Move Records Australian classical & art music, est. 1968
Front cover art for Just For The Record

Just For The Record

Renowned jazz singer Linda Cable gathers moody ballads and up-tempo standards in a polished set that moves from cool and slinky to full swing.

  • CatalogueMD 3099
  • Released1 Jun 1991
  • Playing time66 minutes 6 seconds

Listen & tracks

1 of 28 tracks have a preview · 14 works · 66:06

  1. 1 Eleanor Rigby John Lennon 5:20
  2. 2 More Than You Know Billy Rose 6:26
  3. 3 Cats in the Kitchen Linda Cable 4:02
  4. 4 There Will Never Be Another You Harry Warren 3:45
  5. 5 Misty Erroll Garner 5:08
  6. 6 Send in the Clowns Stephen Sondheim 3:54
  7. 7 Body and Soul Edward Heyman 5:33
  8. 8 Moondance Van Morrison 5:30
  9. 9 When Sunny Gets Blue Marvin Fisher 5:42
  10. 10 My Romance Richard Rodgers 3:51
  11. 11 Come Rain or Come Shine Johnny Mercer 4:49
  12. 12 Do Nothing Till You Hear From Me Duke Ellington 3:12
  13. 13 Am I Blue Grant Clark 5:04
  14. 14 Like Someone in Love Jimmy Van Heusen 3:50

Including Eleanor Rigby, More Than You Know, Body and Soul, Moondance, Do Nothing Till You Hear From Me, Misty, Send in the Clowns, Like Someone in Love, When Sunny Gets Blue and Am I Blue.

London-born Linda Cable began singing the blues in Australia and shaped a distinctive voice that made her a fixture in Australian jazz. This programme of fourteen tracks ranges from cool and slinky readings to uptempo numbers and moody ballads. One of them, Cats in the Kitchen, is her own composition.

The original version of Cats in the Kitchen, with other adventurous original material, appears on her first album Ya-de-ya.

Reviews

This album proves that Cable is a mature and intelligent stylist, who tastefully selects from her wide range of effects to convincingly sell each type of song in a strong album.

Melbourne singer Linda Cable is all class ... One of the best vocal albums of the year.

Artists

Photograph of Linda Cable

Linda Cable

vocals

London-born Linda Cable built her singing career in Australia, moving from blues into a distinctive jazz style. She is known for a strong, clear voice on up-tempo numbers, moody ballads and her own songs.

Photograph of Harold Arlen

Harold Arlen

composer

Harold Arlen (1905–1986) was an American composer of popular song whose work sits at the heart of the Great American Songbook. He wrote the complete score for the film The Wizard of Oz, including Over the Rainbow.

Photograph of Johnny Burke

Johnny Burke

composer

Johnny Burke wrote the words to some of the most durable standards in the Great American Songbook, including Like Someone in Love, It Could Happen to You and Misty, songs that still sit at the heart of jazz and popular singing.

Photograph of Duke Ellington

Duke Ellington

composer

Duke Ellington wrote jazz that slips past easy labels: three-minute standards thick with colour, growl and hush, and longer suites built for the voices of a big band. His orchestra was the instrument; the songs still own the night.

Photograph of Lorenz Hart

Lorenz Hart

composer

Lorenz Hart's lyrics for Rodgers and Hart still sit at the heart of the jazz and cabaret songbook: witty, conversational, and edged with a rueful tenderness that singers and players keep returning to.

Photograph of Jimmy Van Heusen

Jimmy Van Heusen

composer

Jimmy Van Heusen wrote the melodies that still sit at the centre of the jazz and popular songbook: film and stage standards built for crooners, bands and late-night rooms, from Darn That Dream to Come Fly with Me.

Photograph of John Lennon

John Lennon

composer

John Lennon's songs cut through styles and decades with plainspoken hooks and melodies that refuse to age. From Beatles classics to the solo anthem Imagine, his writing keeps finding new voices in jazz rooms, a cappella circles and the concert hall.

Photograph of Paul McCartney

Paul McCartney

composer

Paul McCartney's songs travel far beyond their rock origins. Melodic, singable and built for reinvention, they turn up here in jazz sets, a cappella harmony, intimate guitar ballads and even harpsichord with drums and bass.

Photograph of Johnny Mercer

Johnny Mercer

composer

Johnny Mercer's lyrics still define how jazz singers tell a story: conversational, witty and shot through with Southern colour, from torch laments to swing anthems and Hollywood standards that refuse to age.

