Listen & tracks
2 of 33 tracks have a preview · 33 works · 76:05
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1 Flute Piece William Hine 1:43
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2 In dich hab ich gehoffet, Herr Johann Christoph Bach 1:58
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3 Wenn wir in höchsten Nöten sein Johann Christoph Bach 1:39
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4 Wie schön leuchtet der Morgenstern Johann Christoph Bach 1:30
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5 Trumpet Voluntary Thomas Sanders Dupuis 1:54
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6 Nun bitten wir den Heiligen Geist, BuxWV 209 Dieterich Buxtehude 3:03
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7 O welt, ich muss dich lassen Johann Gottfried Walther 2:53
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8 Andante Tranquillo Christoph Willibald Gluck 1:41
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9 Ayre Arcangelo Corelli 1:40
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10 Premier livre d'orgue, Suite du premier ton, No. 1 Pierre du Mage Plein Jeu 2:28
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11 Fugue in C Major, BuxWV 174 Dieterich Buxtehude 3:06
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12 Sonatina, K.279/189d Wolfgang Amadeus Mozart 7:21
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13 52 Easy Chorale Preludes, Op. 67: No. 33 Max Reger O welt, ich muss dich lassen 1:23
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14 Herzlich thut mich erfreuen, Op. 122 Johannes Brahms 2:35
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15 O wie selig seid ihr doch, ihr Frommen, Op. 122 Johannes Brahms 2:05
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16 Il est né le divin Enfant Léon Roques 1:15
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17 L'Organiste, FWV 41-42: III César Franck Andantino :59
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18 Pavane Emmanuel Chabrier 3:25
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19 Le roi s'amuse Léo Delibes Passepied 2:25
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20 12 Pieces pour orgue Théodore Dubois Offertoire 3:12
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21 Prelude 3 Carl Nielsen 1:03
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22 Prelude 5 Carl Nielsen 1:24
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23 Prelude 22 Carl Nielsen :36
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24 Church Prelude I Alfred Ernest Floyd 3:01
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25 Church Prelude III Alfred Ernest Floyd 2:15
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26 Trumpet Voluntary Gordon Young 1:43
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27 A Fragment Moneta Eagles 2:01
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28 The Silver Stars are in the Sky Robert Ampt 2:55
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29 Carol of the Birds Robert Ampt :52
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30 Paean – A Song of Triumph Soorjo Alexander William Langobard Oliphant Chuckerbutty 3:38
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31 Introit in D Minor Alan Ridout 1:46
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32 Merifield Janet Correll 2:41
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33 Christus Gordon Young 3:55
In addition there are pieces which sound convincing on large or small organs. The chosen instrument has a fairly standard stop list, yet a resourceful tonal design. Not every work depends on specific colours, and many remain musically enjoyable on other keyboards.
Until the mid-nineteenth century, English and Italian organ practice, and cultures shaped by those tastes, centred on modest one- and two-manual instruments, either without pedals or with only an octave of bass notes. France, Germany and Holland produced monumental liturgical works over some five centuries, yet quality miniatures were written there as well.
Nineteenth- and twentieth-century mainstream organ composers, especially in France and Germany, assembled complete collections for the harmonium. The twentieth-century Baroque revival renewed interest in one-manual chamber organs and encouraged living composers to write for them.
Organists:
Ingrid Austin
Merrowyn Deacon
Rhys Boak
Colin Jenkins
John Maynard
The Organ
Built in 1882 by T.C. Lewis, the organ in St George’s Uniting Church, East St Kilda, shows Lewis at the height of his achievement. He had already completed large instruments for St Mary’s Cathedral, Newcastle upon Tyne, St Peter’s, Eaton Square, London, Glasgow Public Hall and Ripon Cathedral, and later major organs for St Paul’s Cathedral Melbourne, Southwark Cathedral and Glasgow Art Gallery.
In 1935 Frederick Taylor added a string division he called Choir and built a new console with tubular-pneumatic action. George Fincham and Sons added the Choir Clarinet in 1948. Australian Pipe Organs converted the action to electro-pneumatic and partially restored the instrument in 1996.
Artists
Rhys Boak
organ
Rhys Boak is a Melbourne organist and accompanist, active as a recitalist on historic instruments and with Australian choirs. He is organist and manager of music at St Michael's Church, Melbourne.
Ingrid Austin
organ
Merrowyn Deacon
organ
Colin Jenkins
organ
Colin Jenkins is an organist who has recorded for Move on the 1882 T.C. Lewis organ at St George’s Uniting Church, East St Kilda.
John Maynard
organ
Robert Ampt
composer
Robert Ampt is the Sydney City Organist and Organist/Choirmaster of Sydney's German Lutheran Church. An active recitalist, teacher and composer for the organ, he has written children's introductions to the instrument and an extensive history of the Sydney Town Hall organ.
Johann Christoph Bach
composer
Johann Christoph Bach (1642–1703) was a German composer and organist of the Baroque period. He served at Eisenach as organist of St George's Church and at the ducal court, and left a body of sacred vocal works and organ music.
