Ensemble of the Fourteenth Century
The Ensemble of the Fourteenth Century is a collective of specialist singers and instrumentalists brought together for the Fourteenth Century Recording Project. The ensemble was initially formed around the leading Australian mediaeval ensemble La Romanesca, which was expanded to provide the varied instrumental and vocal combinations required by the repertoire.
Sopranos: Margo Adelson, Cathy Cameron
Alto: Margaret Arnold
Countertenors: Hartley Newnham, Ian McDonald
Tenors: Lloyd Fleming, Geoffrey Cox, Tom Healey, Nick Tolhurst
Baritone: Gavin Carr
Psaltery: Ros Bandt
Vielle: Ruth Wilkinson
Lute: John Griffiths
... and directed by John Stinson and John Griffiths.
Ensemble of the Fourteenth Century is featured on the following titles
The Music of the Fourteenth Century Series presents some of the earliest and most significant polyphonic settings of the lyric poetry of the late middle ages. Songs by Landini performed by The Ensemble of the Fourteenth Century.
Music from northern Italy written between the second decade of the 14th century and the early years of the 15th century. Contains anonymous works from the Rossi manuscript and songs by Maestro Piero and Bartolino da Padova.
Two Gentlemen of Verona is an anthology of recordings of the secular music of medieval France and Italy. This volume contains works by Jacopo da Bologna and Giovanni da Firenze.
Members of Ensemble of the Fourteenth Century
Countertenor Hartley Newnham is one of Australiaʼs finest singers, also known for the works written for him by composers such as Ross Edwards and Anne Boyd, as well as his own compositions.
Ros Bandt is a composer performer and sound artist who is passionate about combining ancient and modern sonic practices. Her sound research has included building a medieval Pythagorean recorder and she directs the Australian sound design project on line at the Australian centre, The University of Melbourne.
Ruth Wilkinson is a recorder and viol player whose musical expertise and passions are based on the performance of music from the 12th to the 18th century. Her performances have been praised for their musical integrity, imagination and brilliance.
John Griffiths studied vihuela and lute with Hopkinson Smith and Eugen Müller Dombois in Basel, and has published a broad range of books and articles on the vihuela.