Move Records Australian classical & art music, est. 1968
Front cover art for Songs from Georgia

Songs from Georgia

Unique for its sound, melodies, harmonies, polyphony and modes, Georgian music was declared by Igor Stravinsky a stimulus for modern Western music. Australian ensemble Golden Fleece collects, teaches and researches this tradition, painting a vivid portrait of a rich cultural heritage.

  • CatalogueMCD 127
  • Released1999
  • Playing time54 minutes 29 seconds
  • Recorded at Move Records Studio

Listen & tracks

20 works · 54:29

  1. 1 Elesa Traditional (work song) 3:07
  2. 2 Mgzavruli Traditional (travelling song) 1:50
  3. 3 Batonebo Traditional (lords) 3:18
  4. 4 Ali-Pasha Traditional 1:43
  5. 5 Shashvi-kakabi Traditional (blackbird and starlet) 4:45
  6. 6 Mival guriashi Traditional (I am going to Guria) 2:31
  7. 7 Batonebis simghera Traditional (the song for the lords) 2:09
  8. 8 Guruli perkhuli Traditional (Gurian round dance) 2:15
  9. 9 Asho Chela Traditional 3:38
  10. 10 Imeruli Mravalzhamier Traditional 2:09
  11. 11 Zhamta da tselta Traditional (epochs and years) 1:49
  12. 12 Tskhenosnuri Traditional (horse riding) 1:55
  13. 13 Mravalzhamier Traditional 2:46
  14. 14 Svanuri perkhuli Traditional (Svanetian round dance) 3:07
  15. 15 Mirangula Traditional (the name of a woman-fighter) 2:39
  16. 16 Shina vorgil Traditional (round dance song from Svaneti) 2:51
  17. 17 Nana Traditional (lullaby) 2:58
  18. 18 Keisruli Traditional (Caesar’s song) 3:32
  19. 19 Shen khar venakhi Traditional (You are a vineyard) 2:40
  20. 20 Adila Traditional 2:47

Unique because of its sound qualities, melodies, harmonies, polyphony and modes, Georgian music was declared by the famous Russian composer Igor Stravinsky to be one of the most powerful impressions in his life – and the spontaneous creativity of Georgian singers a stimulus for the development of modern Western music.

The largely a cappella Georgian songs accompany the most important moments of a villager’s life: birth, the naming of a child, wedding ceremonies, work in the fields and at home, religious festivals and secular celebrations, death and burial, illness and everyday life.

The Australian vocal ensemble Golden Fleece is proud to collect, teach and research Georgian music and here paints a vivid portrait of a rich cultural heritage.

In the artist’s words

The trio Golden Fleece consists of Joseph Jordania, PhD (low voices and percussion) and Nino Tsitsishvili, MA (high voices and chonguri). Both are ethnomusicologists who arrived in Australia in 1995 from Georgia. The third member of the ensemble is German-born Christoph Maubach M.Ed (middle voices and percussion). Christoph is a music educator, who has specialised in Orff music and movement education. He is a lecturer in music education at Australian Catholic University in Melbourne.

Golden Fleece was formed in January 1996 in Melbourne. Since then the trio has performed concerts and taught workshops at many Australian music events including the Woodford Festival, the National Folk Festival and the Sydney A Cappella Festival. Golden Fleece has performed abroad in Chicago and Los Angeles and some of their performances have been broadcast by the Australian Broadcasting Corporation.

Artists

Photograph of Golden Fleece

Golden Fleece

vocals, chonguri, percussion

Golden Fleece is an Australian vocal ensemble which performs, collects, teaches and researches traditional Georgian music. The group takes its name from the well known mythical object the golden fleece.

Buy now

$25.00 AUD

Compact disc

Stream now

Also available to download from the iTunes Store.

Performers

Technical credits

  • Producer Christoph Maubach
    Joseph Jordania
    Nino Tsitsishvili
  • Recording Engineer Vaughan McAlley
  • Venue Move Records Studio

Details

List price
$25.00 AUD
Total playing time
54 minutes 29 seconds
Release date
Categories
Cross-cultural, Folk music, Vocal
Musical work copyright
© 1999 Golden Fleece
Sound recording copyright
℗ 1999 Golden Fleece
Catalogue
MCD 127
EAN
9314574012729

More to explore

Front cover art for Nordic Moods & Baroque Echoes

Nordic Moods & Baroque Echoes

A collaboration between Duo Langborn/Wendel and The Marais Project, this album blends baroque repertoire, new compositions and arrangements, and folk music from Australia and Sweden.

Front cover art for Where have you been all these years?

Where have you been all these years?

Claire Patti (vocal and harp), Louise Godwin (cello) and Tony Gould (piano) join in a warm tribute to musical friendship, bringing fresh interpretive colour to traditional songs they love.

Front cover art for A Baroque Christmas

A Baroque Christmas

The music on this CD is a historical Christmas “pick of the pops”, from the late 1400s to the end of the Baroque period. Directed by Douglas Lawrence, the Australian Chamber Choir offers a programme recorded live in concert during their 2019 European tour. The 17 tracks are drawn from lesser-known seasonal works, championing a sublime repertoire that is all too often neglected.

Front cover art for Fika

Fika

Fika is the second album from crossover ensemble Elysian Fields: music shaped for the Swedish custom of gathering with friends over coffee, conversation and something sweet to share.

Front cover art for The Garden Party

The Garden Party

The Marais Project’s anniversary disc The Garden Party has a festive flavour, mixing world-premiere Marais arrangements and Eriksson’s title track with earlier Move recordings across French baroque, Swedish folk and South American song.

Front cover art for Christmas Variations

Christmas Variations

Harpist Megan Reeve gathers Christmas music in theme and variation: familiar carols, a French Noël, Britten, Bach–Gounod, and an Australian lullaby, with flute on two tracks.