Move Records Australian classical & art music, est. 1968

Complete catalogue

Front cover art for Perth Concert Hall: Ronald Sharp organ

Perth Concert Hall: Ronald Sharp organ

Jangoo Chapkhana plays the Ronald Sharp organ at Perth Concert Hall. The programme spans Buxtehude, Sweelinck, Bach, Balbastre, Langlais, Messiaen and Eben, and closes with Chapkhana’s own Variations on Jesu, Joy of Man’s Desiring.

Front cover art for Elephantasy: Orchestral and Operatic Music of Eve Duncan

Elephantasy: Orchestral and Operatic Music of Eve Duncan

Orchestral, chamber and operatic works by Eve Duncan spanning 2012–2018: a piano concerto shaped by the Sydney Opera House, excerpts from her Malouf–James opera The Aspern Papers, and smaller chamber pieces for varied forces.

Front cover art for The Green Brain Cycle

The Green Brain Cycle

Michael Kieran Harvey’s ninety-two-minute multi-instrument solo cycle draws on Frank Herbert’s 1966 ecological novel The Green Brain, pairing intense keyboard writing with Arjun von Caemmerer’s concrete poetry and spoken passages.

Front cover art for Geoffrey Tozer in Concert: Takapuna 1996

Geoffrey Tozer in Concert: Takapuna 1996

A live 1996 concert from Takapuna captures Geoffrey Tozer with the Auckland Sinfonietta in Mozart’s Piano Concerto No. 27, framed by Chopin, Medtner, Schnabel, Gluck, Liszt and Bach.

Front cover art for Geoffrey Tozer in Concert: Osaka 1994

Geoffrey Tozer in Concert: Osaka 1994

Live from Osaka in 1994, Geoffrey Tozer partners the Osaka Symphony Orchestra in Mozart’s Piano Concerto No. 21 in C major, K. 467, then turns to three Liszt piano works.

Front cover art for Sebastian's Greatest Adventure

Sebastian's Greatest Adventure

George Dreyfus’s score for the 1963 ABC children’s series Sebastian the Fox returns in a two-disc set: a CD of the soundtrack and a DVD of restored episodes with a newly recorded orchestral version.

Front cover art for Magnificat

Magnificat

Douglas Lawrence plays a magnificent recital on the four-manual Rieger organ he designed for The Scots' Church, Melbourne, drawing out the instrument’s full range of colour and power.

Front cover art for Old Wine, New Bottles

Old Wine, New Bottles

Floyd Williams and JANUS illustrate the cross-fertilisation of folk, popular and jazz idioms within classical music. The premise was to play early music of the 14th–16th centuries on modern instruments, free of purist historical constraints.

Front cover art for The Glass Soldier

The Glass Soldier

Music from Hannie Rayson’s play The Glass Soldier. Based on a true story, it is a sincere tribute to Australians who fought in the Great War: people who had little, yet gave everything.

Front cover art for George Dreyfus ... Live!

George Dreyfus ... Live!

In 1978 George Dreyfus staged a live one-man show of his own music, with Paul Grabowsky at electric piano and synthesiser. The long-out-of-print LP has been remastered and reissued on CD.

Front cover art for Organ Miniatures

Organ Miniatures

A collection of 33 short organ works on the 1882 T.C. Lewis organ at St George’s Uniting Church, East St Kilda. The programme samples music written for small pipe organs and harmoniums, from Baroque chorales to twentieth-century miniatures.

Front cover art for Tensile Flame

Tensile Flame

Michael Kieran Harvey’s two-disc piano programme pairs Liszt’s B minor Sonata and its early twentieth-century echoes in Skryabin, Rachmaninov and Ravel with a second disc of Stravinsky, Carter, Graham Hair and Carl Vine’s 1990 Piano Sonata.