Photograph of Richard Rodgers

Richard Rodgers

composer

Richard Rodgers (1902–1979) was an American composer of musical theatre whose songs became standards of the twentieth-century stage and screen. Over five decades he wrote more than nine hundred songs and dozens of Broadway musicals.

Photograph of Stephen Sondheim

Stephen Sondheim

composer

Stephen Sondheim wrote music and lyrics that pushed the American musical into darker, more ambivalent territory. His songs move with intricate craft: sharp rhymes, restless harmony, and melodies that catch at regret, wit and longing.

Photograph of Vincent Youmans

Vincent Youmans

composer

Vincent Youmans wrote lean Broadway songs built from short repeated phrases and subtle harmonic turns. Tea for Two, I Want to Be Happy and More Than You Know became lasting standards, still favoured by jazz players.

No photograph: Harry Akst

Harry Akst

composer

No photograph: Grant Clark

Grant Clark

composer

No photograph: Edward Eliscu

Edward Eliscu

composer

No photograph: Frank Eyton

Frank Eyton

composer

No photograph: Marvin Fisher

Marvin Fisher

composer

No photograph: Erroll Garner

Erroll Garner

composer

Erroll Garner's ballad Misty has become one of the most durable jazz standards, its long singing line and easy harmonic lift still inviting singers and instrumentalists. As a pianist he was known for swing, whimsical introductions and a right hand that floated just behind the beat.

No photograph: Mack Gordon

Mack Gordon

composer

Mack Gordon wrote the words to classic popular standards, among them the enduring ballad There Will Never Be Another You.

No photograph: John Green

John Green

composer

No photograph: Edward Heyman

Edward Heyman

composer

No photograph: Van Morrison

Van Morrison

composer

Van Morrison is the composer of the song Moondance, recorded on Move in a cappella and jazz settings.

No photograph: Steven Porter

Steven Porter

composer

No photograph: Billy Rose

Billy Rose

composer

No photograph: Bob Russell

Bob Russell

composer

No photograph: Jack Segal

Jack Segal

composer

No photograph: Robert Sour

Robert Sour

composer

No photograph: Harry Warren

Harry Warren

composer

Harry Warren (1893–1981) was an American composer and the first major American songwriter to write primarily for film. Over six decades he wrote more than 800 songs, many of which became lasting standards of the Hollywood musical.

Buy now

$25.00 AUD

Compact disc

Stream now

Also available to download from the iTunes Store.

Performers

Technical credits

  • Producer Peter Jones
  • Recording Engineer Mark McDougall
    Melita Jagic
  • Mastering Engineer Martin Wright
  • Venue RBX Studios, Richmond
  • Credit Howard Birnstihl

Details

List price
$25.00 AUD
Total playing time
66 minutes 6 seconds
Release date
Categories
Jazz, Vocal
Musical work copyright
© 1991 Linda Cable
Sound recording copyright
℗ 1991 Move Records
Catalogue
MD 3099
EAN
9314574309928

More to explore

Front cover art for Prism

Prism

Years in the making, Tabula Rasa’s debut Prism blends thought-provoking lyrics with a strikingly original mix of classical, Celtic and jazz, coloured by Spanish influences and Brazilian rhythms.

Front cover art for Just A Dreamer

Just A Dreamer

Linda Cable’s 1997 Move EP gathers five original songs in a jazz-vocal vein, led by the title track.

Front cover art for Ya-de-ya

Ya-de-ya

A laid-back nightclub scene, a smoothed-out jazz band, and Linda Cable’s strong voice pouring down like silver: this classic LP from the Melbourne jazz singer gathers seven original songs in that polished club mood.

Front cover art for Crossing Paths

Crossing Paths

Ensemble Liaison and the Tony Gould Trio take turns across the programme: each piece is heard first in a scored reading, then in an improvised jazz response that opens the same melodic and harmonic material to fresh colour.

Front cover art for The Art of Melody

The Art of Melody

Jazz legends Tony Gould (piano) and Graeme Lyall (saxophone) offer superb readings of well-known standards, joined by Ben Robertson on double bass and Joe Batrouney on drums.

Front cover art for Dances and Delights

Dances and Delights

Premiere recordings of Australian and American works for modern flute ensemble fill this album with spirit and serenity, from waltzes and two-steps to cherished song arrangements.