Listen & tracks

15 works · 127:31

Disc 1

1 Twinkle Twinkle Little Star (TTLS) theme Julian Yu :18
2 TTLS complete theme Julian Yu :40
CounterpointJulian Yu 9 movements2:11
1. 3 First species :16
2. 4 Second species :11
3. 5 Third species :13
4. 6 Fourth species :16
5. 7 Fifth species :13
6. 8 TTLS Canon :16
7. 9 TTLS invertible :16
8. 10 TTLS Non-imitative counterpoint :14
9. 11 TTLS Invertible non-imitative counterpoint :16
Signature motifsJulian Yu 2 movements:46
1. 12 Signature motifs 2 voices :17
2. 13 Signature motifs 3 voices :29
J. S. Bach’s famous theme with the cantus firmusJulian Yu 3 movements4:05
1. 14 TTLS with the cantus firmus :52
2. 15 TTLS Invention :46
3. 16 Kleine Fuge 2:27
HarmonyJulian Yu 11 movements3:21
1. 17 TTLS harmonised with primary triads :18
2. 18 TTLS harmonised with primary triads, altered melody :16
3. 19 TTLS Non-harmonic tones :16
4. 20 TTLS Harmonic sequence :16
5. 21 TTLS Secondary dominants :15
6. 22 TTLS Suspension :14
7. 23 TTLS Chromatic passing (1) :21
8. 24 TTLS Chromatic passing (2) :20
9. 25 TTLS Harmonic progression :24
10. 26 TTLS Quartal chords :21
11. 27 TTLS Pentatonic scale :20
Texture and FigurationJulian Yu 10 movements4:12
1. 28 TTLS Alberti bass :14
2. 29 TTLS Allegro appassionato (Ballade in G minor Op. 23 by Chopin) :19
3. 30 TTLS Allegro delicato :18
4. 31 TTLS Tempo di gavotta (Gavotte by F. J. Gossec) :14
5. 32 TTLS Andante affettuoso alla Liszt (Three Concert Études No. 3) :32
6. 33 TTLS Moderato grazioso a Mendelssohn (Song of Spring from Songs Without Words Op. 62 No. 6) :13
7. 34 TTLS A la polonaise (Chopin’s Polonaise in A major Op. 40 No. 1) :15
8. 35 TTLS Tempo di valse (J. Strauss’ Tales from the Vienna Woods) :13
9. 36 TTLS Moderato e con grandezza :31
10. 37 TTLS Song without voice – music for the left hand alone 1:23
Some TricksJulian Yu 10 movements6:27
1. 38 TTLS Melodic development 1:57
2. 39 TTLS Palindrome :14
3. 40 TTLS Scherzino :14
4. 41 TTLS Black and White :27
5. 42 TTLS Golden Star Dance (Chinese folk tune Wild Dance of the Golden Snake) :28
6. 43 TTLS Crab Canon :35
7. 44 TTLS Crab Canon – full :32
8. 45 TTLS Quodlibet (Mozart, Mendelssohn, folk and children’s songs) :49
9. 46 TTLS Dovetailing (Frère Jacques) :19
10. 47 Is Jacques still asleep? :52
Composers and GenresJulian Yu 30 movements43:37
1. 48 Bach Prelude (Prelude in C minor, from The Well-Tempered Clavier, Book I) :24
2. 49 Giulio Caccini Ave Maria 2:35
3. 50 Pachelbel Canon 2:13
4. 51 Vivaldi Spring 1:26
5. 52 Schubert “Impromoments Musical” :55
6. 53 Hanon “Canon on Hanon” :17
7. 54 Mozart “Rondo alla Twinka” (Rondo alla Turca) 1:14
8. 55 Shostakovich Piano Concerto No. 1 :23
9. 56 Bartók in Bagpipers style :35
10. 57 Beethoven “Für Estelle” (“Für Elise”) :35
11. 58 Strauss Radetzky March 1:01
12. 59 Bizet Habanera from Carmen 1:09
13. 60 Ravel Bolero :58
14. 61 Saint-Saëns Danse Macabre 1:05
15. 62 Grieg “Edvard’s Dance” 2:07
16. 63 Chopin Étude 1:08
17. 64 Khachaturian Toccata :59
18. 65 Dvořák “Little Star over the New World” 2:10
19. 66 Tchaikovsky “Rondo” (The Nutcracker) 1:19
20. 67 Rimsky-Korsakov Sheherazade 2:40
21. 68 Mussorgsky “Preview of Pictures at an Exhibition” 1:59
22. 69 Brahms Symphony No. 1 1:24
23. 70 Schumann Carnaval and Piano Concerto in A minor 1:04
24. 71 Liszt “Little Star Rhapsody” 3:23
25. 72 Debussy “Faun in Moonlit Snow” 2:09
26. 73 Gershwin “Rap in Light Blue” (Rhapsody in Blue) 1:39
27. 74 Puccini Nessun Dorma (Turandot) 1:27
28. 75 Rachmaninov Prelude in G minor 1:18
29. 76 Prokofiev “Three Oranges” (The Love for Three Oranges) 2:19
30. 77 Copland “Rodeo Rhythm” (Rodeo) 1:42
Tonality and AtonalityJulian Yu 9 movements2:52
1. 78 Canon using bitonality (minor 9th) :24
2. 79 Canon using bitonality (major 7th) :23
3. 80 Canon using bitonality (major 6th) :22
4. 81 TTLS with contrasting melody in a different key :14
5. 82 TTLS with contrasting melody and harmony in different keys :15
6. 83 TTLS harmonised with increased dissonance :17
7. 84 TTLS A free atonal harmonisation :16
8. 85 TTLS two strands of parallel triads :17
9. 86 TTLS two strands of parallel triads (mirror image) :24
Twelve-Tone and SerialismJulian Yu 6 movements3:20
1. 87 TTLS The twelve-tone series :18
2. 88 Sad Story :36
3. 89 Twinkle Twinkle is not “in tune” :19
4. 90 Schoenberg in Gavotte style (Suite für Klavier, Op. 25) :39
5. 91 Webern “Pointillism” (Variationen, Op. 27) :20
6. 92 Berg Sonate (Piano Sonata Op. 1) 1:08

