Move Records Australian classical & art music, est. 1968

Josquin to Martin

A miscellany spanning High and Late Renaissance motets and nineteenth- and twentieth-century sacred works, drawn from Ensemble Gombert’s first European tour in 2004. The programme was chosen to complement Hommage à Gombert, then in production, with Gombert, Lassus and Monteverdi.

Ensemble Gombert ensemble
John O'Donnell director
Josquin des Prez composer
Nicolas Gombert composer
Philippe de Monte composer
William Byrd composer
Johannes Brahms composer
Frank Martin composer

Directed by John O’Donnell, the Melbourne choir sets Renaissance motets by Josquin, Gombert, de Monte and Byrd beside Brahms’s Drei Motetten, Op. 110, and Frank Martin’s Mass for Double Choir.

The selection reflects the tour programme rather than a single historical period, pairing early polyphony with later sacred writing for double choir.

Artists

Photograph of Ensemble Gombert

Ensemble Gombert

Ensemble Gombert is Melbourne’s outstanding chamber choir, noted for its pure intonation and historic approach to choral sound and style. Named after Nicolas Gombert (c. 1495–1560), it specialises in a cappella Franco-Flemish music of the High Renaissance.

Photograph of Josquin des Prez

Josquin des Prez

Josquin des Prez shaped Renaissance vocal polyphony into something keenly expressive: independent voices that imitate, answer and lock around the text. Masses, motets and chansons still sound alive in the throat.

Photograph of John O'Donnell

John O'Donnell

John O’Donnell, Director of Ensemble Gombert, studied at the New South Wales State Conservatorium of Music in Sydney and at the University of Durham. After performing Bach’s complete organ works in 1974, he built an international reputation as an organist and harpsichordist.

Audio preview

Audio preview tracks for this release; use the play buttons or row links to play.

Tracks

Josquin Desprez (c.1450–1521)
Ave Maria
Inviolata, integra et casta es
Benedicta es, caelorum Regina

Nicolas Gombert (c.1495–1560)
Regina caeli laetare

Philippe de Monte (1521–1603)
Super flumina Babylonis

William Byrd (1543–1623)
Quomodo cantabimus?

Johannes Brahms (1833–1897)
Drei Motetten, Opus 110
Ich aber bin elend
Ach, arme Welt
Wenn wir in höchsten Nöten sein

Frank Martin (1890–1974)
Mass for Double Choir

Performers

Composers

Photograph of Johannes Brahms

Johannes Brahms

Johannes Brahms (1833–1897) was a German composer and pianist of the Romantic period. His music for piano, chamber ensemble, orchestra, and voice remains central to the concert repertoire.

Photograph of William Byrd

William Byrd

William Byrd wrote English Renaissance polyphony that still defines the choral repertory: Latin motets of fierce concentration, three Masses of luminous restraint, Anglican services and anthems, plus keyboard and consort music of dancing invention.

No photograph: Nicolas Gombert

Nicolas Gombert

Nicolas Gombert wrote dense, closely imitative sacred polyphony at the height of the Franco-Flemish style: masses, motets and Magnificat settings in continuous textures that favour lower voices and bold cross-relations.

Where to listen

Josquin to Martin is available as a CD. It can be purchased online through Buywell Music or the Australian Music Centre which both offer online ordering.

Product details

Catalogue number
MCD 277
List price
$25.00 AUD
Musical work
copyright
© Move Records
Sound recording
copyright
℗ Move Records
Categories
Baroque, Choral
Genres
Choral & Sacred, Early Music
Barcode
EAN 9314574027723

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