Front cover art for Transcriptions Baroque

Transcriptions Baroque

Recorded in Trinity College Chapel, Melbourne, this disc pairs trumpeter Anthony Pope with organist Dominic Perissinotto across eight Baroque concertos. Four are heard on trumpet with organ accompaniment; the rest are solo organ transcriptions by celebrated organists of their day.

Front cover art for Milerum's Basket

Milerum's Basket

A 2002 portrait of Adelaide composer Becky Llewellyn across chamber, orchestral and choral forces, with the Adelaide Symphony and Chamber Orchestras, Adelaide Chamber Singers, soloists and a multimedia video of Berceuse.

Front cover art for The Choir of Ormond College Live

The Choir of Ormond College Live

A live retrospective for the Choir of Ormond College’s twenty-first year, gathering concert recordings from 1985 to 2000 under Douglas Lawrence, from Britten’s Festival Te Deum and Fauré’s Requiem to Bach, Palestrina, Poulenc and lively encores.

Front cover art for Ambient Voice

Ambient Voice

Ambient Voice places Dean Frenkel’s haunting harmonic vocals over and within works by outstanding Australian composers, among them Mark Clement Pollard, George Dreyfus, Andrew MacGregor and Invention in Time.

Front cover art for Tuneful Percussion

Tuneful Percussion

One of International Record Review’s “Best Discs of 2000”, and nominated for Best Classical CD at the 2001 ARIA Awards. Woof! play Grainger’s complete music for tuneful percussion on authentic instruments, including his own staff bells and steel marimba, with many works previously unrecorded.

Front cover art for Beatus Vir

Beatus Vir

Recorded live on their 1999 European tour, the Choir of Ormond College under Douglas Lawrence presents small-scale sacred works in up to eight parts by Palestrina, Gesualdo, Handl, Gabrieli, Monteverdi, Stanford and Rheinberger.

Front cover art for Songs of Love and Marriage

Songs of Love and Marriage

Benjamin Thorn and Wayne Madden present a journey through 600 years of music on the theme of love. Rarely heard works by Barbara Strozzi and Francesca Caccini sit beside the more familiar music of Telemann and Ortiz.

Front cover art for two

two

Recorder player Genevieve Lacey and percussionist Poul Høxbro present a programme spanning medieval dance, Irish folk melody, Baroque virtuosity and contemporary Australian works.

Front cover art for Landscapes of Time

Landscapes of Time

Contemporary sound art of Vietnam: evocative images and haunting effects that stay with the listener. New directions in sound art with Vietnamese colour, drawn from poems, ideas and spirituality.

Front cover art for The Marvellous World of George Dreyfus, Vol. 2

The Marvellous World of George Dreyfus, Vol. 2

The second volume of marvellous music from one of Australia’s favourite composers, George Dreyfus. The programme ranges across folk ballads, choral suites, film and television themes, chamber works and solo showpieces, and gives a clear view of his many-sided craft.

Front cover art for Mandolin Christmas

Mandolin Christmas

Christmas songs for mandolin orchestra. Arguably Australia’s most acclaimed mandolinist, Kurt Jensen leads an international programme of sparkling carols, from mediaeval favourites to modern classics.

Front cover art for Hornocopia

Hornocopia

About 110 minutes of French horn music, from classical staples to contemporary scores. Much of the programme sits on the AMEB French Horn syllabus, and several works appear here on CD for the first time – a practical set for students and teachers.

Front cover art for Nullarbor

Nullarbor

Three kinetic dance scores by Robert Lloyd for keyboards and percussion, weaving American minimalism and Balinese gamelan into brightly coloured, interlocking rhythms of striking clarity and drive.

Front cover art for Historic Organs of the Barossa Valley, Vol. 2

Historic Organs of the Barossa Valley, Vol. 2

Christopher Dearnley and John Stiller play seven historic Lutheran church organs of South Australia’s Barossa Valley in the second volume of this survey.

