Move Records Australian classical & art music, est. 1968

Ros Bandt

Ros Bandt is an Australian composer, performer and sound artist whose work joins ancient instruments, environmental sound and live electronics in spatial music, installation and sound sculpture.

She was the first woman to be awarded the Don Banks Composers Award in 1990, and has won many international awards for installation, radio art and composition. Her sound compositions, performances and environments have been in steady demand in America, Europe and Australasia. She holds a PhD in contemporary music from Monash University.

Beside her solo work she records and tours with two ensembles: the early music group La Romanesca and the cross-cultural Back to Back Zithers. She performs on original instruments and sculptures as well as historical instruments, flutes, recorders, psaltery and percussion. Her compositions integrate acoustic sources, live electronics and studio manipulation.

Her recordings reach back to the last days of vinyl. The LP Soft and Fragile (1983) now forms part of the CD Glass and Clay; Improvisations in Acoustic Chambers appeared in 1981; and La Romanesca's Love Lyrics and Romances of Renaissance Spain was released in 1980.

Artist's website: www.rosbandt.com

Ros Bandt is featured on the following titles

Front cover art for stack

stack

In Stack, Ros Bandt turns Melbourne’s CityLink exhaust chimney into a living instrument. Site recordings, electrified steel and unusual acoustic sources become a sixty-minute electroacoustic portrait of an industrial space now silenced.

Performer: viola da gamba, medieval flutes, sopranino recorder, medieval psaltery, gender, percussion, voice, electrified steel, electronic effects
Composer
Front cover art for Sonic Archaeologies

Sonic Archaeologies

Ros Bandt’s electro-acoustic pair Mungo and Thrausmata treat land and ancient Greek text as sonic archaeology. Award-winning works made in the studios of West Deutsche Rundfunk, Cologne.

Performer: aeolian harps, Renaissance recorder, slide whistle, medieval psaltery, sampler, vocoder, Fairlight, fossils, kangaroo bones, shells, sand, sound installation
Composer
Producer
Front cover art for Footsteps

Footsteps

The sound of feet on the earth’s surface is a reminder of how location shapes our lives. Ros Bandt’s journey of place, from Western Australia and Florida to suburban Melbourne, is unlike anything else on record.

Performer: psaltery, percussion, voice, field recordings
Composer
Front cover art for Stargazer

Stargazer

Ros Bandt explores the resonance of a large hollow concrete cylinder five storeys underground in the Collins Place car park, Melbourne. Stargazer gathers improvisations and compositions for recorders, psaltery, bells, cymbals, kalimba, PVC pipe and music boxes, shaped by that vibrating space.

Performer: recorders, psaltery, bells, cymbals, gong, kalimba, PVC pipes, music boxes, synthesiser, voice
Composer
Recording Engineer
Front cover art for Glass & Clay

Glass & Clay

Ros Bandt, the internationally acclaimed sound artist, composer, performer and sound sculptor, shapes subtle, shimmering sonorities from glass and clay. The programme includes Soft and Fragile, first issued on LP in 1983.

Performer: Flagong, tape, gamelan and ceramic bells, sampler, Mesopotamian bells, voice, environmental recordings
Composer
Producer
Front cover art for Improvisations in Acoustic Chambers

Improvisations in Acoustic Chambers

Environmental composer Ros Bandt’s first vinyl LP is now available on CD. She works with the sonorities of man-made chambers — a water tank and a wheat silo — where bamboo flute, recorders, lute and voice reverberate. It may sound electronic, but is entirely natural.

Performer: bamboo flute, recorder, Renaissance flute, voice, cymbal, bullroarer, lute, conduit hose
Composer

Performing as Back to Back Zithers

Back to Back Zithers are four distinguished solo composer-performers who enjoy sharing each other's traditions and skills in the process of making a new Australian music. Since 1988 they have combines their original ideas with musical thoughts from Vietnam, West Java, mediaeval France and Italy in new compositions which transcend the boundaries of East and West.

Front cover art for Quivering String

Quivering String

Four composer-performers of Back to Back Zithers weave Vietnamese, Sundanese and mediaeval European strands into new Australian chamber music for zithers, flutes, voice and found sound.

Performer: psaltery, Renaissance flute, prepared kacapi, voice, stones, wind chimes, ocarina, Japanese bell, wooden sticks, clay drum, skin drum
Composer

Performing as La Romanesca

A leading force in early music in Australia since 1978, La Romanesca has developed a special interest in the performance of mediaeval monophonic and polyphonic song, although the group's repertory spans the twelfth to seventeenth centuries.

