These are a few of OUR FAVOURITE THINGS – making good music, good food, good wines, a shot of Jack Daniels, and nice enthusiastic audiences.
The idea for this recording came about after the Alan Lee Quartet reunion concert on the closing night of the 2014 Stonnington Festival in Melbourne, which saw the vibraphonist in collaboration with old friends Ted Vining, Tony Gould and Derek Capewell.
With Tony Gould in Hobart for academic duties at the Hobart Conservatorium of Music, Nick Haywood called me suggesting we grasp the opportunity for a “bit of a play” whilst he was in town. And that we did, with Sound Engineer Stewart Long recording it, as it were, solely for our personal listening pleasure.
John Sangster composed the music for the little-known film "Fluteman" in 1982. The film may not be high in your mind, but the music performed by Don Burrows (flute), and eight other jazz players makes wonderful listening apart from the film.
This CD combines a jazz trio, a string orchestra, and various featured instrumental soloists, not to mention the vocal talents of Gian Slater and Eddie Perfect. Graeme Lyall has provided superbly rich arrangements of songs from the Great American Songbook in addition to other notable tunes.
Such a Sky features recordings of live performances from the Melbourne Recital centre. Cellist, Imogen Manins and Pianist, Tony Gould are joined by a stella lineup of guests including Slava Grigoryan, David Jones, Gian Slater and Riley Lee.
Improvisations on beautiful melodies. Cellist Imogen Manins joins forces with Tony Gould (piano) and David Jones (percussion) for this very special new release from Move Records.
This CD is a collection of some of the most extraordinary musical improvisations ever recorded. Composer, pianist, champion of new music, Keith Humble, and amazing American double bass player Bertram Turetzky recorded this set in 1986.
"One of the most rewarding sessions I've recorded for Jazztrack. Maybe the stars aligned that day...the musicians really listening and responding to each other. It's music that surprises and explores."
This collection of pieces includes old and new standards, originals, music written for film, and three pieces composed totally spontaneously at the keyboard.
In 2002, Tony Gould and Emma Gilmartin recorded Tomorrow, Just You Wait and See in the peaceful surrounds of Move's recording studio. Since then they have been lucky enough to revisit this place several times to record more of their favourite songs.
This disc by Floyd Williams & JANUS illustrates the cross fertilisation of folk/popular and jazz genres that occur in classical music. The original premise was to play early music (14th - 16th centuries) on modern instruments without regard for any historian's "purist" concerns.
Laid back jazz vocals float beautifully over bossa and samba rhythms. This unusual mix is inspired by the work of Brazilian artist Antonio Carlos Jobim. The result is an acoustically spacious album which seduces the senses with a mix of familiar and original material.
Dupré's magnificent depictions of the 14 stations of the cross, and his variations on a noel are heard here played by Dr. Robin Batterham on the 4/68 Rieger organ in The Scots' Church Melbourne.
"The hottest, hippest harpsichord in the world today" said one critic of the best selling Bizarre or baRock. Melbourne harpsichordist Elizabeth Anderson has returned to the studio for the long awaited sequel.
Uttered nonsense, (The Owl and the Pussycat), consists eight works of Edward Lear, spoken with the utmost gravity by Mr Ivan Smith, and set to music of the most nonsensical nature by John Sangster.
Played by Michael Kieran Harvey. The pieces themselves are quite eclectic, a result of a wide range of influences, including arrangements/adaptations of established pieces as well as music specifically written for this collection.
In Memoriam features John Lewis' piece of the same name in a 4 hand version. Also included is the Suite for two pianos by Martial Solal and several other tracks including, Prologue, Skating in Central Park, Skyline, Under Capricorn, Poinciana, Milano and Epilogue.
John Lewis' music combines romantic and classical, blues and jazz. These pieces were originally written for the Modern Jazz Quartet, and here they live on, freshly interpreted by Alan Lee (vibraharp), Jo Abbott (piano), Ivan Rosa (bass) and Ben Hendry (drums).
At last, Emma's follow up Album to the acclaimed 'Tomorrow, Just you wait and see' (a collaboration with acclaimed Australian pianist and composer Tony Gould), has arrived.
This live recording of the Ted Vining Trio captures a real performance. The long-running Ted Vining Trio comprises Ted Vining on drums, Bob Sedergreen playing piano, and Barry Buckley on bass. Guitarist Stephen Magnusson makes a special guest appearance on two tracks.
When Aaron was only 21 years old, this, his first CD was described by Paul Grabowsky as "A milestone in Australian jazz". This disc of original compositions is a studio recording created during a pilgrimage to New York.
Featuring an impressive lineup of musicians, including the ARIA-winning pianist, Andrea Keller, guitarist Steve Magnusson and percussionist extraordinaire, Peter Neville, Jacinta's Song is the new CD from multi-saxophonist / composer Jenny Game-Lopata.
Years in the making, the music on this debut album Prism blends thought-provoking lyrics with a strikingly original combination of classical, Celtic and jazz music with Spanish influences and Brazilian rhythms.
Those who knew the Melbourne jazz scene back in the 1970s would fondly remember McJad, the free improvising duo of trumpeter Keith Hounslow and pianist Tony Gould. This double-CD features their latest album plus a bonus re-issue of their original LPs. A true collector's item!
southeast is the debut CD of the Baartz Freeman sextet and contains a diversity of jazz styles that combine numerous musical influences from West Africa to New Orleans to Cuba and New York.
With favourites such as The white cliffs of Dover, Smile and I fall in love too easily, this beautiful duet album between pianist Tony Gould and vocalist Emma Gilmartin is a masterpiece in spontaneous musical invention to be enjoyed again and again. Just you wait and see!
