Move Records Australian classical & art music, est. 1968
Front cover art for La Follia

La Follia

La Follia variations by Corelli, Vitali, Vivaldi and Scarlatti, in vivid performances by German recorder virtuoso Susanne Ehrhardt with Australian harpsichordist and organist Jacqueline Ogeil.

  • CatalogueMD 3211
  • Released1998
  • Playing time56 minutes 33 seconds
  • Recorded at Move Records Studio

Listen & tracks

1 of 16 tracks have a preview · 7 works · 56:33

  1. Concerto in D minor, Op. 3, No. 8Antonio Vivaldi 3 movements10:36
    1. 1 i. Allegro 3:24
    2. 2 ii. Larghetto e spiritoso 3:43
    3. 3 iii. Allegro 3:29
  2. Sonata, Op. 5, No. 6Arcangelo Corelli 5 movements10:34
    1. 4 i. Grave 2:38
    2. 5 ii. Allegro 2:09
    3. 6 iii. Allegro 1:15
    4. 7 iv. Adagio 2:27
    5. 8 v. Allegro 2:05
  3. 9 Sonata in G minor, K 31 Domenico Scarlatti Allegro 4:24
  4. 10 Concerto di sonate a violino, violoncello, e cembalo, Op. 4, No. 12, “Follia” Tomaso Antonio Vitali 6:30
  5. 11 Sonata in B minor, K 87 Domenico Scarlatti 5:27
  6. Sonata in G minorNicolas Chédeville 4 movements8:47
    1. 12 i. Vivace (attrib. Vivaldi; Nicolas Chédeville) 1:21
    2. 13 ii. Alla breve (Fuga a Cappella) (attrib. Vivaldi; Nicolas Chédeville) 1:45
    3. 14 iii. Largo (attrib. Vivaldi; Nicolas Chédeville) 1:16
    4. 15 iv. Allegro ma non presto (attrib. Vivaldi; Nicolas Chédeville) 4:25
  7. 16 Sonata, Op. 5, No. 12, “Follia” Arcangelo Corelli 10:15

The 1998 concert programme of La Follia variations by German recorder virtuoso Susanne Ehrhardt and Australian harpsichordist Jacqueline Ogeil was warmly received. The programme proved so popular that they decided to make a CD.

La Follia is one of the most enduring harmonic progressions of the Renaissance and Baroque. Composers from Corelli and Vivaldi through to Liszt and Rachmaninoff have drawn on it. This disc offers a wide selection of Baroque settings, including Corelli’s celebrated La Follia from Sonata Op. 5, No. 12 — Corelli at his most inventive, in variations of shifting mood and metre — and Vitali’s independent and equally resourceful treatment. Vivaldi’s Concerto in D minor, Op. 3 No. 8, often cited as a model Baroque concerto, is joined by works of Chédeville and Scarlatti.

Susanne Ehrhardt has appeared with leading chamber orchestras including Virtuosi Saxoniae, the Dresdener, Leipziger and Berliner chamber ensembles, and the Berliner Barockorchester. As a soloist she has given successful concerts across Europe, Russia, the USA, South America, Japan, South-East Asia and Australia.

Harpsichordist and organist Jacqueline Ogeil studied with Gustav Leonhardt, Colin Tilney and John O’Donnell. A sought-after accompanist among Australia’s Early Music players, she has also performed as a soloist in Australia, Europe and Canada, and has recorded for ABC-FM and 3MBS FM.

Reviews

In an impressive performance the German recorder virtuoso, Susanne Ehrhardt, and the Melbourne harpsichordist, Jacqueline Ogeil recalled these original romping gestures (of La Follia) in fiery and impetuous climaxes.

a lively, rapidly articulated account of Corelli’s “La Follia” ... Ehrhardt is a seductive player. She can also sustain a white-hot level of performance with few signs of discomfort. Ogeil showed her best in self-sublimating responsiveness to Ehrhardt’s line.

it (Corelli) is the last lively dish in a tasty and beautiful menu of Baroque music ... the musicians complement each other admirably, with great elan, deftness and vitality and mercurial liveliness that is exciting indeed.

With many years of study, professional appearances and recording stints between them, Ehrhardt and Ogeil showed all the skills and artistry they have acquired along the way and are worthy role models. This must surely have been one of the most impressive duo performances to have graced Toowoomba in a long time.

Artists

No photograph: Susanne Ehrhardt

Susanne Ehrhardt

recorder

Susanne Ehrhardt plays recorder, historical clarinet and chalumeau as a solo performer.

Photograph of Jacqueline Ogeil

Jacqueline Ogeil

organ and harpsichord

Jacqueline Ogeil is an Australian harpsichordist, organist and conductor. Known for Baroque performance and for championing new works written for the harpsichord, she founded the Melbourne ensemble Accademia Arcadia.

Photograph of Arcangelo Corelli

Arcangelo Corelli

composer

Arcangelo Corelli (1653–1713) was an Italian Baroque violinist and composer. His sonatas and concerti grossi helped establish the violin’s pre-eminence and fixed models of the sonata and concerto that spread across Europe.

Photograph of Domenico Scarlatti

Domenico Scarlatti

composer

Domenico Scarlatti (1685–1757) was an Italian composer who spent much of his career at the Portuguese and Spanish courts. He is known almost exclusively for his 555 keyboard sonatas.

Photograph of Antonio Vivaldi

Antonio Vivaldi

composer

Antonio Vivaldi (1678–1741) was an Italian Baroque composer, priest and virtuoso violinist. He is best known for his instrumental concertos, above all the violin cycle The Four Seasons.

No photograph: Nicolas Chédeville

Nicolas Chédeville

composer

No photograph: Tomaso Antonio Vitali

Tomaso Antonio Vitali

composer

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Performers

Technical credits

  • Producer John O'Donnell
  • Recording Engineer Martin Wright
    Vaughan McAlley
  • Editing Engineer Vaughan McAlley
  • Venue Move Records Studio

Details

List price
$25.00 AUD
Total playing time
56 minutes 33 seconds
Release date
Categories
Baroque, Early music
Genre
Baroque
Musical work copyright
© 1998 Move Records
Sound recording copyright
℗ 1998 Move Records
Catalogue
MD 3211
EAN
9314574321128

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