Move Records Australian classical & art music, est. 1968

Hartley Newnham

Hartley Newnham is an Australian countertenor whose repertory runs from troubadour song and mediaeval monody to the avant-garde. A long-standing member of La Romanesca, he is also a composer and a noted advocate of new Australian vocal works.

Hartley Newnham’s repertory ranges from Troubadour songs to the avant-garde and jazz. With pianist Nicholas Routley he has premiered many new works, among them Ross Edwards’ Maninyas I. He has performed and broadcast in major European musical centres.

Performing as La Romanesca

A leading force in early music in Australia since 1978, La Romanesca has developed a special interest in the performance of mediaeval monophonic and polyphonic song, although the group's repertory spans the twelfth to seventeenth centuries.

Front cover art for Via Frescobaldi

Via Frescobaldi

Seventeenth-century Italian composer Girolamo Frescobaldi was at once conservative and innovative. La Romanesca presents improvisatory toccatas, imitative polyphonic instrumental works, and songs from his arie musicali of 1630.

Performer
Front cover art for Iberian Triangle

Iberian Triangle

La Romanesca presents a portrait of the musical diversity of Spanish song in the years just before the great expulsion and Columbus's voyages: music of Christian, Moorish and Jewish Spain before 1492.

Performer: Countertenor, Percussion
Front cover art for Monodies

Monodies

Music from twelfth- and thirteenth-century Spain and southern France. The programme centres on Martin Codax’s sea-haunted Cantigas de amigo, with songs by the troubadour Marcabru and anonymous fourteenth-century istanpittas.

Performer: voice, percussion
Front cover art for Love Lyrics and Romances of Renaissance Spain

Love Lyrics and Romances of Renaissance Spain

This is the first recording by the early music group La Romanesca, devoted to Spanish villancicos and romances of the Renaissance.

Performer: countertenor

Performing as Les Six

The vocal group Les Six were formed specifically to perform mediaeval and renaissance repertoire in authentic style.

Front cover art for Hæc Dies

Hæc Dies

Easter at Notre Dame, Paris, c.1220. Music for Easter Sunday Mass as it may have been heard at Notre Dame early in the thirteenth century: chant propers, a complete ordinary cycle in two-part Leoninus-style settings, and three-part organum in the style of Perotin.

Performer
Contributor: Directed by
Front cover art for A Florentine Annunciation - The Music of the 14th Century Vol. 4

A Florentine Annunciation - The Music of the 14th Century Vol. 4

The Music of the Fourteenth Century series presents some of the earliest and most significant polyphonic settings of late-medieval lyric poetry. This volume offers music for the Feast of the Annunciation, performed by Les Six.

Performer: Countertenor, Director
Producer

Performing as Ensemble of the Fourteenth Century

The Ensemble of the Fourteenth Century is a collective of specialist singers and instrumentalists brought together for the Fourteenth Century Recording Project. The ensemble was initially formed around the leading Australian mediaeval ensemble La Romanesca, which was expanded to provide the varied instrumental and vocal combinations required by the repertoire.

Front cover art for I am Music - The Music of the 14th Century Vol. 3

I am Music - The Music of the 14th Century Vol. 3

The Music of the Fourteenth Century series presents some of the earliest and most significant polyphonic settings of late medieval lyric poetry. Songs by Francesco Landini, performed by the Ensemble of the Fourteenth Century.

Performer

Hartley Newnham also appears on

Front cover art for Phoenix Songs

Phoenix Songs

Like the phoenix rising from the ashes, the recorder is enjoying something of a renaissance. Six well-known Australian contemporary composers pair it with piano, harpsichord, voice and live electronics.

Performer