Listen & tracks
1 of 18 tracks have a preview · 3 works · 43:42
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1 Section A Steve Adam 21:54
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2 Section B Steve Adam 11:26
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3 Section C Steve Adam 10:22
The project set out to integrate team-based music composition, contemporary performance practice, and music technology as both concept and craft. Six composers (five PhD candidates and one staff member), three performers (two Masters candidates and one staff member), and two research assistants shared the conception, composition, performance, and recording of the work.
Two kinds of integration were pursued at once: the conceptual and aesthetic meeting of six distinct research interests in composition, and the placing of that collaborative writing inside a team exploration of contemporary performance practice. Clarinets and live electronics carry the three continuous sections.
Reviews
This is a rich and engaging example of electro-acoustic music at its most successful
Artists
re-sound
ensemble
re-sound has established itself as one of Australia's most progressive contemporary music ensembles. Its thought-provoking, challenging and dynamic performances explore the sounds of our time across a wide range of genres, styles, and performance contexts.
Thomas Reiner
composer
Artistic Director of the ensemble re-sound, Thomas Reiner has received numerous awards for his compositions, including second prize in the International Witold Lutosławski Composers' Competition for Two Movements for Orchestra, the Dorian Le Gallienne Award, and the Albert H. Maggs Composition Award.
Steve Adam
composer
Steve Adam writes and performs electroacoustic music where live instruments meet computer processing, synthesis and the pulse of popular electronics. His HybriD and collaborative works with re-sound fuse chamber colour with realtime digital sound.
Philip Czaplowski
composer
Philip Czaplowski composes contemporary classical music that folds found material into chamber writing. The Blackbird's Song of Peace for solo flute is built on a seven-note scale taken from a blackbird call heard in Tasmania.
Robin Fox
composer
Robin Fox is an Australian composer and electronic musician whose work ranges across electro-acoustic composition, live electronics and sound design for contemporary dance.
Russell Goodwin
composer
Russell Goodwin is a composer whose work sits in electro-acoustic and contemporary chamber music, heard on Move through collaborative research recordings linked to Monash University.
Peter Myers
composer
Performers
- Steve Adam · electronics
- Robin Fox · electronics
- Jane Hammond · conductor
- Peter Handsworth · b♭ clarinet, bass clarinet
- Karen Heath · b♭ clarinet
- Kim Lajoie · electronics
- Paul Todd · b♭ clarinet, e♭ clarinet
- re-sound · ensemble
Technical credits
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Thanks to
Arts Faculty of Monash University
Monash University School of Music Auditorium
Details
- List price
- $25.00 AUD
- Total playing time
- 43 minutes 42 seconds
- Release date
- 30 Aug 2004
- Category
- Australian
- Musical work copyright
- © 2004 Monash University
- Sound recording copyright
- ℗ 2004 Move Records
- Catalogue
- MD 3289
- EAN
- 9314574328929
More to explore
The Flowers
All works on this recording are Australian compositions exploring the aesthetics of contemporary art music. The disc offers a fresh perspective on Australian music-making through starkly varied new pieces.
Quiet on the Bridge
Like the group's earlier releases, this disc ranges across electronic and electro-acoustic music, contemporary chamber writing, interactive computer pieces, open indeterminate works and improvisation.
Ephemeral Densities
ephemeral densities is re-sound's third CD, devoted to new Australian work by members Steve Adam, Melanie Chilianis, Paul Moulatlet and Thomas Reiner. It brings together contemporary chamber writing, computer music and popular electronic idioms.
In C
Melbourne ensemble re-sound gives Terry Riley's minimalist landmark In C its first electroacoustic reading, folding chamber forces into beats, sequences and electric bass and guitar.
re-sound
re-sound's first, self-titled album gathers chamber works by John Cage and five Australian composers – Brendan Colbert, Paul Moulatlet, Ken Murray, Thomas Reiner and Harvey Sollberger – in a programme of late twentieth-century sound.
Sonorous Sonatas
Peter Sheridan set out to bring the larger, lower flutes to centre stage, testing their sound and colour within one of Western music’s most traditional forms: the sonata. Commissioned works and substantial duo writing put alto, bass, contrabass and subcontrabass flutes in the foreground.