Keith Humble
Keith Humble won the National Critics Award in 1977 as the most outstanding recitalist working in Australia, and was appointed AM in 1982 for services to music. He was a constant champion of Australian contemporary music and of Percy Grainger.
Keith Humble was born in Geelong, Victoria, in 1927. He began the piano at five and, while still at high school, performed with jazz groups. In 1946 he enrolled at the Melbourne University Conservatorium, studying traditional harmony, composition and counterpoint. An AMEB Commonwealth Scholarship took him to Britain in 1950 for study at the Royal College of Music, London, under Howard Ferguson and Paul Steinitz; he gained his Licentiate Diploma before a further scholarship carried him to Paris and the École Normale de Musique, where he studied piano with Madame Bascourret, Alfred Cortot’s assistant. As a private composition student of René Leibowitz he was introduced to serialism.
In 1964 he undertook a lecture–recital tour of colleges and universities in the USA, and visited Australia briefly to present a composers’ workshop widely regarded as the impetus for the Melbourne Branch of the International Society for Contemporary Music. He returned permanently in 1966 as Senior Lecturer at the Melbourne Conservatorium, where he established the Electronic Music Studio at the Grainger Centre, re-established the Opera School and formed the Society for the Private Performance of New Music.
In 1975 he helped found the Australian Contemporary Music Ensemble (ACME) to promote contemporary music and to encourage and perform the work of young Australian composers. He saw it as a national group presenting the best new music with the best available players; he performed with the ensemble and was musical director until 1978.
In 1977 he won the National Critics Award as the most outstanding recitalist working in Australia; in 1982 he was appointed AM for services to music. On retirement from La Trobe in 1989 he was named emeritus professor. He continued work in America and France, including consultancy on New Music Literacy projects for the European Community, and in Australia served between 1988 and 1995 on Deakin University’s Institute of the Arts board, as music consultant to the Victorian College of the Arts, and on Monash University’s Board of Studies in Music.
Keith Humble died on 23 May 1995.
Keith Humble is featured on the following titles

Kinetic Conversations
A set of free improvisations by composer–pianist Keith Humble and American double-bass virtuoso Bertram Turetzky, taped in 1986. Two new-music pioneers meet in spontaneous, high-energy dialogue for piano and bass.
Composer

Sequenza and Other Works by Ian Bonighton
Ian Bonighton’s death at 33 in 1975 cut short one of the most distinctive young voices in Australian composition. This remastered survey gathers his music for choir and organ with tape, percussion, string quartet, solo horn and piano.
Compositions by Keith Humble also appear on

Flute Perspectives, Vol. 4
Derek Jones’s fourth Flute Perspectives volume gathers contemporary Australian flute music with Jerry Wong and Joshua Hyde. Sonatas, solos and electronics chart lyric landscape, multiphonic colour and modernist drive.

Threnody
Michael Kieran Harvey’s landmark 1995 Astra recital of late twentieth-century Australian piano music returns in a 2024 Move re-master. Premiere recordings by Harvey, Vine, Campbell, McCaughey, Byrne, Humble and Anderson form one continuous programme.

Astra 60
This recording captures a concert of Australian piano music celebrating Astra’s long support of Australian composers and performers. For sixty years the Astra Chamber Music Society has placed new Australian work beside international new-music currents, always with a distinctive cultural frame.

Quiet on the Bridge
Like the group's earlier releases, this disc ranges across electronic and electro-acoustic music, contemporary chamber writing, interactive computer pieces, open indeterminate works and improvisation.

Contemporary Australian Piano
A valuable collection of Australian piano works by some of the country’s most respected and inventive composers, performed by pianist-composer Larry Sitsky.

Reverberations
Originally issued on two LPs and even quadraphonic tape in the early 1970s, this double CD is a limited re-issue of Reverberations One and Two: contemporary works for organ, brass, voices, didjeridu and electronics.