Disc 2

Boundless PossibilitiesJulian Yu 20 movements17:15
1. 1 TTLS Modes of limited transposition :08
2. 2 Messiaen “Étoiles Exotiques” (Oiseaux Exotiques) :57
3. 3 Joji Yuasa Cosmos Haptic 2:06
4. 4 Takemitsu “Uninterrupted Song of Love” (Pause Ininterrompue) 1:27
5. 5 Ligeti “Con Spirito” (Musica Ricercata) :31
6. 6 Stravinsky “The Soldier’s March” (The Soldier’s Tale) 1:06
7. 7 Witold Lutosławski Taniec (Little Suite for Symphony Orchestra) 1:14
8. 8 Kabalevsky Clowns Op. 30 No. 20 :36
9. 9 TTLS Minimalism Minitude 1:10
10. 10 TTLS Notation Phantasy 1:37
11. 11 Using numbers to find a new rhythm :21
12. 12 TTLS new rhythm :20
13. 13 TTLS Reinvention :57
14. 14 TTLS Tone Cluster and Graphic Notation :18
15. 15 Sudden Incident (Music Notation) :20
16. 16 Astralita – My Little Star (in the style of Julian Yu) :49
17. 17 TTLS Bagatelle :42
18. 18 Pentatude (study based on the number 5) :47
19. 19 Autumn Evening (haiku one note) :48
20. 20 Ancient Pool (haiku two notes) 1:01
Popular MusicJulian Yu 5 movements3:44
1. 21 TTLS Disco :26
2. 22 TTLS Ragtime (Scott Joplin’s Maple Leaf Rag) 1:01
3. 23 TTLS Boogie :26
4. 24 TTLS Jazz 1:01
5. 25 TTLS Blues :50
Folk MusicJulian Yu 9 movements10:50
1. 26 “Star-kura” (folk tune Sakura) :40
2. 27 “The Stars are High” (Chinese style) 1:06
3. 28 Chinese folk ornamentation 1:05
4. 29 Heterophony in Chinese music :35
5. 30 Beat in Peking Opera 1:01
6. 31 stAr-irang (Korean folksong Arirang) :45
7. 32 “The Starlark” (Romanian folk tune Ciocîrlia [The Skylark]) :56
8. 33 Philogamelania (Indonesian gamelan music) 1:24
9. 34 Finale – Passacaglia 3:18
Pieces for Children for two pianosDmitri Kabalevsky 38 movements23:53
1. 35 Little Song, Op. 39: No. 1 :22
2. 36 Short Polka, Op. 39: No. 2 :13
3. 37 Marching Tune, Op. 39: No. 3 :14
4. 38 Lullaby, Op. 39: No. 4 :19
5. 39 Play, Op. 39: No. 5 :19
6. 40 Short Scherzo, Op. 39: No. 6 :16
7. 41 A Funny Event, Op. 39: No. 7 :28
8. 42 Melody, Op. 39: No. 8 :38
9. 43 Dance, Op. 39: No. 9 :15
10. 44 March, Op. 39: No. 10 :16
11. 45 Autumn Song, Op. 39: No. 11 :42
12. 46 Joke, Op. 39: No. 12 :17
13. 47 Waltz, Op. 39: No. 13 :31
14. 48 Little Fairy Tale, Op. 39: No. 14 :18
15. 49 Race, Op. 39: No. 15 :21
16. 50 Sad Story (1), Op. 39: No. 16 :37
17. 51 Folk Dance, Op. 39: No. 17 :27
18. 52 Gallop, Op. 39: No. 18 :22
19. 53 Prelude, Op. 39: No. 19 :48
20. 54 Clowns, Op. 39: No. 20 :29
21. 55 Improvisations, Op. 39: No. 21 1:09
22. 56 Novelette, Op. 39: No. 22 :36
23. 57 Slow Waltz, Op. 39: No. 23 :48
24. 58 Happy Journey, Op. 39: No. 24 :28
25. 59 Cross-Patch, Op. 89: No. 12 :15
26. 60 A Little Hedgehog, Op. 89: No. 8 :13
27. 61 My Little Stubborn Brother, Op. 89: No. 27 :33
28. 62 Dance, Op. 27: No. 27 :51
29. 63 A Little Prank, Op. 27: No. 13 1:04
30. 64 Sad Story (2), Op. 27: No. 6 1:01
31. 65 Dramatic Fragment, Op. 27: No. 30 2:45
32. 66 Ditty, Op. 27: No. 2 :47
33. 67 Meadow Dance, Op. 27: No. 17 :40
34. 68 Fairy Tale, Op. 27: No. 20 1:02
35. 69 Song of the Cavalry, Op. 27: No. 29 :51
36. 70 Playing Ball, Op. 27: No. 5 :39
37. 71 Waltz Time, Op. 27: No. 1 :42
38. 72 Étude, Op. 27: No. 26 1:17

