Georg Philipp Telemann
Georg Philipp Telemann (1681–1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught, he became a composer against his family's wishes and ranked among the leading German musicians of his age.
Telemann was one of the most prolific composers in history, at least in terms of surviving oeuvre, and his contemporaries ranked him among the foremost German composers of the day. He was compared favourably with his friend Johann Sebastian Bach, who made him godfather and namesake of Carl Philipp Emanuel Bach, and with George Frideric Handel, whom he also knew personally.
His music draws on French, Italian and Polish national styles. He stayed alert to new musical tendencies, and his work forms an important link between the late Baroque and early Classical styles.
Georg Philipp Telemann is featured on the following titles
Sonate Metodiche
Two of Australia's finest Baroque musicians, Hans-Dieter Michatz and Linda Kent, perform Telemann's rarely heard Sonate Metodiche for Baroque flute and continuo. Six large-scale sonatas display the variety, colour and detailed ornamentation of the high Baroque.
Telemann Duo Sonatas
Lesley Lewis and Joanna Dudley give the first recording of Telemann's second book of Six Duo Sonatas on two recorders: light-hearted Baroque chamber music built on short, memorable themes.
Baroque Trumpet and Strings
Sonatas and suites by Corelli, Torelli, Telemann, Purcell and Handel sit beside rarely heard works by Molter, Grossi and Biber, several recorded here for the first time on original instruments.
Capella Corelli Plays Handel and Telemann
Capella Corelli has long been one of Australia’s foremost baroque chamber ensembles. Here they present sonatas by Handel and Telemann for baroque violin, recorder, viola da gamba and harpsichord.
Duos
An extraordinary acoustic frames extraordinary music: Ruth Wilkinson (recorders and bass viola da gamba) and Cynthia O’Brien (baroque violin), the duo known as Capella Corelli, in late Baroque two-part repertoire.
Six Concerti
Hans-Dieter Michatz and Monika Kornel present Georg Philipp Telemann’s Six Concerti from the 1734 Six concerts et six suites, scored here for voice flute, tenor recorder and harpsichord.
Compositions by Georg Philipp Telemann also appear on
Music for Trumpet and the King of Instruments
In the world of classical music, one of the most special and enduring combinations of instruments is that of the trumpet and the pipe organ. Dating back over a millennium, the pairing has produced a tradition of heroic and majestic music-making.
More Bizarre or baRock
"The hottest, hippest harpsichord in the world today," said one critic of the best-selling Bizarre or baRock. Melbourne harpsichordist Elizabeth Anderson returns with the long-awaited sequel.
Transcriptions Baroque
Recorded in Trinity College Chapel, Melbourne, this disc pairs trumpeter Anthony Pope with organist Dominic Perissinotto across eight Baroque concertos. Four are heard on trumpet with organ accompaniment; the rest are solo organ transcriptions by celebrated organists of their day.
Songs of Love and Marriage
Benjamin Thorn and Wayne Madden present a journey through 600 years of music on the theme of love. Rarely heard works by Barbara Strozzi and Francesca Caccini sit beside the more familiar music of Telemann and Ortiz.
The Bach Family Circle
Music for oboe and harpsichord. Acclaimed historical oboist Geoffrey Burgess and harpsichordist Ann Murphy explore the hypothetical voice of the lost Bach oboe through realisations and rescorings.
Exquisite Harmonies
Exquisite Harmonies features works for viola da gamba and harpsichord, and several harpsichord solos, largely from the French Baroque. The exceptions are Telemann, Abel and Australian composer Troy Russell. A nice treat is an improvised harpsichord fantasia in the style of Telemann.
Alchemy
Alicia Crossley, one of Australia’s leading recorder players, presents transcriptions that open classical, romantic, impressionist and contemporary repertoire to tenor and bass recorder.
Miscellany for Flute and Harp
Throughout history composers have been drawn to the flute and harp pairing, from the shepherd’s pan-pipes and Orphean lyre of ancient Arcadia to the French court of Marie-Antoinette and Mozart’s duo concerto for the two instruments.