Move Records Australian classical & art music, est. 1968
Front cover art for Love Rhapsody

Love Rhapsody

Emma Sidney’s debut jazz album Love Rhapsody traces love in every mood, from triumph to loss. Standards sit beside three of her own songs, sung with swing, Latin colour and intimate ballad feeling.

  • CatalogueMCD 211
  • Released1 Aug 2002
  • Playing time61 minutes 51 seconds

Listen & tracks

14 of 23 tracks have a preview · 14 works · 61:51

  1. 1 You'd Be So Nice To Come Home To Cole Porter 3:25
  2. 2 The Very Thought Of You Ray Noble 4:48
  3. 3 L-O-V-E Bert Kaempfert 3:57
  4. 4 Don't Explain Billie Holiday 5:36
  5. 5 Changeable Day Emma Sidney 4:47
  6. 6 Blues For Breakfast Matt Dennis 3:48
  7. 7 Lament Emma Sidney 7:07
  8. 8 A Day In The Life Of A Fool (Black Orpheus) Carl Sigman 4:13
  9. 9 Solitude Duke Ellington 3:46
  10. 10 Nature Boy Eden Ahbez 5:06
  11. 11 Almost Like Being In Love Frederick Loewe 3:37
  12. 12 Love Rhapsody Emma Sidney 3:11
  13. 13 It's A Sin To Tell A Lie Billy Mayhew 2:56
  14. 14 And I Love Him John Lennon 5:34

Listening to this CD is a treat for the ears. Lush, organic sounds from an ‘all in’ approach give an unusually live feel for a studio album. The quintet and sextet numbers are vibrant with good humour, while the trio and quartet tracks let the vocal shine through – intimate and honest. From the first track You'd be so nice to come home to, swing is alive and this singer has it. Emma's Latin vibe rings true, and any ballad can be a perfect moment – such as Blues for Breakfast, where the vocal pulls at the heart strings, with moments of absolute destitution.

In a world where new vocal jazz composition is rare, Emma has added three beautiful originals (Lament, Changeable Day and Love Rhapsody), bringing new life to the blues and Latin genres. Notable brilliance comes on Lament, Don't Explain and Solitude.

Love Rhapsody is an inspired look by a musician confident to cross styles with a willing sense of experimentation. It has the appeal of the familiar while leading you into unexpected places. As a debut, Love Rhapsody holds shining moments and much promise for the future.

Reviews

Emma has a nice easy style, whether swinging the standards or interpreting a slow ballad ... a fine effort from all concerned and I'm sure this will be the first of many CDs...

assured projection and exacting pitch ... immersing herself in the emotions suggested by the song.

Absolutely beautiful! So well done ... the arrangements, production, and [her] voice is great!!

Artists

Photograph of Emma Sidney by photographer Clayon Andrew McLauchlan

Emma Sidney

vocals

Emma Sidney is a Melbourne jazz vocalist who has performed classical, opera, musical theatre and jazz since 1988. From 1999 she has worked full time as a bandleader, private teacher and performer in Australia and overseas.

Photograph of Luiz Bonfá

Luiz Bonfá

composer

Luiz Bonfá wrote the melodies that still define Black Orpheus, above all Manhã de Carnaval, and forged a bold, lyrical Brazilian guitar voice that bridged samba-canção and bossa nova.

Photograph of Duke Ellington

Duke Ellington

composer

Duke Ellington wrote jazz that slips past easy labels: three-minute standards thick with colour, growl and hush, and longer suites built for the voices of a big band. His orchestra was the instrument; the songs still own the night.

Photograph of John Lennon

John Lennon

composer

John Lennon's songs cut through styles and decades with plainspoken hooks and melodies that refuse to age. From Beatles classics to the solo anthem Imagine, his writing keeps finding new voices in jazz rooms, a cappella circles and the concert hall.

Photograph of Frederick Loewe

Frederick Loewe

composer

Frederick Loewe (1901–1988) was an Austrian-American composer of Broadway musical theatre. His scores for My Fair Lady and Camelot became lasting standards and were both filmed.

Photograph of Paul McCartney

Paul McCartney

composer

Paul McCartney's songs travel far beyond their rock origins. Melodic, singable and built for reinvention, they turn up here in jazz sets, a cappella harmony, intimate guitar ballads and even harpsichord with drums and bass.

Photograph of Cole Porter

Cole Porter

composer

Cole Porter wrote both the tunes and the words: urbane, sharp-edged songs built for the stage and still at home in the jazz room. From Night and Day to You're the Top, I Get a Kick Out of You and I Concentrate on You, his catalogue keeps singers circling back.

No photograph: Eden Ahbez

Eden Ahbez

composer

No photograph: Eddie DeLange

Eddie DeLange

composer

Eddie DeLange wrote the lyrics that give shape to lasting American standards. His words ride under Ellington's Solitude and Van Heusen's Darn That Dream, songs still sought for their mix of longing and swing-era ease.

No photograph: Matt Dennis

Matt Dennis

composer

Matt Dennis (1914–2002) was an American singer, pianist, bandleader, arranger and songwriter whose popular songs became lasting standards of the mid-twentieth century.

No photograph: Milt Gabler

Milt Gabler

composer

No photograph: Jerry Gladstone

Jerry Gladstone

composer

No photograph: Arthur Herzog, Jr.

Arthur Herzog, Jr.

composer

No photograph: Billie Holiday

Billie Holiday

composer

Billie Holiday shaped jazz and popular singing with a voice that phrased like a horn, bending tempo and melody around the lyric. Her own songs, among them Don't Explain and God Bless the Child, sit beside the standards she made indelible.

No photograph: Bert Kaempfert

Bert Kaempfert

composer

No photograph: Alan Jay Lerner

Alan Jay Lerner

composer

The lyrics of Alan Jay Lerner, written chiefly with Frederick Loewe, shaped some of the most durable songs in musical theatre. My Fair Lady, Brigadoon, Camelot, Gigi and Paint Your Wagon still circulate as standards far beyond the stage.

No photograph: Antônio Maria

Antônio Maria

composer

Antônio Maria wrote the lyrics that made Luiz Bonfá's Manhã de Carnaval a global standard. The song's carnival dawn of longing, later sung in English as A Day in the Life of a Fool, anchors Black Orpheus and endless jazz readings.

No photograph: Billy Mayhew

Billy Mayhew

composer

No photograph: Irving Mills

Irving Mills

composer

Irving Mills (1894–1985) was an American music publisher, lyricist and jazz promoter. He co-wrote lasting standards of the swing era and built one of the major popular-music publishing houses of the twentieth century.

No photograph: Ray Noble

Ray Noble

composer

No photograph: Carl Sigman

Carl Sigman

composer

Carl Sigman wrote lyrics that turned melodies into lasting standards, from big-band swing to film themes. His words for It's All in the Game and A Day in the Life of a Fool still travel easily into jazz and popular song.

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$25.00 AUD

Compact disc

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Performers

Details

List price
$25.00 AUD
Total playing time
61 minutes 51 seconds
Release date
Categories
Australian, Jazz, Vocal
Musical work copyright
© 2002 Emma Sidney
Sound recording copyright
℗ 2002 Move Records
Catalogue
MCD 211
EAN
9314574021127

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