Front cover art for Via Frescobaldi

Via Frescobaldi

Seventeenth-century Italian composer Girolamo Frescobaldi was at once conservative and innovative. La Romanesca presents improvisatory toccatas, imitative polyphonic instrumental works, and songs from his arie musicali of 1630.

Performer: recorders
Front cover art for Iberian Triangle

Iberian Triangle

La Romanesca presents a portrait of the musical diversity of Spanish song in the years just before the great expulsion and Columbus's voyages: music of Christian, Moorish and Jewish Spain before 1492.

Performer: Recorder, Flute, Psaltery, Percussion, Voice
Front cover art for Monodies

Monodies

Music from twelfth- and thirteenth-century Spain and southern France. The programme centres on Martin Codax’s sea-haunted Cantigas de amigo, with songs by the troubadour Marcabru and anonymous fourteenth-century istanpittas.

Performer: recorder, flute, psaltery, rebec, percussion
Front cover art for Love Lyrics and Romances of Renaissance Spain

Love Lyrics and Romances of Renaissance Spain

This is the first recording by the early music group La Romanesca, devoted to Spanish villancicos and romances of the Renaissance.

Performer: recorder, renaissance flute, percussion

Performing as Ensemble of the Fourteenth Century

The Ensemble of the Fourteenth Century is a collective of specialist singers and instrumentalists brought together for the Fourteenth Century Recording Project. The ensemble was initially formed around the leading Australian mediaeval ensemble La Romanesca, which was expanded to provide the varied instrumental and vocal combinations required by the repertoire.

Front cover art for I am Music - The Music of the 14th Century Vol. 3

I am Music - The Music of the 14th Century Vol. 3

The Music of the Fourteenth Century series presents some of the earliest and most significant polyphonic settings of late medieval lyric poetry. Songs by Francesco Landini, performed by the Ensemble of the Fourteenth Century.

Performer: Psaltery

Performing as LIME

LIME is a group of 4 composer-performers who met while studying composition and improvisation at La Trobe University in 1978.

Front cover art for Clay Music

Clay Music

Four Melbourne composer-performers as LIME open the 1985 national ceramic conference on Judy Lorraine’s pottery and their own handmade percussion—glass Flagong, marimbas, Farmarimba and plumbaphone.

Performer: glass Flagong and handmade percussion
Composer

Compositions by Ros Bandt also appear on

Front cover art for Move 50

Move 50

Twenty-four Australian composers mark Move Records’ fiftieth year with short new works gathered on this commemorative disc.

Composer
Front cover art for On the Wings of a Butterfly

On the Wings of a Butterfly

Cross-cultural music by Australian composers. This 2005 collection from Lê Tuấn Hùng gathers works by Ros Bandt, Brigid Burke, Warren Burt, Deborah Kayser and others, and was nominated for an ARIA Award.

Performer: Medieval psaltery, Balinese suling
Composer
Front cover art for Scent of Time

Scent of Time

Six Australian composers take Asian instruments and voices beyond their own traditions. From dan tranh and sheng to shakuhachi and erhu, the programme is cross-cultural concert music at its most exploratory.

Performer: viola da gamba, renaissance tenor recorder
Composer
Front cover art for Phoenix Songs

Phoenix Songs

Like the phoenix rising from the ashes, the recorder is enjoying something of a renaissance. Six well-known Australian contemporary composers pair it with piano, harpsichord, voice and live electronics.

Composer

Ros Bandt is a member of

Photograph of La Romanesca

La Romanesca

A leading force in early music in Australia since 1978, La Romanesca has developed a special interest in the performance of mediaeval monophonic and polyphonic song, although the group's repertory spans the twelfth to seventeenth centuries.

Photograph of Back to Back Zithers

Back to Back Zithers

Back to Back Zithers are four distinguished solo composer-performers who enjoy sharing each other's traditions and skills in the process of making a new Australian music. Since 1988 they have combines their original ideas with musical thoughts from Vietnam, West Java, mediaeval France and Italy in new compositions which transcend the boundaries of East and West.

No photograph: Ensemble of the Fourteenth Century

Ensemble of the Fourteenth Century

The Ensemble of the Fourteenth Century is a collective of specialist singers and instrumentalists brought together for the Fourteenth Century Recording Project. The ensemble was initially formed around the leading Australian mediaeval ensemble La Romanesca, which was expanded to provide the varied instrumental and vocal combinations required by the repertoire.

Photograph of LIME

LIME

LIME is a group of 4 composer-performers who met while studying composition and improvisation at La Trobe University in 1978.