Move Records Australian classical & art music, est. 1968
Front cover art for Origami

Origami

Music from BalletLab’s dance work Origami, premiered in Melbourne on 13 July 2006. David Chisholm’s score, partly electronic and partly for Silo Quartet, was nominated for the 2006 Green Room Awards.

  • CatalogueMD 3307
  • Released2006
  • Playing time56 minutes 9 seconds
  • Recorded at Move Records Studio

Listen & tracks

3 of 9 tracks have a preview · 9 works · 56:09

  1. 1 Wave Dance David Chisholm 4:08
  2. 2 Fold David Chisholm 8:02
  3. 3 Tent Dance David Chisholm 2:54
  4. 4 Falling Trees David Chisholm 5:35
  5. 5 How to Build a Set in 3 Minutes David Chisholm 2:57
  6. 6 Mountain David Chisholm 7:27
  7. 7 Pavane for a Pop-up Book David Chisholm 5:59
  8. 8 Ikebana David Chisholm 9:56
  9. 9 Origami David Chisholm 9:11

The ancient art of Japanese paper folding, origami, is the title for and inspiration behind this dance performance by artistic director, choreographer and founder of BalletLab, Phillip Adams. The music for this production was composed by David Chisholm, and performed by the Silo Quartet.

The work was performed at the Sydney Opera House in August 2006, and there were plans to stage it in San Francisco in 2008.

The CD also includes four short animations by Rhian Hinkley.

In the artist’s words

Origami explores the possible dialogue between dance, visual art, and choreographic design. The starting point for David Chisholm’s music for Origami is the European grouping of the string quartet. The structure of the music is built as if opening up one giant fold, like a reverse origami, flattening out the memory of the paper, not to erase it, but to create a place from whence it is possible to begin again.

The starting point for the music for origami is the European grouping of the string quartet, an icon as fascinating to the East as occidental perceptions of origami. The first half of the score is plunderphonic (a term coined by Canadian composer John Oswald) that uses several iconic modern quartets (including Schönberg’s 2nd and the Webern 6 Bagatelles) as the audio sources from which a reconstructed electronic virtual score is built.

At the halfway mark two violins, viola and cello are introduced with accompanying electronics. An extended climactic section – ikebana – is conceived as a “semi-virtual octet” section: live musicians playing to a pre-recorded complement of themselves. This live/virtual interplay preoccupies much of my work since 2003. origami concludes with a title track, written as a simulacrum obi-folding ritual. The idea of the quartet has emerged out of a virtual field and reasserts itself through live performance. The structure of the music is built as a series of interruptions along a giant fold line, like a reverse origami, flattening out the memory of the paper, of the quartet, not to erase it, but to create a place from whence it is possible to begin again.

Reviews

David Chisholm’s accompanying score ranges from luscious to dissonant, played mostly by a string quartet with a strong Japanese flavour.

Composer David Chisholm’s score is beautiful, grinding, intense and sometimes even more violent than the accompanying choreography.

the original music of composer David Chisholm played by a stringed quartet over synthesised sounds is quite riveting. The score’s often dissonant tone commands attention and enhances the pieces being performed.

Artists

Photograph of Silo String Quartet

Silo String Quartet

ensemble

Silo String Quartet was founded by cellist and composer Caerwen Martin in 1998. Their influences include Kronos String Quartet, Contemporary Australian, Asian and American repertoire.

Photograph of David Chisholm

David Chisholm

electronics, keyboards

David Chisholm is an Australian composer whose work spans orchestral, electro-acoustic, theatre, film and installation scores, alongside song cycles and dance commissions.

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$25.00 AUD

Compact disc

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Also available to download from the iTunes Store.

Performers

Technical credits

  • Contributor Rhian Hinkley
  • Venue Move Records Studio (tracks 6–9)
  • Credit Jeff Busby
    Martin Wright

Details

List price
$25.00 AUD
Total playing time
56 minutes 9 seconds
Release date
Categories
Australian, Classical
Musical work copyright
© 2006 Move Records
Sound recording copyright
℗ 2006 Move Records
Catalogue
MD 3307
EAN
9314574330724

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