's complete organ works on the magnificent organ of St. Patrick's Cathedral, Melbourne, in six pieces crowned by the celebrated Prélude, Adagio and Chorale Variations on the Theme of the 'Veni Creator', Op. 4.

Anthony Halliday plays Saint-Saëns, Beethoven, Duruflé, Bach
Few Australian musicians match Anthony Halliday’s versatile splendour. This latest of his all-too-few organ CDs emphasises his gifts in transcribing orchestral works, recorded on the organ of St Francis’ Church, Melbourne.

One Two One
Yoram Levy (trumpet) and Christopher Wrench (organ) explore the contrasting textures and styles of twentieth-century works by Genzmer, Tomasi, Persichetti, Duruflé and Hakim.