Front cover art for Breath of Creation

Breath of Creation

Flutes of two worlds. On shakuhachi, baroque flute and recorder, two performers renowned in their own fields join forces in a display of virtuosic delights and evocative sound-scapes.

Front cover art for Orgelbüchlein

Orgelbüchlein

Calvin Bowman gives an expert reading of J.S. Bach's Little Organ Book – a microcosm of the composer's inventive and improvisational genius – on the Ahrend organ at Robert Blackwood Hall.

Front cover art for Bards of Faith and Passion

Bards of Faith and Passion

Jim Minchin sets poems by writers at play or at odds with eternity: soul-poet lyrics across the centuries, from anonymous Latin verse and the metaphysicals to Yeats, Shakespeare and living voices.

Front cover art for Just Married: Organ Music for a Wedding

Just Married: Organ Music for a Wedding

A compilation of history's most celebrated organ music, long popular at weddings. The insert notes usefully group the tracks as processionals, recessionals and music for the signing of the register.

Front cover art for Chronicle: Orchestral Music of Tony Gould

Chronicle: Orchestral Music of Tony Gould

The definition of the word “chronicle” — put briefly “a record of events” — aptly fits this recording. Chronicle forms an inspiring record of musical events in the life of Tony Gould, one of Australia’s most creative musicians and composers.

Front cover art for Sonic Archaeologies

Sonic Archaeologies

Ros Bandt’s electro-acoustic pair Mungo and Thrausmata treat land and ancient Greek text as sonic archaeology. Award-winning works made in the studios of West Deutsche Rundfunk, Cologne.

Front cover art for I Heard the Owl Call My Name

I Heard the Owl Call My Name

The highly acclaimed recording of the Choir of Ormond College's European tour. Includes the amazing choral soundscape I Heard the Owl Call My Name by Australian composer Philip Nunn.

Front cover art for There is an Island

There is an Island

A tuneful, dramatic cantata by Don Kay on Tasmania’s early colonial history and the fate of the full-blood Tasmanian Aboriginal people, with Clive Sansom’s lyrics. Paired with George Dreyfus’s The Song of the Maypole.

Front cover art for Night and Dreams

Night and Dreams

Soprano Merlyn Quaife and guitarist Jochen Schubert present songs by Mozart and Schubert, among them the Serenade and Nacht und Träume, with Spanish and Argentinian folksong settings by Moretti, Gerhard and Guastavino.

Front cover art for Iberian Triangle

Iberian Triangle

La Romanesca presents a portrait of the musical diversity of Spanish song in the years just before the great expulsion and Columbus's voyages: music of Christian, Moorish and Jewish Spain before 1492.

Front cover art for Passage

Passage

Tony Lewis composed these scores for the Aboriginal Islander Dance Theatre between 1986 and 1988. Commissioned for contemporary dance works, they explore meeting points between Aboriginal and European societies and how Aboriginal people engage with modern Australia.

Front cover art for A Florentine Annunciation - The Music of the 14th Century Vol. 4

A Florentine Annunciation - The Music of the 14th Century Vol. 4

The Music of the Fourteenth Century series presents some of the earliest and most significant polyphonic settings of late-medieval lyric poetry. This volume offers music for the Feast of the Annunciation, performed by Les Six.

Front cover art for Larry Sitsky: De Profundis

Larry Sitsky: De Profundis

This disc presents Larry Sitsky’s intense De Profundis, drawn from Oscar Wilde’s prison texts, with Violin Concerto No. 2, Fantasia No. 2 and the solo piano work Petra.

Front cover art for Clay Music

Clay Music

Four Melbourne composer-performers as LIME open the 1985 national ceramic conference on Judy Lorraine’s pottery and their own handmade percussion—glass Flagong, marimbas, Farmarimba and plumbaphone.

Front cover art for Carols of Many Nations

Carols of Many Nations

There is great variety in the ways people at different times and in different parts of the world spend Christmas. The more we know of Christmas, in former times and throughout the world, the better we can understand the Christmas message.

