One of Australia's most distinguished composers, Ross Edwards lives and works in Sydney. For more than two decades his commitment to the ideal of music as a positive and regenerative force within the community has led him to explore beyond the confines of Western Art Music.
Edwards' distinctive sound-world interfuses shapes and patterns from nature with a variety of musical resources which reflect and celebrate Australia's cultural diversity. In his Maninya (dance-chant) pieces, Edwards has pursued an ideal of wholeness - a reintegration of mind, body and spirit and a restoration to 'serious' music of such qualities as lightness, spontaneity and the impulse to dance. Naturally these works have attracted choreography, notably Stanton Welch's ballet Maninyas - based on the violin concerto of the same name - for the San Francisco Ballet and the Singapore Dance Company, as well as Chrissie Parrott's recent interpretation for the West Australian Ballet.
Edwards is perhaps best known for his orchestral music. The most recent compositions include Enyato III (1995) composed for the Sydney Symphony's European Tour in 1995, Concerto for Guitar and Strings (1995) for John Williams and the Darwin Symphony Orchestra, Symphony No.2 - Earth Spirit Songs (1997) for Yvonne Kenny and the Sydney Symphony, White Ghost Dancing (1999), for David Porcelijn and the Tasmanian Symphony and Symphony No.3 - Mater Magna (2000) for the Melbourne Symphony. The acclaimed ABC Classics CD featuring the Sydney Symphony performing Symphony No.1 - Da Pacem Domine (1991) received the highest accolade as Editor's Choice in the 1996 Cannes Classical Awards in France, having already won an Aria award in Australia.
By no means restricted to the concert hall, Ross Edwards' music is frequently used to accompany dance and film, a list of credits which notably includes the original score for the feature film Paradise Road directed by Bruce Beresford. His Dawn Mantras was telecast at the dawn of the new millennium from the sails of the Sydney Opera House to worldwide acclaim.
Compositions by Ross Edwards appear on
Such a Sky features recordings of live performances from the Melbourne Recital centre. Cellist, Imogen Manins and Pianist, Tony Gould are joined by a stella lineup of guests including Slava Grigoryan, David Jones, Gian Slater and Riley Lee.
This recording features the resonant and meditative sounds of the modern day low flutes. These austere, breathy and even creepy flute sounds should inspire an abundance of musical imaginations.
A program of original compositions for carillon, as well as transcriptions and arrangements with an Australian connection.
Eric Klay brings his bass trombone centre-stage in a varied selection of stylish classic, contemporary, and big band pieces.