Giovanni Pierluigi da Palestrina
Palestrina's sacred polyphony balances proportion and serenity with crystalline text. His masses and motets move in smooth, carefully controlled lines where dissonance yields to consonance and every voice serves the liturgy.
Hundreds of masses and motets form the core of his output, music shaped for Roman chapels that still defines late Renaissance counterpoint. Settings such as Missa Aeterna Christi munera and Tu es Petrus keep the weave lucid without thinning its richness. Motets including Sicut cervus, Stabat Mater and the multi-choir Nunc dimittis give sacred words measured warmth rather than theatrical heat. Gregorian chant threads through the fabric; voices enter and answer with disciplined grace. What later ages called the Palestrina style is this: clear textures, controlled leaps, and a calm that lets the text glow.
Compositions by Giovanni Pierluigi da Palestrina appear on
The Choir of Ormond College Live
A live retrospective for the Choir of Ormond College’s twenty-first year, gathering concert recordings from 1985 to 2000 under Douglas Lawrence, from Britten’s Festival Te Deum and Fauré’s Requiem to Bach, Palestrina, Poulenc and lively encores.
Beatus Vir
Recorded live on their 1999 European tour, the Choir of Ormond College under Douglas Lawrence presents small-scale sacred works in up to eight parts by Palestrina, Gesualdo, Handl, Gabrieli, Monteverdi, Stanford and Rheinberger.
A Thousand Beautiful and Graceful Inventions
Subtitled ‘The glorious age of medieval and renaissance canons’, this programme of late Middle Ages and Early Modern choral music is sung by the University of Queensland Chamber Singers under Graeme Morton. The illustrated booklet has programme notes by Denis Collins and Jason Stoessel, with complete texts.
Keys to Heaven
The Australian Chamber Choir opens with the first recording of Agata della Pietà’s cantata Ecce nunc, written in eighteenth-century Venice by an orphan of the Ospedale della Pietà and reconstructed by Elizabeth Anderson. Sacred works by Palestrina and Allegri complete the programme.
Soul
Douglas Lawrence OAM leads the Australian Chamber Choir through sacred music spanning Renaissance polyphony, early Baroque splendour and African-American spirituals.
Sing to the Lord, ye Heavenly Hosts
The Choir of The Scots' Church offers sacred music from sixteenth-century Palestrina to twenty-first-century Australian composer Andrew Batterham, crowned by a rare performance of Widor's Mass for choir, baritone choir and two organs.
The Litanies of St. Francis Xavier
A generous 2-CD set of Jan Dismas Zelenka’s liturgical music from the Schola Cantorum of Melbourne: the Litaniae Xaverianae, five Vespers psalms, the Magnificat in D and the Alma Redemptoris Mater.