Johannes Brahms
composer
Johannes Brahms (1833–1897) was a German composer and pianist of the Romantic period. His music for piano, chamber ensemble, orchestra, and voice remains central to the concert repertoire.
Dieterich Buxtehude
composer
Dieterich Buxtehude (c. 1637–1707) was a Danish-born organist and composer of the middle Baroque, long based at Lübeck. His organ works remain central to the standard repertoire.
Arcangelo Corelli
composer
Arcangelo Corelli (1653–1713) was an Italian Baroque violinist and composer. His sonatas and concerti grossi helped establish the violin’s pre-eminence and fixed models of the sonata and concerto that spread across Europe.
Théodore Dubois
composer
Théodore Dubois (1837–1924) was a French composer, organist and pedagogue. Sacred and organ works form the part of his large output that still reaches the concert platform, above all the oratorio Les sept paroles du Christ and the Toccata in G.
Alfred Ernest Floyd
composer
Alfred Ernest Floyd's sacred writing serves the church year and the organ loft: the carol Cold and Dark is Holy Night, Church Preludes for small instruments, and hymnody from Advent through All Saints.
César Franck
composer
César Franck’s music carries the weight and colour of the Romantic organ loft into symphony, chamber music and song. The Violin Sonata, Symphony in D minor, organ Chorales and Pièce héroïque, and the serene Panis angelicus remain central to the repertoire he shaped.
Christoph Willibald Gluck
composer
Christoph Willibald Gluck stripped opera of empty display and put drama first. His reform works, from Orfeo ed Euridice to Iphigénie en Tauride, fuse Italian melody with French theatrical force in music of noble simplicity and human passion.
Wolfgang Amadeus Mozart
composer
Wolfgang Amadeus Mozart was a prolific and influential composer of the Classical era. He wrote over 600 works, many of them pinnacles of symphonic, concertante, chamber, piano, operatic and choral music, and remains among the most enduringly popular of classical composers.
Max Reger
composer
Max Reger's organ music packs Bach's counterpoint into dense late-Romantic harmony: chorale preludes, toccatas and the Benedictus that still stills a nave. His chamber miniatures carry the same concentrated craft into violin and piano.
Johann Gottfried Walther
composer
Johann Gottfried Walther (1684–1748) was a German organist, composer, music theorist and lexicographer of the Baroque era. He is remembered for his organ works and for the first major German dictionary of music.
Emmanuel Chabrier
composer
Emmanuel Chabrier (1841–1894) was a French Romantic composer and pianist whose free-spirited musical language helped open the way for later French modernism.
Soorjo Alexander William Langobard Oliphant Chuckerbutty
composer
Janet Correll
composer
Léo Delibes
composer
Léo Delibes wrote French Romantic ballets and operas that put melody, colour and theatrical grace at the centre of the score. Coppélia, Sylvia and Lakmé still define him; so do lighter mélodies and salon miniatures built for charm rather than weight.
Thomas Sanders Dupuis
composer
Moneta Eagles
composer
Moneta Eagles is a composer of short works for the organ. Her music includes the reflective Eclogue and the brief A Fragment.
William Hine
composer
Pierre du Mage
composer
Carl Nielsen
composer
Carl Nielsen’s music moves with rhythmic drive and clear, singing lines that keep shifting key underfoot. From the youthful Violin Sonata to spare organ preludes and the folk-tinged miniatures of The Mother, the writing feels vital, open-air and unmistakably his.
Alan Ridout
composer
Alan Ridout (1934–1996) was a British composer and teacher. His prolific output spanned church, orchestral and chamber music, much of it written for amateurs, students and children.
Léon Roques
composer
Léon Roques (1839–1923) was a French composer, accompanist and transcriber, remembered above all for chamber and keyboard arrangements of late Romantic and early twentieth-century French music.
Gordon Young
composer
Digital booklet
Digital booklet Notes, texts and credits — read online or download the PDF Download the PDFPerformers
- Rhys Boak · organ · tracks 12, 18–20
- Ingrid Austin · organ · tracks 2–4, 8, 9, 24–26
- Merrowyn Deacon · organ · tracks 1, 5, 6, 11, 13, 14 and 32
- Colin Jenkins · organ · tracks 7, 10, 16, 28–31 and 33
- John Maynard · organ · tracks 15, 17, 21–23 and 27
Technical credits
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Recording Engineer
Martin Wright
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Editing Engineer
Vaughan McAlley
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Venue
St. George's Uniting Church
Details
- List price
- $25.00 AUD
- Total playing time
- 76 minutes 5 seconds
- Release date
- 2004
- Categories
- Classical, Organ
- Genres
- Organ, Baroque, Romantic & Impressionist
- Musical work copyright
- © 2004 Move Records
- Sound recording copyright
- ℗ 2004 Move Records
- Catalogue
- MD 3292
- EAN
- 9314574329223
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