Front cover art for Italian Organ Masters

Italian Organ Masters

Major master organist Sergio de Pieri offers an enjoyable and authoritative survey of Italian organ repertoire by lesser-known masters, from Renaissance dances and ricercari to Zipoli and Frescobaldi.

Front cover art for Festival of Organ Masterpieces

Festival of Organ Masterpieces

Douglas Lawrence plays favourite organ repertoire on the instrument of St. Patrick's Cathedral, Melbourne, spanning nearly three centuries of transcriptions and original works.

Front cover art for Sequenza and Other Works by Ian Bonighton

Sequenza and Other Works by Ian Bonighton

Ian Bonighton’s death at 33 in 1975 cut short one of the most distinctive young voices in Australian composition. This remastered survey gathers his music for choir and organ with tape, percussion, string quartet, solo horn and piano.

Front cover art for The Sound of Rosny

The Sound of Rosny

The Australian Rosny Children's Choir and the Tasmanian Symphony Orchestra present songs from other lands, Chinese and Australian repertoire, and cantata movements by Vaughan Williams and Don Kay.

Front cover art for Victoria Victoria

Victoria Victoria

A double CD of Victoria’s 150th Gala Choral Concert, given in the Royal Exhibition Building, Melbourne, in 1985. A thousand-voice choir and orchestra under Richard Divall frame Léon Caron’s prize-winning Victoria Cantata of 1880.

Front cover art for Reverberations

Reverberations

Originally issued on two LPs and even quadraphonic tape in the early 1970s, this double CD is a limited re-issue of Reverberations One and Two: contemporary works for organ, brass, voices, didjeridu and electronics.

Front cover art for Sing Round the Year

Sing Round the Year

Donald Swann gathers eighteen carols and kindred songs of worship and praise, arguing that a carol need not be confined to Christmas. School choirs, organ and his own piano and voice share the programme.

Front cover art for Move Two Mix: Music for the Contemporary Church

Move Two Mix: Music for the Contemporary Church

Move Two Mix gathers religious songs and hymns with music by Jim Minchin, marrying familiar sacred texts to jazz- and folk-inflected settings. First issued in 1968, this pioneering Melbourne recording brought contemporary idioms into church worship.

Front cover art for Nordic Moods & Baroque Echoes

Nordic Moods & Baroque Echoes

A collaboration between Duo Langborn/Wendel and The Marais Project, this album blends baroque repertoire, new compositions and arrangements, and folk music from Australia and Sweden.

Front cover art for Enfantines I

Enfantines I

Katherine Day’s first solo album gathers piano works by Joachim, Krenek, Granados and Mozart chosen for young players. Her finely sculpted readings treat often-overlooked teaching repertoire with the care usually reserved for the concert canon.

Front cover art for The Night Sky Glory: Songs and Choral Works by Lachlan Brown

The Night Sky Glory: Songs and Choral Works by Lachlan Brown

Vocal works by Lachlan Brown: songs on poems by Victor Hugo, Heinrich Heine and Rainer Maria Rilke, with wordless vocalises and choral meditations for multi-tracked voices.

Front cover art for Impulses

Impulses

This programme gathers music that inspired Hamish Strathdee during his years in Canberra, Darmstadt and Hamburg from 2013 to 2022. Titled Impulses, it is a small selection from his repertoire: works that carried a strong artistic charge for the guitarist.

Front cover art for Victoria Brass Live

Victoria Brass Live

A top-class Australian brass band under Matthew van Emmerik in a full, varied programme of innovative repertoire: two world premieres, three Australasian premieres, and some well-loved classics.

Front cover art for Australian Monody

Australian Monody

The Marais Project is joined by countertenor Russell Harcourt for a collection of largely Australian songs and instrumental works, spanning light and darkness, love and loss.

