Linda Kent
Linda Kent has been a core member of the Elysium Ensemble and has performed with artists including Walter van Hauwe, Han Tol, Eva Legène and Stanley Ritchie. Her playing has been critically acclaimed for its sensitivity, insight and sense of style.
Linda Kent arrived in Melbourne in 1984 after completing a Bachelor of Music degree as an organist at the University of North Carolina. She later completed an MMus in harpsichord at the University of Melbourne and, in 1996, furthered her studies at the Early Music Institute at Indiana University with Elisabeth Wright.
She has appeared at many Australian and American music festivals as soloist and associate artist, and regularly records for the ABC.
Her teaching appointments in Australia have included the University of Melbourne, the Victorian College of the Arts and La Trobe University.
Linda Kent is featured on the following titles

Sonate Metodiche
Two of Australia's finest Baroque musicians, Hans-Dieter Michatz and Linda Kent, perform Telemann's rarely heard Sonate Metodiche for Baroque flute and continuo. Six large-scale sonatas display the variety, colour and detailed ornamentation of the high Baroque.

Music for the Countess of Sandwich
First Australian release of Charles Dieupart’s complete suites for flûte du voix and harpsichord (1701), including two suites later copied by J. S. Bach.
Performing as Elysium Ensemble
The Elysium Ensemble has been acclaimed by critics for its exciting performances, fine musicianship and authoritative interpretations of Baroque and Classical repertoire on period instruments.

The Bedroom of the King (La Chambre du Roi)
Elysium Ensemble bring French chamber music of the early 18th century into the private apartments of Louis XIV: Couperin and Hotteterre in the douceur of Versailles and the Paris salons.
Linda Kent also appears on

Baroque Trumpet and Strings
Sonatas and suites by Corelli, Torelli, Telemann, Purcell and Handel sit beside rarely heard works by Molter, Grossi and Biber, several recorded here for the first time on original instruments.

Te Deum
Conductor André de Quadros assembles six highly acclaimed choirs, the New Monash Orchestra, tenor soloist Dwayne Jones and organist Linda Kent for Berlioz’s monumental Te Deum.
Other credits

two
Recorder player Genevieve Lacey and percussionist Poul Høxbro present a programme spanning medieval dance, Irish folk melody, Baroque virtuosity and contemporary Australian works.
Linda Kent is a member of

Elysium Ensemble
The Elysium Ensemble has been acclaimed by critics for its exciting performances, fine musicianship and authoritative interpretations of Baroque and Classical repertoire on period instruments.

La Compañia
La Compañia, established in 1997, is dedicated to the music of the 16th century with a primary focus on loud winds and percussion, improvisation being a key element of the group's performance.