Listen & tracks
2 of 11 tracks have a preview · 1 work · 56:59
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In CTerry Riley 11 movements56:59
- 1 Part One 10:38
- 2 Part Two 4:36
- 3 Part Three 3:57
- 4 Part Four 1:57
- 5 Part Five 8:38
- 6 Part Six 1:13
- 7 Part Seven 3:37
- 8 Part Eight 6:47
- 9 Part Nine 7:45
- 10 Part Ten 5:44
- 11 Part Eleven 2:07
This recording is the outcome of seven years of engagement with Terry Riley's In C. It was in 1996 that the Australian contemporary music group re-sound gave its first performance of this classic of minimalist music. Since then the group has tried a number of approaches to the work, leading to the electroacoustic version documented here.
Electronica dance rhythms and beats, pre-recorded sequences, electric bass and guitar sit with an acoustic chamber ensemble. re-sound's engagement with In C has been a journey – for the musicians and for their audiences.
Whether Riley might feel this stretches the limits of interpretation, or welcomes the acquaintance with popular electronic music, the work still offers a mind-expanding musical experience – one this recording sets out to prolong.
Reviews
exhilarating … unique and totally innovative.
slick and sassy, an In C for our times.
extraordinary … hypnotic
an excellent presentation of Riley's composition … The clarity of the recording is another factor in the high standard of this performance … with the listener held in a trance of this beautiful sound.
Artists
re-sound
ensemble
re-sound has established itself as one of Australia's most progressive contemporary music ensembles. Its thought-provoking, challenging and dynamic performances explore the sounds of our time across a wide range of genres, styles, and performance contexts.
Terry Riley
composer
Minimalist pioneer Terry Riley was among the most revolutionary composers of the postwar era; famed for his introduction of repetition into Western music motifs, he also masterminded early experiments in tape loops and delay systems which left an indelible mark on the experimental music produced in his wake.
Performers
- re-sound · ensemble
- Melanie Chilianis · flute
- Darren Howard · clarinet
- Catherine Hocking · soprano saxophone
- Andrea Rolfe · alto saxophone
- Brea Acton · voice
- Ken Murray · electric guitar
- Justin Ashworth · electric bass
- Matthew Bush · percussion, keyboards
- Helen Eadie · violin
- Eden Krumins · cello
Technical credits
-
Editing Engineer
Thomas Reiner
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Mixing Engineer
Steve Adam
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Mastering Engineer
Martin Wright
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Thanks to
Monash University
Details
- List price
- $25.00 AUD
- Total playing time
- 56 minutes 59 seconds
- Release date
- 10 Oct 2002
- Category
- Classical
- Genres
- Modernist Classical, Experimental
- Musical work copyright
- © 2002 re-sound
- Sound recording copyright
- ℗ 2002 Move Records
- Catalogue
- MD 3262
- EAN
- 9314574326222
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All works on this recording are Australian compositions exploring the aesthetics of contemporary art music. The disc offers a fresh perspective on Australian music-making through starkly varied new pieces.
Quiet on the Bridge
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Conversations
The recording of Conversations is an outcome of a research project at Monash University’s School of Music. Six composers worked with performers to shape this electro-acoustic piece, joining team-based composition, contemporary performance practice, and music technology.
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