Listen & tracks
1 of 16 tracks have a preview · 7 works · 56:33
-
Concerto in D minor, Op. 3, No. 8Antonio Vivaldi 3 movements10:36
- 1 i. Allegro 3:24
- 2 ii. Larghetto e spiritoso 3:43
- 3 iii. Allegro 3:29
-
Sonata, Op. 5, No. 6Arcangelo Corelli 5 movements10:34
- 4 i. Grave 2:38
- 5 ii. Allegro 2:09
- 6 iii. Allegro 1:15
- 7 iv. Adagio 2:27
- 8 v. Allegro 2:05
-
9 Sonata in G minor, K 31 Domenico Scarlatti Allegro 4:24
-
10 Concerto di sonate a violino, violoncello, e cembalo, Op. 4, No. 12, “Follia” Tomaso Antonio Vitali 6:30
-
11 Sonata in B minor, K 87 Domenico Scarlatti 5:27
-
Sonata in G minorNicolas Chédeville 4 movements8:47
- 12 i. Vivace (attrib. Vivaldi; Nicolas Chédeville) 1:21
- 13 ii. Alla breve (Fuga a Cappella) (attrib. Vivaldi; Nicolas Chédeville) 1:45
- 14 iii. Largo (attrib. Vivaldi; Nicolas Chédeville) 1:16
- 15 iv. Allegro ma non presto (attrib. Vivaldi; Nicolas Chédeville) 4:25
-
16 Sonata, Op. 5, No. 12, “Follia” Arcangelo Corelli 10:15
The 1998 concert programme of La Follia variations by German recorder virtuoso Susanne Ehrhardt and Australian harpsichordist Jacqueline Ogeil was warmly received. The programme proved so popular that they decided to make a CD.
La Follia is one of the most enduring harmonic progressions of the Renaissance and Baroque. Composers from Corelli and Vivaldi through to Liszt and Rachmaninoff have drawn on it. This disc offers a wide selection of Baroque settings, including Corelli’s celebrated La Follia from Sonata Op. 5, No. 12 — Corelli at his most inventive, in variations of shifting mood and metre — and Vitali’s independent and equally resourceful treatment. Vivaldi’s Concerto in D minor, Op. 3 No. 8, often cited as a model Baroque concerto, is joined by works of Chédeville and Scarlatti.
Susanne Ehrhardt has appeared with leading chamber orchestras including Virtuosi Saxoniae, the Dresdener, Leipziger and Berliner chamber ensembles, and the Berliner Barockorchester. As a soloist she has given successful concerts across Europe, Russia, the USA, South America, Japan, South-East Asia and Australia.
Harpsichordist and organist Jacqueline Ogeil studied with Gustav Leonhardt, Colin Tilney and John O’Donnell. A sought-after accompanist among Australia’s Early Music players, she has also performed as a soloist in Australia, Europe and Canada, and has recorded for ABC-FM and 3MBS FM.
Reviews
In an impressive performance the German recorder virtuoso, Susanne Ehrhardt, and the Melbourne harpsichordist, Jacqueline Ogeil recalled these original romping gestures (of La Follia) in fiery and impetuous climaxes.
a lively, rapidly articulated account of Corelli’s “La Follia” ... Ehrhardt is a seductive player. She can also sustain a white-hot level of performance with few signs of discomfort. Ogeil showed her best in self-sublimating responsiveness to Ehrhardt’s line.
it (Corelli) is the last lively dish in a tasty and beautiful menu of Baroque music ... the musicians complement each other admirably, with great elan, deftness and vitality and mercurial liveliness that is exciting indeed.
With many years of study, professional appearances and recording stints between them, Ehrhardt and Ogeil showed all the skills and artistry they have acquired along the way and are worthy role models. This must surely have been one of the most impressive duo performances to have graced Toowoomba in a long time.
Artists
Susanne Ehrhardt
recorder
Susanne Ehrhardt plays recorder, historical clarinet and chalumeau as a solo performer.
Jacqueline Ogeil
organ and harpsichord
Jacqueline Ogeil is an Australian harpsichordist, organist and conductor. Known for Baroque performance and for championing new works written for the harpsichord, she founded the Melbourne ensemble Accademia Arcadia.
Arcangelo Corelli
composer
Arcangelo Corelli (1653–1713) was an Italian Baroque violinist and composer. His sonatas and concerti grossi helped establish the violin’s pre-eminence and fixed models of the sonata and concerto that spread across Europe.
Domenico Scarlatti
composer
Domenico Scarlatti (1685–1757) was an Italian composer who spent much of his career at the Portuguese and Spanish courts. He is known almost exclusively for his 555 keyboard sonatas.
Antonio Vivaldi
composer
Antonio Vivaldi (1678–1741) was an Italian Baroque composer, priest and virtuoso violinist. He is best known for his instrumental concertos, above all the violin cycle The Four Seasons.
Nicolas Chédeville
composer
Tomaso Antonio Vitali
composer
Digital booklet
Digital booklet Notes, texts and credits — read online or download the PDF Download the PDFPerformers
- Jacqueline Ogeil · organ and harpsichord
- Susanne Ehrhardt · recorder · all except tracks 9 and 11
- Margaret Waugh · baroque cello · tracks 10 and 16
Technical credits
-
Producer
John O'Donnell
-
Recording Engineer
Martin Wright
Vaughan McAlley
-
Editing Engineer
Vaughan McAlley
-
Venue
Move Records Studio
Details
- List price
- $25.00 AUD
- Total playing time
- 56 minutes 33 seconds
- Release date
- 1998
- Categories
- Baroque, Early music
- Genre
- Baroque
- Musical work copyright
- © 1998 Move Records
- Sound recording copyright
- ℗ 1998 Move Records
- Catalogue
- MD 3211
- EAN
- 9314574321128
More to explore

Buxtehude at the Harpsichord
Acclaimed harpsichordist Jacqueline Ogeil performs rarely heard Buxtehude harpsichord works. Most of these secular pieces surfaced only in the twentieth century; suites, arias and variations in popular Baroque idioms, light and entertaining in character.

The Virtuoso Harpsichord
Melbourne harpsichordist Jacqueline Ogeil presents the instrument’s virtuosic, dramatic and passionate sides, from Bach and Scarlatti to Handel, Rameau and the premiere of Naji Hakim’s suite Shasta.

Scarlatti's Steinways at Melbourne
The remarkable output of 555 keyboard sonatas by Domenico Scarlatti (1685–1757) remains one of the most original contributions in Western art music. Pianist Ian Holtham selects 23 sonatas, sequenced into four Baroque tonal groupings and recorded on the Conservatorium’s four Steinway Model Ds.

Trio Polyphonica
Trio Polyphonica was active from 1980 to 1990, with a repertoire spanning more than three centuries. This recording gathers chamber trios by Vivaldi, C.P.E. Bach, Haydn, J.S. Bach and Francesco Zappa.

Masters of Baroque
Trio Polyphonica was active between 1980 and 1990, with a repertoire spanning more than three centuries. This programme presents Baroque chamber works by Frescobaldi, Hellendaal, Couperin, Leclair, Rameau and Corelli.

More Bizarre or baRock
"The hottest, hippest harpsichord in the world today," said one critic of the best-selling Bizarre or baRock. Melbourne harpsichordist Elizabeth Anderson returns with the long-awaited sequel.
