Move Records Australian classical & art music, est. 1968
Front cover art for Alchemy

Alchemy

Alicia Crossley, one of Australia’s leading recorder players, presents transcriptions that open classical, romantic, impressionist and contemporary repertoire to tenor and bass recorder.

  • CatalogueMCD 508
  • Released8 Apr 2015
  • Playing time59 minutes 1 seconds

Listen & tracks

3 of 37 tracks have a preview · 8 works · 59:01

  1. Cello Suite No. 1 in G major, BWV 1007Johann Sebastian Bach 6 movements14:46
    1. 1 i. Prélude 2:03
    2. 2 ii. Allemande 3:55
    3. 3 iii. Courante 2:23
    4. 4 iv. Sarabande 2:25
    5. 5 v. Menuet I and Menuet II 2:42
    6. 6 vi. Gigue 1:18
  2. Fantasia 10, TWV 40:23Georg Philipp Telemann 3 movements4:41
    1. 7 i. Presto 1:36
    2. 8 ii. Largo 2:14
    3. 9 iii. Allegro :51
  3. 10 Goldfish Through Summer Rain Anne Boyd 4:24
  4. 11 Syrinx Claude Debussy 2:52
  5. Toward the SeaToru Takemitsu 3 movements9:03
    1. 12 i. The Night 2:54
    2. 13 ii. Moby Dick 3:15
    3. 14 iii. Cape Cod 2:54
  6. Partita VJohann George Tromlitz 3 movements12:16
    1. 15 i. Largo 4:07
    2. 16 ii. Allegro Assai 1:39
    3. 17 iii. Menuet con variazioni 6:30
  7. 18 Sicilienne, Op. 78 Gabriel Fauré 3:38
  8. 19 The Garden of Love Jacob Ter Veldhuis 7:21

The works on Alchemy have been reshaped as lasting additions to the recorder catalogue, filling gaps left by a tradition strong in early and late twentieth-century music but thin elsewhere. Tromlitz’s Partita V, Fauré’s Sicilienne and Debussy’s Syrinx carry the instrument into classical, romantic and impressionist territory seldom explored on recorder.

Bach’s Cello Suite No. 1 and Telemann’s Fantasia 10 enlarge the scant solo literature for tenor and bass instruments, which had almost none before the mid-twentieth century. Each transcription stays close to the source score, with only occasional transposition so the music sits within the recorders’ range.

Reviews

Alicia has travelled extensively throughout Australia and there is no doubt that in this CD she shows great passion for the music, and one hopes that current composers will produce copious amounts of music for her. She deserves it! Harp and guitar add some pleasant accompaniments to the recorder and overall the CD is worthy of a valuable place in the recorder repertoire. ★★★★

Artists

Photograph of Alicia Crossley

Alicia Crossley

recorder

Alicia Crossley is one of Australia’s leading recorder players. She performs repertoire from Renaissance dance tunes to contemporary electro-acoustic works, with a particular interest in the bass recorder.

Photograph of Johann Sebastian Bach

Johann Sebastian Bach

composer

Johann Sebastian Bach (1685–1750) was a German composer and organist of the late Baroque. His sacred and secular music for choir, orchestra, organ and solo instruments remains among the foundations of the Western concert and church repertory.

Photograph of Anne Boyd

Anne Boyd

composer

Anne Boyd enjoys a distinguished career as a composer and music educator. A graduate of the University of Sydney (BA Hons in Music, 1967) and the University of York (PhD in composition, 1972), she has shaped Australian musical life through both her writing and her teaching.

Photograph of Claude Debussy

Claude Debussy

composer

Claude Debussy (1862–1918) was a French composer whose harmony, colour and flexible sense of key reshaped European music at the turn of the twentieth century. Piano, orchestral and chamber works from his maturity remain central to the repertoire.

Photograph of Gabriel Fauré

Gabriel Fauré

composer

Gabriel Fauré (1845–1924) was a French composer, pianist, organist and teacher whose music links late Romanticism with early modernism. His best-known works include the Requiem, the Pavane, and a large body of songs and piano music.

Photograph of Georg Philipp Telemann

Georg Philipp Telemann

composer

Georg Philipp Telemann (1681–1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught, he became a composer against his family's wishes and ranked among the leading German musicians of his age.

No photograph: Tristan Coelho

Tristan Coelho

composer

Tristan Coelho is an arranger and mixing engineer.

No photograph: Marshall McGuire

Marshall McGuire

composer

Marshall McGuire brings the harp into contemporary Australian music with uncommon colour and nerve. He specialises in both baroque and modern repertoire, drawing out unusual sonorities and serving new works with technical sureness and interpretative sympathy.

No photograph: Toru Takemitsu

Toru Takemitsu

composer

Toru Takemitsu's music listens closely to timbre and space: sparse lines, carefully placed silence, and a late fascination with water that runs through pieces such as Toward the Sea.

No photograph: Jacob Ter Veldhuis

Jacob Ter Veldhuis

composer

No photograph: Johann George Tromlitz

Johann George Tromlitz

composer

Johann George Tromlitz (November 8, 1725 – February 4, 1805), born at Reinsdorf, near Artern, Germany, was a flautist, flute maker and composer.

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Performers

Technical credits

  • Recording Engineer Benedict Carey
    Roger Lock (tracks 12–14)
  • Mixing Engineer Alicia Crossley
    Benedict Carey
    Tristan Coelho (tracks 1–9, 11, 15–17)
  • Mastering Engineer Benedict Carey
  • Venue Cranbrook School (tracks 12–14)
    EMI Studios 301 (tracks 10, 15–18)
    St. Rok Studios (tracks 1–9, 11 and 19)
    Sydney Conservatorium of Music
  • Credit David Boyce
    Kurt Sneddon

Details

List price
$25.00 AUD
Total playing time
59 minutes 1 seconds
Release date
Category
Classical
Musical work copyright
© 2015 Alicia Crossley
Sound recording copyright
℗ 2015 Move Records
Catalogue
MCD 508
EAN
9314574050820

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