Listen & tracks
8 works
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1 SEVEN John Cage
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2 Agite Brendan Colbert
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3 Septet Thomas Reiner
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4 Bash Ken Murray
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5 Spiel Brendan Colbert
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6 Sunflowers Harvey Sollberger
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7 Chamber Work #2 Paul Moulatlet
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8 Grace Notes Thomas Reiner
Eight tracks chart a sonic journey through the music of our time: new sound worlds that challenge conventional ideas of what music can be. The disc is not “easy listening”, yet its uncompromising directness and sensual colour give it an immediate pull. Intellectual deliberation is not required; the range of timbres and unusual forms can draw any attentive ear.
The most substantial work is John Cage's late SEVEN, a slow, almost static meditation for seven chamber instruments. Brendan Colbert's flute solo Agite follows – fast, agitated and played with audible drive by Melanie Chilianis. Thomas Reiner, the group's artistic director, contributes Septet, built on harsh dissonances and irregular rhythms. Guitarist Ken Murray both writes and plays Bash, mixing popular and classical techniques into vivid gestures. Colbert's trio Spiel weaves flute, violin and guitar into a shifting web of sound. Harvey Sollberger's Sunflowers sets flute (and alto flute) against vibraphone in a warm, elegant dialogue, before Paul Moulatlet's fragile, expressive Chamber Work #2.
Reiner's clarinet solo Grace Notes closes the programme at its most radical: silences, soft short gestures and sustained tones that seem to live on their own. Beyond the individual pieces, the album documents re-sound's work between 1996 and 1999.
Artists
re-sound
ensemble
re-sound has established itself as one of Australia's most progressive contemporary music ensembles. Its thought-provoking, challenging and dynamic performances explore the sounds of our time across a wide range of genres, styles, and performance contexts.
John Cage
composer
John Cage’s prepared-piano Sonatas and Interludes turn the instrument into a gamelan of pings, thuds and quiet resonance. His late chamber piece SEVEN is a slow, almost static meditation; Dream floats in mellow sustained colour.
Brendan Colbert
composer
Brendan Colbert was born in Ballarat, Victoria, in 1956. After moving to Melbourne in the 1970s he worked with progressive-rock bands as keyboard player and songwriter, and in the 1980s studied composition with Brenton Broadstock and Riccardo Formosa.
Paul Moulatlet
composer
Paul Moulatlet is a Melbourne-based Australian composer of contemporary chamber and electro-acoustic music. His works have been performed across Australia and in England, Italy, Norway and the USA.
Ken Murray
composer
Ken Murray (b. 1968) is a Melbourne guitarist and composer working across classical and electric guitar in contemporary chamber music.
Thomas Reiner
composer
Artistic Director of the ensemble re-sound, Thomas Reiner has received numerous awards for his compositions, including second prize in the International Witold Lutosławski Composers' Competition for Two Movements for Orchestra, the Dorian Le Gallienne Award, and the Albert H. Maggs Composition Award.
Harvey Sollberger
composer
Harvey Sollberger is a composer whose chamber piece Sunflowers sets flute and alto flute against vibraphone in a warm, elegant dialogue.
Performers
- re-sound · ensemble
Details
- List price
- $25.00 AUD
- Category
- Australian
- Musical work copyright
- © Move Records
- Sound recording copyright
- ℗ Move Records
- Catalogue
- MCD 255
- EAN
- 9314574025521
More to explore

The Flowers
All works on this recording are Australian compositions exploring the aesthetics of contemporary art music. The disc offers a fresh perspective on Australian music-making through starkly varied new pieces.

Quiet on the Bridge
Like the group's earlier releases, this disc ranges across electronic and electro-acoustic music, contemporary chamber writing, interactive computer pieces, open indeterminate works and improvisation.

Ephemeral Densities
ephemeral densities is re-sound's third CD, devoted to new Australian work by members Steve Adam, Melanie Chilianis, Paul Moulatlet and Thomas Reiner. It brings together contemporary chamber writing, computer music and popular electronic idioms.

Conversations
The recording of Conversations is an outcome of a research project at Monash University’s School of Music. Six composers worked with performers to shape this electro-acoustic piece, joining team-based composition, contemporary performance practice, and music technology.

In C
Melbourne ensemble re-sound gives Terry Riley's minimalist landmark In C its first electroacoustic reading, folding chamber forces into beats, sequences and electric bass and guitar.

Sidekick
Sidekick is the debut CD from guitar duo Ziggy and Miles. It pairs new works written for the brothers with their own arrangement of Debussy’s Clair de Lune and repertoire from Spain, Latin America and Australia that has shaped their musical identity.
