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Front cover art for Fly: An Australian Opera

Fly: An Australian Opera

Barry Conyngham’s opera Fly, to a libretto by Murray Copland, dramatises the life of inventor and explorer Lawrence Hargrave. The Victoria State Opera premiere recording is conducted by John Hopkins.

  • CatalogueMD 3076
  • Released1987
  • Playing time72 minutes 49 seconds

Listen & tracks

1 of 38 tracks have a preview · 19 works · 72:49

  1. 1 The kite Barry Conyngham 4:36
  2. 2 The parcel Barry Conyngham 4:03
  3. 3 The marriage Barry Conyngham 4:07
  4. 4 The picture Barry Conyngham :31
  5. 5 The flight Barry Conyngham 2:14
  6. 6 The waltz Barry Conyngham 4:20
  7. 7 The goal Barry Conyngham 3:31
  8. 8 The hat Barry Conyngham 4:07
  9. 9 D’Albertis Barry Conyngham 4:47
  10. 10 The blame Barry Conyngham 4:04
  11. 11 Geoffrey Barry Conyngham 1:54
  12. 12 The explorer Barry Conyngham 4:21
  13. 13 The course Barry Conyngham 4:04
  14. 14 The plunder Barry Conyngham 6:00
  15. 15 The undertaking Barry Conyngham 1:43
  16. 16 Darwin Barry Conyngham 2:50
  17. 17 The sunset Barry Conyngham 4:50
  18. 18 The clergyman Barry Conyngham 5:15
  19. 19 The shears Barry Conyngham 5:32

Inventor and explorer Lawrence Hargrave dreamt of being the first to achieve powered flight. His inner heroism, moral integrity and quirky, fascinating personality are brought to life in Fly.

The score is accessible and attractive, with carefully shaped orchestral and vocal lines. The package includes notes and a full libretto annotated for the listener.

Edited from the Victoria State Opera premiere season at the State Theatre, Victorian Arts Centre, in August 1984, the recording was shaped with the composer and librettist so that cuts still yield a continuous listening experience, with flowing transitions from scene to scene.

In the artist’s words

From the beginning, Murray Copland and I wished to pace the drama of the piece close to real life, to approach real speech rhythms. Not an original aim by any means — but it was also my desire to avoid the urgency and relentlessness of the declamatory style, and the barrenness of continuous recitative. I wished to capture some of the melodic freshness of the “popular” song, the dramatic impact of post-serial rhythmic fluidity, the formal security of the “set piece”.

The orchestra and the voice in Fly are often in a very free temporal relationship: the instruments pursuing a particular gesture or texture, the voice guided by the drama and the rhythm of the text suspended above it. Melody, with its magical ability to communicate and reverberate, is the genesis of all the linear elements of Fly.

Lawrence Hargrave’s story is anything but a silly one. Properly understood, his life was one of extraordinary inner heroism and moral integrity. Selective as this opera has obviously had to be in the number of specific incidents it could hope to dramatise, it does attempt to tell Hargrave’s story with truthfulness and clarity, and to imply a coherent interpretation of his sometimes quirky but always fascinating personality.

Every attempt has been made to make the opera self-explanatory — able to stand by itself, even for those who have never heard of Hargrave.

Reviews

... a musical triumph ... an assured and mature work that generates its own inner radiance.

It is clearly a major Australian opera. If we ever we have a native repertory, 'Fly' will be part of it.

Fly is certainly the most significant and ambitious home-grown opera to be premiered in this country for many years.

Artists

Photograph of Barry Conyngham

Barry Conyngham

composer

Barry Conyngham, born in Sydney, has received numerous awards and fellowships for composition, among them Churchill, Harkness, Australia Council and Senior Fulbright grants. He holds an ARIA, two Sounds Australian Critics Awards and two Maggs Awards.

No photograph: Victoria State Opera Orchestra

Victoria State Opera Orchestra

orchestra

No photograph: Murray Copland

Murray Copland

libretto

Buy now

$25.00 AUD

Compact disc

Stream now

Also available to download from the iTunes Store.

Performers

Technical credits

  • Producer Paul Petran
  • Recording Engineer Lou Szabolics
    Peter Thorp
  • Mastering Engineer Martin Wright
  • Venue Victorian Arts Centre
  • Thanks to Creative Australia
  • Credit Shaun Gurton

Details

List price
$25.00 AUD
Total playing time
72 minutes 49 seconds
Release date
Categories
Australian, Classical, Vocal
Musical work copyright
© 1984 Australian Broadcasting Corporation
Sound recording copyright
℗ 1987 Move Records
Catalogue
MD 3076
EAN
9314574307627

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