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Australia's longest-running classical music label
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re-sound
Artist and Composer
Diverse cultures, aesthetics, media, techniques and technologies (hard and soft) crowd the current new-arts terrain, re-sound responds flecibly to this information- rich environment by engaging with and presenting sound in a number of contexts. re-sound formed in Melbourne in 1996 with the intention of creating a performance platform for contemporary sound and music. As well as reinterpreting works of the 20th and 21st centuries, re-sound's collaborations with Melbourne sound artists, computer musicians and composers have generated a great deal of new local work.
For upcoming events check re-sound's website: www.re-sound.com. |
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re-sound
This is re-sound's fourth CD release. As with the group's previous recordings, this CD combines a range of contemporary styles and approaches, including electronic and electro-acoustic music, contemporary chamber and interactive computer music, indeterminate (open) works and improvisation.
re-sound
ephemeral densities is re-sound's third CD. It focuses on new Australian work by re-sound members Steve Adam, Melanie Chilianis, Paul Moulatlet, and Thomas Reiner. It integrates contemporary chamber music, computer music and popular electronic music.
Thomas Reiner
A retrospective collection of chamber works by leading Melbourne contemporary composer, Thomas Reiner. Features soloists from Monash University and ensemble re-sound.
re-sound
Terry Riley's classic minimalist work In C receives its first electroacoustic interpretation by the Melbourne-based contemporary music ensemble.
re-sound contemporary ensemble
re-sound's first and self titled CD features chamber works by 20th-century composers John Cage, Brendan Colbert, Paul Moulatlet, Ken Murray, Thomas Reiner, and Harvey Sollberger.
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