Move Records Australian classical & art music, est. 1968

Bizarre or baRock

Elizabeth Anderson explores harpsichord music across four centuries: from Conceição’s raw 17th-century battle piece and traditional Baroque repertoire to jazz, blues, Gershwin and the Beatles with drums and bass. Weird, wild, wacky and wonderful – you’ve never heard the harpsichord like this.

Elizabeth Anderson harpsichord
Kylie Davies double bass
Danny Fischer drums, percussion

‘Barock’ is a German word which originally meant ‘bizarre’. It was not until early in the 20th century that the word ‘Barock’ was used in Germany to describe the music of Bach’s time.

When Sir Charles Burney first used it in his German Tour diary (1733), he explained that it meant ‘coarse and uncouth’, much as writers then used the word ‘Gothic’. In architecture, the word ‘Barock’ was applied from about 1867 to the highly-decorated style of the 17th and 18th centuries in Austria and Germany. Therefore, to apply the term Baroque (French/English spelling) with all its shades of meaning is to extend the boundaries of Baroque music far beyond the dates which have traditionally been set for it.

After the release of the highly acclaimed Goldberg Variations (MD 3160; Soundscapes Editor’s Choice, November 1996) and highly successful European and Japanese tours, Anderson said: “I felt like doing something WILD!”

A second volume followed, even more bizarre: More Bizarre or baRock (MD 3326).

Reviews

Elizabeth Anderson’s harpsichord extravaganza should be a candidate for best Australian CD of 1997 … It all tastes delicious.

There is not a weak point on the disc.

Vivacious Melbourne keyboard virtuoso Elizabeth Anderson plays the hottest, hippest harpsichord in the world today.

I was very glad to make the acquaintance of harpsichordist Anderson, who has four previous CDs on the Move label to her credit, including a recording of Bach’s Goldberg Variations. This is highly proficient, no-nonsense playing that is guaranteed to get your fingers a snappin’ and your toes a tappin’. She plays a terrific-sounding harpsichord (maker unknown) that manages to hold its own in the ensemble numbers with drums and bass… it certainly helps that she is one hell of a harpsichordist. The recorded sound is visceral and real – much of the delight in listening to this CD comes from the sheer impact of the sound. I never thought I’d use the word “visceral” to describe a harpsichord recording, but there it is. What fun—a candidate for this year’s Want List for sure.

Artist

Photograph of Elizabeth Anderson

Elizabeth Anderson

Elizabeth Anderson has performed on eleven international concert tours to Europe, Japan and Singapore, and is a regular guest lecturer and performer at universities and music schools throughout Australia.

Audio preview

Audio preview tracks for this release; use the play buttons or row links to play.

Tracks

  1. Ragtime Willard Palmer 1:31
  2. Blues for Harpsichord Willard Palmer 2:09
  3. Scarborough Fair (Traditional) Arr: Donald Angle 3:20
  4. Leyenda: Asturias Isaac Albéniz Arr: Elizabeth Anderson 7:00
  5. Small Prelude in C minor (BWV 999) Johann Sebastian Bach 1:31
  6. The Lyre of Orpheus Jean-François Dandrieu 3:10
  7. The Cuckoo Louis-Claude Daquin 2:25
  8. Winter's Shadow Mary Mageau 3:47
  9. Cycles I Lawrence Whiffin 3:59
  10. Chocolate Bunnies Donald Angle 2:32
  11. Hungarian Rock György Ligeti 5:58
  12. A New Ground Henry Purcell 3:08
  13. The Harmonious Blacksmith George Frideric Handel 4:49
  14. Eleanor Rigby John Lennon Paul McCartney Arr: Donald Angle 2:48
  15. Danza Ostinata (Fancy No. IV for harpsichord) William Albright 5:29
  16. Batalha Diego da Conceição 4:33
  17. Nine Rarebits Earle Brown 3:08
  18. Sonata in D minor (Prestissimo, K 517) Domenico Scarlatti 2:51
  19. Sonata in A minor (Allegro, K 175) Domenico Scarlatti 2:58
  20. I Got Rhythm George Gershwin Arr: Donald Angle 2:29

Performers

Composers

Photograph of Isaac Albéniz

Isaac Albéniz

Isaac Albéniz (1860–1909) was a Spanish pianist and composer whose piano music, steeped in folk idioms, helped give Spanish art music a distinctive national voice.