An album full of tried-and-true jazz standards, fashioned around the singular theme of angels. With a top lineup, this wonderful CD features the talents of vocalist Debra Blaquiere, together with award-winning jazz pianist Joe Chindamo and his bass player extraordinaire, Phil Rex.
Innovative ensemble d'volv formed as in 1999 and features the rare combination of electric, steel and nylon string acoustic guitars, performing original compositions with musical influences from Spain, Ireland, contemporary Art music, blues and jazz.
Move's ARIA-nominated jazz duo again returns to the studio for their long awaited new album! This recording goes much further in terms of repertoire, and consequently extends the level of energy on the spirited pieces, and the level of expression on the gentler ones.
Tony Gould, Len Barnard, Graeme Lyall and friends. A fitting musical tribute to one of Australia's unsung heroes of jazz - John Sangster - by some of this country's top performers.
We complete our restored re-release of John Sangster's jazz-inspired view of Tolkien's epic tale with this the fourth and final work in the series. Originally a double LP released in the late 1970s, this album finally met the CD age late in 2006.
This is the third volume of jazz composer John Sangster's classic epic musical interpretation of J.R.R. Tolkien's 'The Lord of the Rings'. Originally a double-LP set issued by EMI over 25 years ago it has never been available on CD until now.
Here is the second volume of jazz composer John Sangster's classic epic musical interpretation of The Lord of the Rings. Originally a double-LP set issued by EMI over 25 years ago it has never been available on CD until now.
This is not the Howard Shore movie soundtrack but a re-release of jazz/film composer John Sangster's epic attempt to musically portray the events and characters of Tolkien's triology. Not only that, it pre-dates the current film by over 25 years and it's wholly Australian!
Jazz pianist Tony Gould joins with one of the most talented guitarists/composers in Australia, Peter Petrucci, and together they play a mix of original pieces and standard repertoire.
'Nardoo' present a tapestry of original music from a melting pot of jazz, ethnic and medieval influences. This album of improvisations presents the duo of Zana Clarke and Peter Biffin performing new and traditional wind and string instruments.
Elizabeth Anderson explores harpsichord music across four centuries: ranging from Conceição's raw 17th century battle piece, through traditional Baroque repertoire, to Jazz, Blues, Gershwin and the Beatles accompanied by drums and bass. Weird, wild, wacky and wonderful - you've never heard the harpsichord like this!
Some of the best captured live in concert! This CD of well-known and much loved jazz pieces features the acclaimed jazz pianist Tony Gould and one of Australia's greatest saxophonists, Graeme Lyall.
Eric Klay brings his bass trombone centre-stage in a varied selection of stylish classic, contemporary, and big band pieces.
A truly unique experience: two grand pianos together on one disc. Bob Sedergreen and Tony Gould, two great Australian jazz improvisation artists.
The definition of the word "chronicle" — put briefly "a record of events" — aptly fits the content of this recording. Chronicle forms an inspiring record of musical events in the life of Tony Gould, one of Australia's most creative musicians and composers.
Renowned jazz singer Linda Cable performs a collection of scintillating moody ballads and up-tempo jazz songs.
The sensitive and imaginative piano of Tony Gould combines with Brian Brown's passionate flute, haunting pan pipes and saxophone. Some themes were composed especially for the duo, others are the result of spontaneous improvisation.
If you would enjoy a laid-back nightclub scene with a smoothed out jazz band, and a lady with an amazingly strong voice pouring down like silver, this album is for you. This classic LP from Jazz Great Linda Cable has now been re-reissued on CD.
Composed in 1984, Wildflowers blends sounds of the Australian bush with free jazz. The title track, plus eight more, is music liberated from any obligation to fashion or idiom.
Some of Australia's finest players of spontaneous, improvised music display their remarkable talents on this disc compiled from two previously released LPs. Conducted by John Sangster.
As a slave to lyrics, this album is a mixture of standards both pop and jazz with great lyrics, and three original songs written from the heart. Loving jazz standards I find it very hard not to record Gershwin, Rogers and Hart, Porter, Berlin, as through them and the American songbook I have honed my craft.
Although he first came to prominence on the jazz scene a half century ago, Ornette Coleman still scares people. But his compositions, rooted as they were in classic blues, have long appealed to jazz listeners of every stripe.
The musicians that drummer Mark Lockett has assembled for this impressive debut CD About Time are master story-tellers, steeped in the century-old traditions of jazz but always eager to say something new.
Quirky is the debut album featuring the up and coming young Melbourne saxophonist Pete Mitchell, his quartet and guest musicians playing ten original compositions varying in style, mood and tempo.
A passion for all kinds of love is conveyed in Emma Sidney's remarkable debut jazz CD Love Rhapsody. By song selection and interpretation, Emma leads you on a journey from one relationship to the next. With every emotive note you are drawn deep into her private world; intimately engaged one moment in the delight and ardour of love triumphant and in the next caught up in frustration, devastation and the rage of love lost.
On their first disc for Move, titlewave, Loco Tempo (vocalist Colleen Hunt and pianist/arranger Rick Freeman) are joined by a first-rate jazz combo - including guitarist Mark Viggiani and trombonist Jordan Murray - in a collection of standards chosen because of their timeless quality.
An unexpected cross-fertilisation of contemporary jazz melody and harmony convincingly joined with rhythmic traditions of the Third World, particularly West Africa.
After several years of musical involvement in television, radio and film, Alwyn and Laurie Lewis decided to change direction and concentrate on songwriting. Here is the result.