Front cover art for Becoming

Becoming

Becoming is Johanna Selleck’s hour-long song cycle for soprano, countertenor, bass, shakuhachi and string quartet, setting haiku and renga across French, English and Tibetan.

Front cover art for A Baroque Christmas

A Baroque Christmas

The music on this CD is a historical Christmas “pick of the pops”, from the late 1400s to the end of the Baroque period. Directed by Douglas Lawrence, the Australian Chamber Choir offers a programme recorded live in concert during their 2019 European tour. The 17 tracks are drawn from lesser-known seasonal works, championing a sublime repertoire that is all too often neglected.

Front cover art for Fika

Fika

Fika is the second album from crossover ensemble Elysian Fields: music shaped for the Swedish custom of gathering with friends over coffee, conversation and something sweet to share.

Front cover art for The Garden Party

The Garden Party

The Marais Project’s anniversary disc The Garden Party has a festive flavour, mixing world-premiere Marais arrangements and Eriksson’s title track with earlier Move recordings across French baroque, Swedish folk and South American song.

Front cover art for What should I say

What should I say

Australia’s only electric viola da gamba band, Elysian Fields joins Jenny Eriksson with jazz colleagues Matt Keegan and Matt McMahon in new repertoire that sets Renaissance verse beside contemporary improvisation.

Front cover art for Fairy Tales, Monsters and Wild Animals

Fairy Tales, Monsters and Wild Animals

Made for young and old, Meredith Connie’s solo guitar performances on this recording have enchanted audiences across two continents, evoking fantastical worlds and speaking to classical and non-classical listeners alike.

Front cover art for Soul

Soul

Douglas Lawrence OAM leads the Australian Chamber Choir through sacred music spanning Renaissance polyphony, early Baroque splendour and African-American spirituals.

Front cover art for Smörgåsbord

Smörgåsbord

The Marais Project’s fifth disc gathers Swedish folk, Bellman songs, Roman and Marais chamber works, a jazz pavane and even ABBA, all heard for the first time in Australia on period instruments.

Front cover art for Alchemy

Alchemy

Alicia Crossley, one of Australia’s leading recorder players, presents transcriptions that open classical, romantic, impressionist and contemporary repertoire to tenor and bass recorder.

Front cover art for Lady Sings the Viol

Lady Sings the Viol

The concept behind Lady Sings the Viol was a CD of “covers”: five singers, alone and together, take songs from 1300 to the present, from Piaf and Schubert to John Paul Jones and Elena Kats-Chernin.

Front cover art for La vida es un pasahe: a life in Sephardic song

La vida es un pasahe: a life in Sephardic song

Troveresse shapes a life-cycle programme from Sephardic song: cradle and courtship, marriage and mourning, in Ladino traditions that travelled from Spain across Morocco, the Balkans, Greece and the wider Orient.

Front cover art for Fortune My Foe

Fortune My Foe

Roger Heagney’s song cycle Fortune My Foe sets poems by Graeme Ellis. Soprano Merlyn Quaife and pianist Andrea Katz also perform Schumann’s Liederkreis, Op. 39, on this fund-raising recital.

Front cover art for Sing to the Lord, ye Heavenly Hosts

Sing to the Lord, ye Heavenly Hosts

The Choir of The Scots' Church offers sacred music from sixteenth-century Palestrina to twenty-first-century Australian composer Andrew Batterham, crowned by a rare performance of Widor's Mass for choir, baritone choir and two organs.

Front cover art for Zalankara

Zalankara

Jeff Pressing's Zalankara is a multicultural symphony: a wide-ranging, ambitious work dedicated to the refugees and displaced people of the world.

Front cover art for Songs from Georgia

Songs from Georgia

Unique for its sound, melodies, harmonies, polyphony and modes, Georgian music was declared by Igor Stravinsky a stimulus for modern Western music. Australian ensemble Golden Fleece collects, teaches and researches this tradition, painting a vivid portrait of a rich cultural heritage.