Photograph of Donald Angle

Donald Angle

Donald Angle’s music comes from, or is influenced most directly by, twentieth-century pop, country and jazz, and is mostly geared to solo performance on the harpsichord.

Photograph of Johann Sebastian Bach

Johann Sebastian Bach

Johann Sebastian Bach (1685–1750) was a German composer and organist of the late Baroque. His sacred and secular music for choir, orchestra, organ and solo instruments remains among the foundations of the Western concert and church repertory.

Photograph of George Gershwin

George Gershwin

George Gershwin (September 26, 1898 – July 11, 1937) was an American composer and pianist whose music spanned popular song, Broadway and the classical concert hall, leaving melodies that remain widely known.

Photograph of George Frideric Handel

George Frideric Handel

George Frideric Handel (1685–1759) was a German-born Baroque composer who settled in London and became a naturalised British subject. He is celebrated for his operas, English oratorios, organ concertos and orchestral works.

Photograph of John Lennon

John Lennon

John Lennon's songs cut through styles and decades with plainspoken hooks and melodies that refuse to age. From Beatles classics to the solo anthem Imagine, his writing keeps finding new voices in jazz rooms, a cappella circles and the concert hall.

Photograph of György Ligeti

György Ligeti

György Ligeti (1923–2006) was a Hungarian-born composer of contemporary classical music, among the most innovative avant-garde figures of the later twentieth century.

Photograph of Mary Mageau

Mary Mageau

Mary Mageau (1934–2020) was an American-born Australian composer and harpsichordist whose catalogue spans orchestra, chamber music, solo works and voice. From 1974 she made her home in Queensland and became a distinctive voice in Australian contemporary music.

Photograph of Paul McCartney

Paul McCartney

Paul McCartney's songs travel far beyond their rock origins. Melodic, singable and built for reinvention, they turn up here in jazz sets, a cappella harmony, intimate guitar ballads and even harpsichord with drums and bass.

Photograph of Henry Purcell

Henry Purcell

Henry Purcell (c. 1659–1695) was an English organist and composer of the middle Baroque. His sacred music, theatre songs, instrumental works and the opera Dido and Aeneas shaped a distinctly English Baroque style.

Photograph of Domenico Scarlatti

Domenico Scarlatti

Domenico Scarlatti (1685–1757) was an Italian composer who spent much of his career at the Portuguese and Spanish courts. He is known almost exclusively for his 555 keyboard sonatas.

Photograph of Lawrence Whiffin

Lawrence Whiffin

Lawrence Whiffin (1930–2012) was a Melbourne-born composer, pianist and teacher. After years abroad he returned to Australia as Senior Tutor at La Trobe University, where teaching harmony and analysis also freed him to write more concert music.

No photograph: Jean-François Dandrieu

Jean-François Dandrieu

Jean-François Dandrieu was a French Baroque composer, harpsichordist and organist. Dandrieu's harpsichord oeuvre is, after those of François Couperin and Jean-Nicolas Geoffroy, the most important in terms of sheer quantity of pieces.

No photograph: Louis-Claude Daquin

Louis-Claude Daquin

Louis-Claude Daquin wrote Baroque and Galant keyboard music built for display: clear textures, brilliant passagework and character pieces that paint a scene. His harpsichord suites and organ Noëls still circulate, above all Le coucou and the Swiss Noël.

Where to listen

Bizarre or baRock is available for streaming through Spotify and Apple Music. It can also be purchased through the iTunes Music Store.

Bizarre or baRock is available as a CD. It can be purchased online through Buywell Music or the Australian Music Centre which both offer online ordering.

Product details

Catalogue number
MD 3179
List price
$25.00 AUD
Total playing time
69 minutes 35 seconds
Recording Engineer
Martin Wright
Vaughan McAlley
Release date
Musical work
copyright
© 1997 Move Records
Sound recording
copyright
℗ 1997 Move Records
Categories
Baroque, Classical, Jazz, Keyboard
Genres
Baroque, Jazz & Improvised
Barcode
EAN 9314574317923

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