Listen & tracks
1 of 8 tracks have a preview · 6 works · 57:14
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1 Calm Water Lê Tuấn Hùng 7:16
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2 Longing for the Wind Lê Tuấn Hùng 7:22
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3 Improvisation on Sa Mac Mode Lê Tuấn Hùng 6:48
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4 Inspiration on a South Vietnamese Folk Melody Dang Kim Hien 9:54
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5 Silent Tears Dang Kim Hien 10:34
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6 Webs of Life Lê Tuấn Hùng 15:20
Landscapes of Time gathers works that open new paths in contemporary sound art while keeping a clear Vietnamese musical colour. Modes, traditional instruments and improvisation carry that tradition openly. At the same time the music presses outward: new techniques on familiar instruments, fresh ideas of structure and texture, and borrowed means such as Balinese flute, Latin American rain stick, Tibetan and Mongolian harmonic singing, and new technologies. Even throat-voice singing without opening the mouth appears among the performing methods. The feelings and ideas in each piece shaped which sounds the composers chose.
Lê Tuấn Hùng and Dang Kim Hien join virtuoso performance and scholarly work in Vietnamese folk and classical music with a strong interest in contemporary forms. Their pieces, which stretch the edges of sound while retaining Vietnamese colour, mark a distinct line in contemporary sound art. All works were recorded in Melbourne in 1996.
Reviews
... the prize (is) 'Webs of Life' which wanders gently through many different sonic areas
Artists
Lê Tuấn Hùng
dan tranh (vietnamese zither), suling (balinese flute), electronic crickets, voice, bells, mo (temple block), dan nguyet (vietnamese moon-lute), wind chimes, plastic wind roarer, ocarina
Lê Tuấn Hùng is a composer, performer and author, specialising in Vietnamese music and the experimental music of contemporary Australia. He has written widely on Vietnamese performing arts and is regarded as an international authority in Vietnamese musicology.
Dang Kim Hien
dan tranh (vietnamese zither), electronic crickets, voice, dan bau (vietnamese monochord), amplified throat voice, phach tre (bamboo block), dua tre (bamboo chopsticks)
Dang Kim Hien is a composer and virtuoso performer of both traditional and contemporary Vietnamese music. She taught for fourteen years at the Department of Traditional Music of the Conservatory of Music in Saigon.
Digital booklet
Digital booklet Notes, texts and credits — read online or download the PDF Download the PDFPerformers
- Lê Tuấn Hùng · dan tranh (vietnamese zither), suling (balinese flute), electronic crickets, voice, bells, mo (temple block), dan nguyet (vietnamese moon-lute), wind chimes, plastic wind roarer, ocarina
- Dang Kim Hien · dan tranh (vietnamese zither), electronic crickets, voice, dan bau (vietnamese monochord), amplified throat voice, phach tre (bamboo block), dua tre (bamboo chopsticks)
Technical credits
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Editing Engineer
Martin Wright
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Mastering Engineer
Martin Wright
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Thanks to
Creative Australia
Details
- List price
- $25.00 AUD
- Total playing time
- 57 minutes 14 seconds
- Release date
- 1997
- Categories
- Classical, Cross-cultural
- Musical work copyright
- © 1996 Le Tuan Hung & Dang Kim Hien
- Sound recording copyright
- ℗ 1997 Move Records
- Catalogue
- MD 3197
- EAN
- 9314574319729
More to explore

On the Wings of a Butterfly
Cross-cultural music by Australian composers. This 2005 collection from Lê Tuấn Hùng gathers works by Ros Bandt, Brigid Burke, Warren Burt, Deborah Kayser and others, and was nominated for an ARIA Award.

Scent of Time
Six Australian composers take Asian instruments and voices beyond their own traditions. From dan tranh and sheng to shakuhachi and erhu, the programme is cross-cultural concert music at its most exploratory.

Echoes of Ancestral Voices
Le Tuan Hung and Dang Kim Hien present traditional Vietnamese classical and folk music on Echoes of Ancestral Voices, following their earlier Move disc Landscapes of Time.

Musical Transfiguration
An acoustic journey across Vietnamese soundscapes, from majestic court music and the subtle flow of lullabies to chanted poetry, classical chamber music and lively village festival songs.

Footsteps
The sound of feet on the earth’s surface is a reminder of how location shapes our lives. Ros Bandt’s journey of place, from Western Australia and Florida to suburban Melbourne, is unlike anything else on record.

Quivering String
Four composer-performers of Back to Back Zithers weave Vietnamese, Sundanese and mediaeval European strands into new Australian chamber music for zithers, flutes, voice and found sound.