Front cover art for Worlds Apart

Worlds Apart

Worlds Apart gathers music for piano duet, two and three pianos from France and Australia. At its centre is the first Australian recording of Max Bruch’s Concerto for two pianos and orchestra.

Front cover art for Te Deum

Te Deum

Conductor André de Quadros assembles six highly acclaimed choirs, the New Monash Orchestra, tenor soloist Dwayne Jones and organist Linda Kent for Berlioz’s monumental Te Deum.

Front cover art for Step Back Sally

Step Back Sally

Traditional folk songs from many cultures, arranged for percussion, piano, recorder, guitar, harp, violin, mandolin and voices. An Orff-influenced music education resource meant to stimulate listening, dancing, moving and creating.

Front cover art for Salut d'Amour

Salut d'Amour

Concordia Mandolin and Guitar Ensemble offers a warm European tour for plucked strings, crowned by Elgar's Salut d'Amour in an arrangement for mandolin orchestra.

Front cover art for The Rainmaker

The Rainmaker

From jazz to Celtic, Middle Eastern folk to contemporary classical, ambience to the tango, The Rainmaker gathers an eclectic spread of influences into one guitar-led programme of original pieces.

Front cover art for The life in between

The life in between

Michael Kieran Harvey anchors this solo piano programme with Martin Friedel’s final work, …the life in between…, then sets it among virtuoso scores by Pertout, Crossman, Spiers, Selleck and McAlley.

Front cover art for Jan Friedl sings Brecht

Jan Friedl sings Brecht

Jan Friedl and pianist James Voss present Bertolt Brecht theatre songs with music by Kurt Weill, Hanns Eisler and Paul Dessau, among the sharpest of the twentieth century.

Front cover art for Dreams: Works for Small Orchestra

Dreams: Works for Small Orchestra

Australian composer David Joseph gathers choreographically inspired works for small orchestra from 1986 to 1994 in Dreams, tracing memory, dream states and perception through richly textured, psychologically charged writing.

Front cover art for The Other Side of Tony Gould

The Other Side of Tony Gould

Tony Gould is best known as a jazz pianist and improviser. This recording turns to his classical side: original concert works written over two decades, with Stravinsky’s The Rite of Spring in a four-hand piano version.

Front cover art for War Sonatas

War Sonatas

Three piano sonatas by Michael Kieran Harvey, written as a response to twenty-first-century war. Spoken poems by Arjun von Caemmerer stand between the works, framing a triptych of anger, friendship and warning.

Front cover art for Threnody

Threnody

Michael Kieran Harvey’s landmark 1995 Astra recital of late twentieth-century Australian piano music returns in a 2024 Move re-master. Premiere recordings by Harvey, Vine, Campbell, McCaughey, Byrne, Humble and Anderson form one continuous programme.

Front cover art for Bach to China with Yu

Bach to China with Yu

Volume 3 of Julian Yu’s clarinet music, with Robert Schubert and ensemble in arrangements that join Chinese folk melody to Western classical craft.

Front cover art for Crossing Paths

Crossing Paths

Ensemble Liaison and the Tony Gould Trio take turns across the programme: each piece is heard first in a scored reading, then in an improvised jazz response that opens the same melodic and harmonic material to fresh colour.

Front cover art for The Sparrow and the Mead Hall

The Sparrow and the Mead Hall

Composed and mostly performed by Michael Kieran Harvey, these 2021 works move from the rarefied extended techniques of Piano Sonata #7 and Liszt–Busoni bravura in the Four Ballades to bebop wit in Lawyers… and metal-edged satire in Death Cap Mushroom.

Front cover art for Where have you been all these years?

Where have you been all these years?

Claire Patti (vocal and harp), Louise Godwin (cello) and Tony Gould (piano) join in a warm tribute to musical friendship, bringing fresh interpretive colour to traditional songs they love.

