Move Records Australian classical & art music, est. 1968
Front cover art for Joy

Joy

Joy names the intent behind much of this music: carols of piety, the longing of Landini and Machaut, and Hildegard von Bingen’s soaring beauty. The collection shows how song shaped everyday life in the Middle Ages.

  • CatalogueMCD 129

Listen & tracks

22 works

  1. 1 De Spiritu Sancto Hildegard von Bingen
  2. 2 Dame, vostre doulze viaire / Comment qu'a moy Guillaume de Machaut
  3. 3 Personet hodie Anonymous
  4. 4 Ochi dolenti mie Francesco Landini
  5. 5 Eya, martyr Stephane Anonymous
  6. 6 Senti tu d'amour Donato da Firenze
  7. 7 Ochi dolenti mie Francesco Landini
  8. 8 Alleluia Alex Cronin
  9. 9 Now well may we mirthes make Anonymous
  10. 10 Cara mie donna Francesco Landini
  11. 11 Tres douce dame Guillaume de Machaut
  12. 12 Veni, electa mea Anonymous
  13. 13 Nowell sing we Anonymous
  14. 14 Alleluia psalla Anonymous
  15. 15 Puzzle – canon III John Dunstable
  16. 16 Mariam matrem virginem Anonymous
  17. 17 If love now reigned (II) Henry VIII
  18. 18 The Death of Queen Jane Traditional
  19. 19 La Magdelena – Basse dance Pierre Attaingnant
  20. 20 Black is the colour Traditional
  21. 21 Time stands still John Dowland
  22. 22 O Virtus Sapientiae Hildegard von Bingen

From the reverence of the carols, through the bitterness and desire in Landini and Machaut, to Hildegard von Bingen’s radiant lines, the effect is to uplift the soul.

This programme of devotional and courtly pieces gives a clear sense of how music formed the backdrop to people’s lives in the Middle Ages.

Reviews

on the whole stylishly performed ... an attractive anthology.

Both the production quality and the performances are first rate and Pastance is an ensemble who show that Australia can produce excellent product in this field. A joyous experience!

... sensitive and beautifully balanced. RATING: 4 out of 5.

Artists

Photograph of Pastance

Pastance

ensemble

Pastance came together in 1993 to perform mediaeval and Renaissance music. Based in Sydney, the ensemble has reached the early-music fraternity and a wide public, from folk festivals and formal concerts to schools, corporate feasts and open-air markets.

Photograph of John Dowland

John Dowland

composer

John Dowland's lute songs and ayres carry a rare, deliberate melancholy: tears that fall in measured pavans, love that stings in galliards, darkness that still sings. His music remains the living heart of the English Renaissance songbook.

Photograph of Francesco Landini

Francesco Landini

composer

Francesco Landini (c. 1325–1397) was a Florentine composer, poet, organist and singer, and a central figure of the Italian Trecento. Blind from childhood, he left a large body of madrigals and ballate that dominate the surviving sources of fourteenth-century Italian polyphony.

Photograph of Guillaume de Machaut

Guillaume de Machaut

composer

Guillaume de Machaut's songs of courtly love sit at the heart of fourteenth-century French music: virelais, ballades and rondeaux where longing, grace and intricate rhyme meet the rhythmic daring of the ars nova.

No photograph: Pierre Attaingnant

Pierre Attaingnant

composer

Pierre Attaingnant (c. 1494–1552) was a pioneering French music printer and publisher whose work helped shape the circulation of Renaissance music across Europe. Based in Paris, he became one of the first printers to use single-impression movable type for music, a breakthrough that made printed scores faster and more economical to produce.

No photograph: Hildegard von Bingen

Hildegard von Bingen

composer

No photograph: Alex Cronin

Alex Cronin

composer

Multi-instrumentalist Alex Cronin trained as a lutenist in Australia and Holland. As a lutenist and guitarist he has performed with the Australian Chamber Orchestra, the Brandenburg Orchestra, Opera Australia and the Sydney Symphony Orchestra, among others.

No photograph: John Dunstable

John Dunstable

composer

John Dunstable's surviving music is sacred and vocal: isorhythmic motets, mass movements and Marian antiphons built on full triadic harmony, with a liking for thirds and sixths that marked the English manner of the early fifteenth century.

No photograph: Donato da Firenze

Donato da Firenze

composer

No photograph: Henry VIII

Henry VIII

composer

Henry VIII (1491–1547), King of England, was also an accomplished musician whose surviving songs and instrumental consorts belong to the early Tudor court repertory.

Buy now

$25.00 AUD

Compact disc

Performers

Details

List price
$25.00 AUD
Category
Early music
Catalogue
MCD 129
EAN
9314574012927

More to explore

Front cover art for Sit Down Beside Me

Sit Down Beside Me

In its inimitable style, Pastance again brings together music from the folk traditions and the early music world.

Front cover art for A Valley Fair

A Valley Fair

Pastance's then most recent offering is a delightful collection of traditional, original and early music for Celtic harp, recorders and voices.

Front cover art for Falling Through Time

Falling Through Time

All the colour and mystique of the Middle Ages and the Renaissance come alive in a presentation rich in music and drama, spanning troubadour song, Machaut, courtly dance and English lute song.

Front cover art for Bards of Faith and Passion

Bards of Faith and Passion

Jim Minchin sets poems by writers at play or at odds with eternity: soul-poet lyrics across the centuries, from anonymous Latin verse and the metaphysicals to Yeats, Shakespeare and living voices.

Front cover art for A Thousand Beautiful and Graceful Inventions

A Thousand Beautiful and Graceful Inventions

Subtitled ‘The glorious age of medieval and renaissance canons’, this programme of late Middle Ages and Early Modern choral music is sung by the University of Queensland Chamber Singers under Graeme Morton. The illustrated booklet has programme notes by Denis Collins and Jason Stoessel, with complete texts.

Front cover art for Nordic Moods & Baroque Echoes

Nordic Moods & Baroque Echoes

A collaboration between Duo Langborn/Wendel and The Marais Project, this album blends baroque repertoire, new compositions and arrangements, and folk music from Australia and Sweden.