The collection demonstrates many approaches to composition across classical styles as well as popular and folk genres from different countries.

Early pieces explore counterpoint, harmony, melodic development, texture and figuration, tonality and atonality.

Later pieces are deliberate, often hilarious parodies of well-known works. They range from Baroque, Classical and Romantic models, with a brief nod to popular and jazz repertoire, through twentieth-century serial and minimalist schools. The set closes with imitations of folk music from several Asian countries.

Disc two also includes Kabalevsky’s Pieces for Children for two pianos, with a second piano part composed by Julian Yu.

In the artist’s words

In 2010 Zen-On Music in Japan published my piano album of the above title containing over 100 variations on Twinkle, Twinkle Little Star. The aim of these was to show many different composition techniques, while also being great fun to play. The album proved very popular and was quickly published in China as well.

In this CD, pianist legend Michael Kieran Harvey plays the complete album brilliantly. Michael is well-known as a champion of Australian contemporary composition, so it may come as a surprise to hear him playing such tuneful, simple music – until he gets to the later pieces, some of which are quite modern and challenging.

Where did my idea come from to write so many variations? It came from a joke that I heard once about a leader who, after giving a speech, led the crowd in singing a song – except that, in his nervousness, he sang the right words and rhythm to the wrong melody, causing general hilarity. This mishap, interchanging the words and melody of two different songs, gave me to realise that in composition one could interchange the rhythm and melody, or melody and harmony, texture and so on, of two or more different pieces.

When teaching composition, I often demonstrate different ways of varying a given theme. Students frequently ask me questions such as, “How many harmonic and contrapuntal treatments of this theme are possible?”; “How might a Romantic composer have treated this theme?”; or “How can I create an atonal piece of music out of a tonal theme?” Although the themes they ask about are all different, I thought that it might be helpful to use just one theme to illustrate many different compositional techniques and styles and show the myriad ways in which one can modify a theme, that is, to show how unity can beget diversity.

The collection is deliberately popular in its approach, and aims to be humorous and interesting, in order to convey the feeling that ‘classical music’ need not be serious, high-brow or unreachable. The variations present a wide range of familiar musical styles, highlighting the differences between them.

Many of the variations are deliberately reminiscent of well-known works, created by taking the work in question as a base and substituting, merging, piecing together or superimposing the notes of Twinkle, Twinkle Little Star. Some famous pieces that are difficult to play in their original form have been simplified during the process of imitation, in order to make these variations accessible to pianists with a medium level of proficiency.

The collection is intended mainly as an introduction to classical music styles, but at the end there are also some variations based on popular and folk music genres from different countries.