Front cover art for Light in dark

Light in dark

Light in dark gathers Tom Henry’s solo piano works across two decades. The newly recorded programme moves through jazz and pop colour, renaissance polyphony, and twentieth-century modernism.

Front cover art for Works for String Orchestra

Works for String Orchestra

Seventeen years after David Joseph’s Selected Works, Vol. 2 won wide critical acclaim, Works for String Orchestra gathers previously unreleased recordings, remastered for this album and showing his vivid, evocative style for strings.

Front cover art for Catalogue des Errances Bibliques

Catalogue des Errances Bibliques

Michael Kieran Harvey’s epic Catalogue des Errances Bibliques deploys eight keyboardists and four percussionists with spoken narration by Arjun von Caemmerer: twenty-five musical pieces alternating with twenty-five short narratives.

Front cover art for Uncovered Ground

Uncovered Ground

This first collection of concert works by Felicity Wilcox gathers the cream of her chamber music from 2014 to 2018. It opens with the celebrated bass clarinet solo People of this Place, written for Jason Noble, and includes commissions for Ensemble Offspring, Ironwood and the Australia Ensemble, plus a movement from her first string quartet.

Front cover art for Gardener of Time: Barry Conyngham at 75

Gardener of Time: Barry Conyngham at 75

This double-CD gathers seven orchestral works by Barry Conyngham, among Australia’s most widely performed composers abroad, with premieres across Japan, America, Europe, Russia and Australia. The Ormond Ensemble is conducted by Richard Davis.

Front cover art for Piano Sonata #6: 17 Graeme Lee Prints

Piano Sonata #6: 17 Graeme Lee Prints

Composed and performed by Michael Kieran Harvey in the 2020 pandemic, Piano Sonata #6 answers seventeen mixed-media prints Graeme Lee made that July. Music, image and Arjun von Caemmerer’s aphorisms remain sharply individual yet bound as one series.

Front cover art for Greta

Greta

Michael Kieran Harvey’s fifth piano sonata appears in a conventional piano reading and an electric keyboard interpretation. Subtitled Greta for climate activist Greta Thunberg, it is also tagged ‘Concerto in no need of an orchestra’.

Front cover art for Move 50

Move 50

Twenty-four Australian composers mark Move Records’ fiftieth year with short new works gathered on this commemorative disc.

Front cover art for Flute Perspectives, Vol. 2

Flute Perspectives, Vol. 2

Derek Jones (flute) and Cameron Roberts (piano) present a programme of Australian works by Anne Boyd, Stuart Greenbaum, Rohan Phillips, Mark Pollard and Richard Meale.

Front cover art for Mirabile in Prague

Mirabile in Prague

Australian composer John Allan presents five of his own orchestral works alongside his orchestrations of Debussy and Brahms piano pieces. David Kram conducts members of the Prague Radio Symphony Orchestra.

Front cover art for PRTZL

PRTZL

This release of original compositions by Harvey centres on the monumental Piano Sonata No. 4, a homage to the anti-fascist Antonio Gramsci. That theme runs through solo and ensemble works whose moods range from nostalgically whimsical to furiously satirical.

Front cover art for Meditation

Meditation

John Sangster’s Meditation, first issued on vinyl around 1980, is an ethereal set of flute, wind-chime and marimba textures. Over three long pieces the music builds a serene, otherworldly atmosphere meant for quiet listening.

Front cover art for Dancing to the Tremors of Time

Dancing to the Tremors of Time

A collection of music reflecting the art of Mona – eclectic, surreal and powerful. Michael Kieran Harvey performs new works for solo piano by seven Australian composers.

Front cover art for Music from 4 to 40 Parts

Music from 4 to 40 Parts

Angeli Vocal Ensemble, pianist Michael Kieran Harvey, chamber choir Ensemble Gombert and the Four Seasons String Quartet perform Melbourne composer Vaughan McAlley’s music. The programme explores writing from four parts up to forty, in his distinctive approach to counterpoint.

