Move Records Australian classical & art music, est. 1968

Fable

This solo harp collection spans sixty-six years of original Australian composition. Jacinta Dennett performs works by Australian women composers, showing the instrument’s distinctive colour, range and expressive force.

Helen Gifford composer
Peggy Glanville-Hicks composer
Miriam Hyde composer
Elena Kats-Chernin composer
Eve Duncan composer
Jennifer Fowler composer
Johanna Selleck composer
Alicia Grant composer

The programme makes plain how widely these composers differ in style, and how fully the harp can carry that variety.

Works range from Helen Gifford’s pioneering Fable (1967) and Peggy Glanville-Hicks’s Sonata for Harp through pieces by Miriam Hyde, Elena Kats-Chernin, Eve Duncan, Jennifer Fowler, Johanna Selleck and Alicia Grant, recorded at the Ian Potter Southbank Centre.

Reviews

Jacinta Dennett characterises the remarkable variety of soundscapes she accesses in her new disc of music by female Australian composers as ‘swimming with sound’. She’s got that right; Fable is brimming in variety with shades all the way from shadowy to brilliant and everything in between, and is a distinctive and valuable addition to the recording library. This is a superb collection of seldom-heard works that deserve a platform by a virtuosic performer taking the time and dedication to bring all the possibilities of their sounds to our ears—and the ideal musician to take on that challenge is Jacinta Dennett. ★★★★★★★★★

Fable features harpist Jacinta Dennett performing a collection of works by Australian women – mostly living, save for Miriam Hyde and Peggy Glanville-Hicks. (The album) is an athletically virtuosic and sublimely colourful display of artistry from Dennett. The disc also serves as a compelling anthology of Australian works composed over the last 70 years for solo harp. Helen Gifford’s Fable (1967) is a captivating work in which rhapsodic gestures cover the full range of the instrument. Dennett imbues the harp with impressive coloristic dimensions across its different registers, from a gnarly bass timbre to an ethereal, floating high twinkle. Harmonically this work slides between states of harmonious ambiguity, lending the ‘storytelling’ aspect that the title promises. Like a bolt of lightning, Elena Kats-Chernin’s Chamber of Horrors (1995) thunders into being with a dramatic opening statement. This is perhaps the most programmatically inclined work on the album, providing musical provocations for the listener to imagine their own fantastical creepy wonderland. My personal favourite work of the album followed, Johanna Selleck’s Spindrift (2008). Organised in seven through-composed sections, the work is captivating and joyous. Fable is an excellent album of Australian solo harp music, featuring masterful artistry from Jacinta Dennett. Highly recommended as an inviting, colourful, and enriching listening experiences for all listeners.

Artist

Photograph of Jacinta Dennett

Jacinta Dennett

From the outset of her creative education, Jacinta Dennett has intrinsically entwined movement and music. The responsive nature of the harp and its unique capacity to continue resounding after it has been played have led Jacinta to research the essence of gesture in harp playing and develop her idiosyncratic performance style.

Tracks

  1. Fable Helen Gifford 5:03
  2. Sonata for Harp Peggy Glanville-Hicks

  3. Saeta 4:14
  4. Pastorale 2:46
  5. Rondo 3:40
  6. Sunlit Waterfall Miriam Hyde 4:06
  7. Chamber of Horrors Elena Kats-Chernin 7:04
  8. The Sun Behind It, Burning It Eve Duncan 2:23
  9. Threaded Stars 2 Jennifer Fowler 10:47
  10. Spindrift Johanna Selleck 8:19
  11. Three Pieces for Harp Alicia Grant

  12. i. Sea breezes 3:47
  13. ii. Footprints in the sand: Homage to Debussy 3:03
  14. iii. Ocean floor 1:41

Performers

Composers

Photograph of Eve Duncan

Eve Duncan

Eve Duncan has composed chamber, orchestral and vocal music, with performances at festivals throughout Australia, Asia and Europe. Her catalogue ranges from intimate solo and ensemble pieces to larger vocal and orchestral scores.

Photograph of Helen Gifford

Helen Gifford

Helen Gifford OAM is an Australian composer whose music often draws on Balinese and Javanese elements. She writes for stage, orchestra, chamber ensemble and solo instruments.

Photograph of Peggy Glanville-Hicks

Peggy Glanville-Hicks

Peggy Glanville-Hicks (1912–1990) was an Australian composer, born in Melbourne, whose career carried her through London, New York and Greece. She wrote operas, chamber music, song cycles and a concise Sonata for Harp that remains widely played.

Photograph of Alicia Grant

Alicia Grant

Alicia Grant has had works performed by many orchestras and ensembles both in Australia, Europe and North America.

Photograph of Miriam Hyde

Miriam Hyde

Miriam Hyde (1913–2005) was an Australian composer, pianist and teacher whose lyrical, post-romantic voice is especially known through her piano music and works for students.

Photograph of Elena Kats-Chernin

Elena Kats-Chernin

Elena Kats-Chernin AO (born 1957) is an Australian composer whose piano rags, chamber miniatures, ballet and stage scores have become central to contemporary Australian repertoire.

Photograph of Johanna Selleck

Johanna Selleck

Johanna Selleck is a composer, musicologist, and flautist. She holds a PhD from the University of Melbourne, where she is an honorary fellow. Her compositions have been performed by internationally renowned artists across Australia, Europe, the USA, Asia, and the Middle East.

No photograph: Jennifer Fowler

Jennifer Fowler

Jennifer Fowler’s Threaded Stars for solo harp treats tempo and rhythm as star patterns. Quiet reflectiveness alternates with glassy swirls and trills, motifs that stream outward and pull the surrounding notes into their field.

Contributors

No photograph: Adrian Dennett

Cover art and photography

Adrian Dennett

Where to listen

Fable is available for streaming through Spotify and Apple Music. It can also be purchased through the iTunes Music Store.

Fable is available as a CD. It can be purchased online through Buywell Music or the Australian Music Centre which both offer online ordering.

Product details

Catalogue number
MCD 630
List price
$25.00 AUD
Total playing time
56 minutes 53 seconds
Recording Engineer
Haig Burnell
Mastering Engineer
Martin Wright
Venue
Ian Potter Southbank Centre
Credit
Adrian Dennett
Release date
Musical work
copyright
© 2022 Jacinta Dennett
Sound recording
copyright
℗ 2022 Move Records
Category
Classical
Genre
Contemporary Classical
Barcode
EAN 9314574063028

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