Philip Pogson
Philip Pogson is an executive producer whose name runs through a long sequence of Move catalogue releases. His production work sits behind recordings that range from French baroque and Swedish-inspired programmes to contemporary crossover projects.
Credits

Exquisite Harmonies
Exquisite Harmonies features works for viola da gamba and harpsichord, and several harpsichord solos, largely from the French Baroque. The exceptions are Telemann, Abel and Australian composer Troy Russell. A nice treat is an improvised harpsichord fantasia in the style of Telemann.

Nordic Moods & Baroque Echoes
A collaboration between Duo Langborn/Wendel and The Marais Project, this album blends baroque repertoire, new compositions and arrangements, and folk music from Australia and Sweden.

Australian Monody
The Marais Project is joined by countertenor Russell Harcourt for a collection of largely Australian songs and instrumental works, spanning light and darkness, love and loss.

Two
Two brings together Marais Project founding members Jennifer Eriksson, viola da gamba, and Tommie Andersson, gallichon, theorbo and baroque guitar. Each plays alternate brackets of solos before they join in a splendid suite by Marin Marais.

Fika
Fika is the second album from crossover ensemble Elysian Fields: music shaped for the Swedish custom of gathering with friends over coffee, conversation and something sweet to share.

The Garden Party
The Marais Project’s anniversary disc The Garden Party has a festive flavour, mixing world-premiere Marais arrangements and Eriksson’s title track with earlier Move recordings across French baroque, Swedish folk and South American song.

What should I say
Australia’s only electric viola da gamba band, Elysian Fields joins Jenny Eriksson with jazz colleagues Matt Keegan and Matt McMahon in new repertoire that sets Renaissance verse beside contemporary improvisation.
Producer: Executive Producer

Spinning Forth
The title points to music still to come. The programme gathers French baroque viola da gamba repertoire with Swedish roots and newly commissioned Australian works, spinning forth in fresh directions.

Smörgåsbord
The Marais Project’s fifth disc gathers Swedish folk, Bellman songs, Roman and Marais chamber works, a jazz pavane and even ABBA, all heard for the first time in Australia on period instruments.