Listen & tracks
6 of 9 tracks have a preview · 9 works · 56:31
-
1 L’Ombra dell’Angelo Paolo Perezzani for solo flute 12:09
-
2 Confession 2 Damian Barbeler for piccolo and electronics 5:06
-
3 Female Nude Andrew Ford for amplified alto flute 5:28
-
4 Acadia Elizabeth Brown for flute and shakuhachi 9:01
-
5 Cassandra’s Dreamsong Brian Ferneyhough for solo flute 9:15
-
6 Lilliputian Nicole Chamberlain for piccolo and music box 2:42
-
7 Laveringar Daniel Börtz for solo flute (Tinted Drawings) 8:49
-
8 Pimento Edmund Jolliffe for solo piccolo 1:32
-
9 Proposition #2: How to Make a Salad Alison Knowles 2:29
Drawing together pieces shaped by breath, timbre and texture, the album invites a sonic journey where shifting colours, extended techniques and lyrical expression meet.
Works for solo flute, piccolo and alto flute by Paolo Perezzani, Andrew Ford and Brian Ferneyhough sit beside Nicole Chamberlain’s playful piece for piccolo and hand-cranked music box, Elizabeth Brown’s meditative duet for flute and shakuhachi, and Damian Barbeler’s haunting writing for piccolo and electronics.
Shifting Landscapes reflects Kathryn’s commitment to adventurous programming, artistic curiosity and expressive storytelling.
Artists
Kathryn Moorhead
flute, piccolo, alto flute
Kathryn Moorhead is an Australian flautist based in Adelaide, where she teaches flute at the University of Adelaide’s Elder Conservatorium of Music and the Open Music Academy, and freelances as an orchestral and chamber musician.
Andrew Ford
composer
Andrew Ford is an Australian composer, writer and broadcaster whose work ranges from chamber and vocal scores to opera and piano cycles. He has won the Paul Lowin Prize for the song cycle Learning to Howl and a Green Room Award for the opera Rembrandt’s Wife.
Damian Barbeler
composer
Damian Barbeler is an Australian composer whose work includes chamber music and pieces for solo instruments with electronics.
Daniel Börtz
composer
Elizabeth Brown
composer
Nicole Chamberlain
composer
Brian Ferneyhough
composer
Edmund Jolliffe
composer
Alison Knowles
composer
Paolo Perezzani
composer
Digital booklet
Digital booklet Notes, texts and credits — read online or download the PDF Download the PDFPerformers
- Kathryn Moorhead · flute, piccolo, alto flute
- Anne Norman · shakuhachi · track 4
Technical credits
-
Recording Engineer
Martin Wright
Vaughan McAlley
-
Editing Engineer
Vaughan McAlley
-
Mastering Engineer
Martin Wright
-
Venue
Move Records Studio
Details
- List price
- $25.00 AUD
- Total playing time
- 56 minutes 31 seconds
- Release date
- 24 Nov 2025
- Categories
- Australian, Classical
- Musical work copyright
- © 2025 Kathryn Moorhead
- Sound recording copyright
- ℗ 2025 Move Records
- Catalogue
- MCD 672
- EAN
- 8721416858598
More to explore
Miscellany for Flute and Harp
Throughout history composers have been drawn to the flute and harp pairing, from the shepherd’s pan-pipes and Orphean lyre of ancient Arcadia to the French court of Marie-Antoinette and Mozart’s duo concerto for the two instruments.
Quiet Place
Each of the eleven tracks is a song without words. Written over a number of years, these pieces by Andrew Blyth share a concern for simplicity and directness of expression throughout the set.
Unearthly Music: Music by Australian Women Composers
A tribute to twentieth-century Australian women composers, this flute and piano recital gathers lesser-known chamber works in the hope that listeners, performers and programmers will bring the music to a wider audience.
Duo Blockstix: Works for Percussion and Recorder
Duo Blockstix is a unique Australian ensemble of recorder player Alicia Crossley and percussionist Joshua Hill, formed around the woody tones and sharp articulation of this unusual pairing.
Elektra
Australian piano music by Helen Gifford, Tony Gould, Andrew Ford, Julian Yu and Michael Kieran Harvey. The title work, Elektra, extends acoustic piano sound through computer processing, in a collaboration with sound engineer Michael Hewes, who shaped the instrument’s resonances in real time.
Broadway Boogie
Broadway Boogie gathers premiere recordings of recent Australian piano works by Andrew Ford, Andrew Byrne, John McCaughey, Nigel Westlake, Mark Pollard and Michael Kieran Harvey, loosely linked by allusions to New York. Melbourne’s Herald-Sun named it the best classical CD of 2008.