Listen & tracks
4 works · 60:46
-
Das RheingoldRichard Wagner 3 movements17:26
- 1 Prelude to Das Rheingold 5:11
- 2 Sanft schloss Schlaf dein Aug’ 7:47
- 3 Entrance of the gods into Valhalla 4:28
-
Die WalküreRichard Wagner 4 movements13:39
- 4 Prelude to Die Walküre 2:58
- 5 Winterstürme 3:51
- 6 Ride of the Valkyries 3:00
- 7 Wotan’s farewell and magic fire music 3:50
-
SiegfriedRichard Wagner 3 movements13:15
- 8 Forest murmurs 6:14
- 9 Siegfried’s horn call 2:04
- 10 Prelude and Introduction to Act 3 4:57
-
GötterdämmerungRichard Wagner 2 movements16:26
- 11 Siegfried’s Rhine journey 7:54
- 12 Siegfried’s funeral march 8:32
Siegfried's Story gathers twelve movements from all four operas of Wagner’s Ring of the Nibelung, scored for horn, tuba and piano.
The combination is less odd than it first appears. Wagner wrote so much of his grandest writing for horns and low brass that the lines sit naturally on this trio: horn takes the melody, tuba the bass, and piano the busy string figuration, turning the orchestral score into dramatic chamber music.
The selection follows the cycle’s narrative order, from the opening of Das Rheingold through to Siegfried’s Rhine journey and funeral march in Götterdämmerung.
In the artist’s words
Siegfried’s Story began with an idea I had to do a “tribute” concert to one of the leading nineteenth-century horn players, Franz Strauss, and his famous son, the composer Richard Strauss. Franz Strauss performed in the premiere of several of Wagner’s operas, and although Wagner and Strauss don’t appear to have gotten along, Wagner had a great deal of respect for his horn playing. I originally intended on doing a concert featuring the music of Franz and Richard Strauss along with Wagner’s famous horn call from the third opera of the Ring cycle, Siegfried.
I got the idea to arrange a couple of the musical interludes from the Ring cycle for horn and piano to fill out the concert. Whilst I never actually ended up presenting the concert, the idea of arranging highlights of the Ring cycle grew. I arranged eight movements for horn and piano before a conversation with Per Forsberg led me to adding a tuba part as well. Eventually I added four more movements and it became the twelve-movement work that features on this CD.
Reviews
Melodies are usually given to the horn and bass notes to the tuba; the piano has the task of filling in for the rest of the orchestra … exposing the structure of the music and allowing us to listen to it afresh.
Siegfried’s Story is an intriguing take on parts of the Ring, in which the combination of horn, tuba and piano provides a fascinating perspective on the music. Listening to this was an experience that became increasingly enjoyable and fascinating. It is arranged and played with love and care.
Brassy revamp for Wagner
Artists
Mark Papworth
horn, wagner tuba
Mark Papworth is a Melbourne tram driver and highly accomplished horn player. At home on baroque, natural and modern instruments, he studied in Melbourne, Perth and the United States.
Richard Wagner
composer
Richard Wagner forged music drama in which continuous song, orchestra and stage action move as one. Leitmotifs, dense chromatic harmony and blazing brass drive the Ring cycle, Tristan and the mature stage works that still shape how opera sounds.
Per Forsberg
tuba
Per Forsberg grew up in Torsby, Sweden, and studied Tuba with Christer Palm, Carl Jakobsson and Michael Lind before coming to Melbourne in 1999 as an exchange student to study with Fabian Russell.
Rosa Scaffidi
piano
Rosa Scaffidi began her life-long love affair with the piano and its mighty repertoire at the age of 2. She is an extremely versatile musician, and is highly skilled in the interpretation of many musical styles as well as being a proficient improviser.
Digital booklet
Digital booklet Notes, texts and credits — read online or download the PDF Download the PDFPerformers
- Mark Papworth · horn, wagner tuba
- Per Forsberg · tuba · all except track 9
- Rosa Scaffidi · piano · all except track 9
Technical credit
-
Producer
Martin Wright
Details
- List price
- $25.00 AUD
- Total playing time
- 60 minutes 46 seconds
- Release date
- 15 Dec 2019
- Category
- Classical
- Musical work copyright
- © 2020 Mark Papworth
- Sound recording copyright
- ℗ 2020 Move Records
- Catalogue
- MCD 597
- EAN
- 9314574059724
More to explore

The Other Side of Tony Gould
Tony Gould is best known as a jazz pianist and improviser. This recording turns to his classical side: original concert works written over two decades, with Stravinsky’s The Rite of Spring in a four-hand piano version.

Evenings with the French Horn
Mark Papworth (natural and valved horns) and Rosa Scaffidi (piano) play Berlioz and Blanc in repertoire that sets the two French horn types of the late nineteenth century side by side.

New Wine in an Old Bottle
Mark Papworth on natural horn and Amanda Millar on piano and cello present New Wine in an Old Bottle, new sonatas for natural horn by Australian composer Thomas McConochie, cast in a neo-classical style that recalls the pre-valve golden age of Haydn, Mozart and Beethoven.

Music for Trumpet and the King of Instruments
In the world of classical music, one of the most special and enduring combinations of instruments is that of the trumpet and the pipe organ. Dating back over a millennium, the pairing has produced a tradition of heroic and majestic music-making.

Adele Johnston sings Wagner and Korngold Lieder
Adele Johnston, 1997 winner of the City of Melbourne Song Recital Award, sings rarely heard Wagner and Korngold lieder with pianist Andrew Greene, including Australian and world premiere recordings.

Just Married: Organ Music for a Wedding
A compilation of history's most celebrated organ music, long popular at weddings. The insert notes usefully group the tracks as processionals, recessionals and music for the signing of the register.
