Move Records Australian classical & art music, est. 1968
Front cover art for Bridges, Vol. 2

Bridges, Vol. 2

Monash University–based Chamber Mélange present an engaging collection of modern Czech and Romanian chamber works shaped by European folk music and neo-classicism.

  • CatalogueMD 3342
  • Released2010
  • Playing time69 minutes 2 seconds
  • Recorded at Move Records Studio

Listen & tracks

2 of 18 tracks have a preview · 7 works · 69:02

  1. Sonatina for violin and pianoPaul Constantinescu 3 movements10:01
    1. 1 Allegro moderato 2:53
    2. 2 Andante 3:26
    3. 3 Allegro assai 3:42
  2. 4 Elegie for violin and piano Otmar Mácha 9:01
  3. Piano SonatinaTiberiu Olah 3 movements10:17
    1. 5 Allegro ritmico 4:03
    2. 6 Andante cantabile 2:50
    3. 7 Allegro ritmico 3:24
  4. Five Madrigal Stanzas for violin and pianoBohuslav Martinů 5 movements10:29
    1. 8 Moderato 2:32
    2. 9 Poco allegretto 1:55
    3. 10 Andante moderato 2:37
    4. 11 Scherzando, poco allegro 1:43
    5. 12 Poco allegro 1:42
  5. Partita for violin soloAlfred Mendelsohn 2 movements7:55
    1. 13 Prelude 2:45
    2. 14 Fugue 5:10
  6. 15 Endeavour Bells for piano Livia Teodorescu-Ciocănea 9:30
  7. Sonatina Semplice for violin and pianoPetr Eben 3 movements11:49
    1. 16 Allegro giusto 4:09
    2. 17 Moderato e cantabile 4:28
    3. 18 Vivace e accentato 3:12

This disc gathers music by Czech and Romanian composers written between the 1930s and 2008, among them Otmar Mácha, Alfred Mendelsohn, Tiberiu Olah and Bohuslav Martinů. Many of these composers drew on European folk music and neo-classical habits, so accessibility is a fair word for the programme. It suits listeners who want repertoire outside the usual mainstream without losing contact or warmth.

Chamber Mélange are two leading Monash University staff, Tamara Smolyar (piano) and Ivana Tomášková (violin). The release follows the earlier Monash Bridges programme (Bridges, Vol. 1).

In the artist’s words

The starting point was the sonic and symbolic variety of bells across cultures and times. Variation of bell sonorities comes with the different sizes, materials, forms, settings etc. But most importantly, the differences are due to their assigned significance within a culture. Bells are resonating bodies that are always calling for people’s emotional or practical responses. I have tried to combine features of bell sonorities from the Orthodox and Catholic Churches and also to give a flavour of bells ringing on James Cook’s ship Endeavour while circumnavigating the globe and discovering the east coast of Australia.

Artists

Photograph of Chamber Mélange

Chamber Mélange

ensemble

World class musicians Ivana Tomaskova (violin) and Tamara Smolyar (piano).

Photograph of Petr Eben

Petr Eben

composer

Petr Eben wrote prolifically for the organ, alongside vocal, choral and orchestral scores. His language is neoexpressionist with flashes of impressionist colour, often grown from public improvisation into lasting recital cycles.

Photograph of Livia Teodorescu-Ciocănea

Livia Teodorescu-Ciocănea

composer

Livia Teodorescu-Ciocănea is currently on the academic staff at Romania's National University of Music teaching musical analysis. She has written theatrical, orchestral, concertos, chamber and solo works, and has had her scores performed across Europe and in Australia.

No photograph: Paul Constantinescu

Paul Constantinescu

composer

No photograph: Otmar Mácha

Otmar Mácha

composer

No photograph: Bohuslav Martinů

Bohuslav Martinů

composer

Bohuslav Martinů’s chamber music mixes folk-rooted melody with neo-classical drive: the Impromptu for violin and piano flashes with skittish dance and motor energy, while the Variations on a Slovak Theme give the cello a long, singing line of real warmth.

No photograph: Alfred Mendelsohn

Alfred Mendelsohn

composer

No photograph: Tiberiu Olah

Tiberiu Olah

composer

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$25.00 AUD

Compact disc

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Also available to download from the iTunes Store.

Performers

Technical credits

  • Recording Engineer Martin Wright
    Vaughan McAlley
  • Venue Move Records Studio
  • Thanks to Monash University
  • Credit Ales Nebesky
    Benjamin Thomas

Details

List price
$25.00 AUD
Total playing time
69 minutes 2 seconds
Release date
Categories
Classical, Cross-cultural
Musical work copyright
© 2010 Monash University
Sound recording copyright
℗ 2010 Move Records
Catalogue
MD 3342
EAN
9314574334227

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