For the casual listener these pieces will provide hours of fun and entertainment, while the more serious listener may learn much about the process of composition by studying them in conjunction with the piano album.

— Julian Yu

Reviews

Julian Yu’s 126 Variations on Twinkle Twinkle Little Star for piano is a tour de force of compositional craft, brilliantly interpreted by pianist Michael Kieran Harvey.

Julian Yu has already had significant success with his variations on Twinkle Twinkle Little Star as a pedagogical sheet music publication first in Japan and then in China. The work showcases the myriad of compositional techniques that composers have traditionally brought to the theme and variations genre; and being a theme of only six short seven-note phrases, it lends itself to this extraordinary number of variational exercises. The result is a major work that can be encompassed within the span of a standard concert program but not quite within the span of one CD. The remainder of the second CD comprises yet another unusual arrangement experiment: Yu has written (with the necessary permissions) a second piano part to thirty-eight of Dmitri Kabalevsky’s Pieces for Children (mainly from Op 39 and Op. 27), again with the intention of parading his palette of compositional/arrangement techniques. Variations on “Twinkle Twinkle” have been tackled by composers as diverse as Mozart and Alvin and the Chipmunks, but none with the same exhaustive and (some might say) exhausting result as Julian Yu. In order to get some order into his enterprise Yu has grouped his efforts under headings such as “counterpoint”, “harmony”, “texture and figuration”, “some tricks”, “composers and genres”, “tonality and atonality”, “twelve-tone and serialism”, “boundless possibilities”, “popular music” and “folk music”. The earlier contrapuntal, harmonic, textural and “trick” variations are well crafted but rather staid with the exception of a rather brilliant Bach-styled invention (track 15). When we get to the “composers and genres”, Yu’s talent of stylistic parody shines through with variations based on canonical works. The best of these are treatments of Bach’s “Prelude in C minor, Book 1”, Vivaldi’s “Spring”, Saint-Saëns’ “Dance Macabre”, Puccini’s “Nessun Dorma”, Rachmaninov’s “Prelude in G Minor” and Copland’s “Rodeo”.

Yu’s variations using bitonal, atonal, serial and symmetrical scale techniques are also very clever and aurally attractive.

With the exception of his ragtime parody, the five movements in the “popular” category fall a bit flat, but Yu’s decorative approach in his Japanese, Korean, Indonesian and Chinese variations provides a fitting end to the monumental work.

As for the Kabalevsky, Yu’s approach is reverential rather than in any way imposing or inappropriately flamboyant.

Michael Kieran Harvey’s performances are very impressive. It is wonderful to hear the subtlety of his playing of simple textures (even single lines) because we are so used to hearing him play dazzling virtuosic music. Particularly impressive is the flawless rhythmic flow of his overdubbing of the second piano part in the Kabalevsky pieces.

— Michael Hannan, Music Trust Website

Artists

Michael Kieran Harvey

piano

Australian pianist and composer Dr Michael Kieran Harvey FAHA is among the foremost interpreters of contemporary piano music of his generation. A champion of Australian music, he regularly commissions new work and has performed with the country’s leading contemporary ensembles and orchestras.

Julian Yu

composer

Julian Yu is a multi-award-winning Australian composer whose musical language is imbued with elegance and expressiveness, both enhanced by impeccable craft and a special attention to detail.

Dmitri Kabalevsky

composer

Digital booklet

Digital booklet Notes, texts and credits — read online or download the PDF Download the PDF

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$25.00 AUD

Compact disc

Buywell Music Australian Music Centre

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Apple Music

Also available to download from the iTunes Store.

Performers

Michael Kieran Harvey · piano

Technical credits

Recording Engineer Vaughan McAlley
Editing Engineer Vaughan McAlley
Mastering Engineer Martin Wright
Venue Move Records Studio
Front cover Benjamin Thomas
Photography Pia Johnson
Star and cat drawings; programme notes Julian Yu

Details

List price: $25.00 AUD
Total playing time: 127 minutes 31 seconds
Release date: Nov 2015
Category: Classical
Genres: Contemporary Classical, Children's
Catalogue: MD 3404
EAN: 9314574340426

More to explore

70 More Variations on "Twinkle Twinkle Little Star"

The tune “Twinkle Twinkle Little Star” has fascinated and irritated composers through the ages. In this second collection Julian Yu has commissioned a staggeringly diverse cornucopia of stylistic arrangements. Michael Kieran Harvey tackles scores from the frivolous to the frenetic, the fragile to the fragrant, the popular to the profound.