Move Records Australian classical & art music, est. 1968

Alan Jay Lerner

The lyrics of Alan Jay Lerner, written chiefly with Frederick Loewe, shaped some of the most durable songs in musical theatre. My Fair Lady, Brigadoon, Camelot, Gigi and Paint Your Wagon still circulate as standards far beyond the stage.

With Loewe he turned Shaw's Pygmalion into My Fair Lady, keeping the social bite while giving Higgins and Eliza numbers built around character and speech. Songs such as Almost Like Being in Love, They Call the Wind Maria, I Could Have Danced All Night and On a Clear Day You Can See Forever left the theatre and settled into the jazz and popular repertoire heard on later recordings. He also worked with Burton Lane and others, and wrote the screenplay for An American in Paris. Lerner often spent months on a lyric, rewriting until rhyme and stress sat comfortably in a performer's mouth rather than forcing a tidy line on the page.

Compositions by Alan Jay Lerner appear on

Front cover art for The Art of Melody

The Art of Melody

Jazz legends Tony Gould (piano) and Graeme Lyall (saxophone) offer superb readings of well-known standards, joined by Ben Robertson on double bass and Joe Batrouney on drums.

Composer
Front cover art for Seasons of Love

Seasons of Love

A jazz trio, string orchestra and guest soloists join vocalists Gian Slater and Eddie Perfect. Graeme Lyall’s rich arrangements refresh Great American Songbook standards and other stage and screen favourites.

Songwriter
Front cover art for Love Rhapsody

Love Rhapsody

Emma Sidney’s debut jazz album Love Rhapsody traces love in every mood, from triumph to loss. Standards sit beside three of her own songs, sung with swing, Latin colour and intimate ballad feeling.

Songwriter