Front cover art for 50 Chinese Folk Songs

50 Chinese Folk Songs

The first of two collections on this disc, 50 Chinese Folk Songs, presents Julian Yu’s piano arrangements of well-known Chinese melodies. Fifteen further early piano pieces mix song arrangements with original writing. All 65 tracks are played by Ke Lin.

Front cover art for Luz Meridional (Southern Light)

Luz Meridional (Southern Light)

A CD with bonus DVD. Luz Meridional was composed by Andrián Pertout for pianist Michael Kieran Harvey. Its twenty-four solo piano études each contain a quotation from an early Australian composer.

Front cover art for Life Cycle

Life Cycle

Life Cycle traces the emotional journey of impending motherhood in music by the highly regarded British composer Emily Hall and words by the acclaimed poet Toby Litt. Gian Slater (vocals), Sonya Lifschitz (piano) and Zoe Knighton (cello) present the cycle.

Front cover art for Trio Polyphonica

Trio Polyphonica

Trio Polyphonica was active from 1980 to 1990, with a repertoire spanning more than three centuries. This recording gathers chamber trios by Vivaldi, C.P.E. Bach, Haydn, J.S. Bach and Francesco Zappa.

Front cover art for The 7 Great Inventions of the Modern Industrial Age

The 7 Great Inventions of the Modern Industrial Age

This award-winning dramatic work by Sally Greenaway, performed by Syzygy Ensemble, explores the surge of twentieth-century invention and its consequences for humanity.

Front cover art for Old and Yu: The Clarinet Music of Julian Yu, Vol. 2

Old and Yu: The Clarinet Music of Julian Yu, Vol. 2

Catchy short pieces by Julian Yu for clarinet with string quartet, and with cello and piano: playful settings that braid Chinese folksong with oddly familiar classical themes, including Dvořák and Mozart.

Front cover art for Spirit Wind

Spirit Wind

Flautist Derek Jones presents seven free-flowing improvisations inspired by a universal spirit shared across musical cultures, layering flute lines over synthesiser soundscapes, drones and deep gamelan-like bells.

Front cover art for Northern Cello

Northern Cello

Music for cello from northern European composers. Zoe Knighton and pianist Ian Munro centre the programme on Grieg’s romantic sonata, with Sibelius’s Op. 78 pieces, Vasks’s solo Gramata Cellam and Pärt’s Fratres.

Front cover art for Cutetudes

Cutetudes

Cutetudes (‘cute’ + ‘études’) is a set of twenty short, classically related and humorous piano pieces Julian Yu wrote on commission from pianist Ke Lin.

Front cover art for Aporia

Aporia

Michael Kieran Harvey performs his third piano sonata in the company of four contemporary Australian works that show the range of Australia’s twenty-first-century musical languages.

Front cover art for Clairaudient

Clairaudient

This is percussionist Claire Edwardes’ fifth CD. Clairaudience is clear hearing, or the ability to perceive sound from outside sources, often in the spirit world. Psychics who are clairaudient hear voices, sounds or music that are not audible to the normal ear.

Front cover art for Elegy: Reflections on the music of Peter Tahourdin

Elegy: Reflections on the music of Peter Tahourdin

A companion to the Australian composer's other Move CD Exposé, this album showcases solo pieces for cello and flute, electronic scores, and small ensemble works.

Front cover art for Christmas Around the Piano

Christmas Around the Piano

Tony Gould offers reflective improvised solo-piano versions of familiar Christmas songs and carols. Played without hurry and coloured by personal memory, each tune is treated as living music rather than seasonal decoration alone.

Front cover art for Michael Bertram Fantaisie-Sonata

Michael Bertram Fantaisie-Sonata

Larry Sitsky wrote that Michael Bertram ‘writes fierce but exciting piano music’. Michael Kieran Harvey matches that charge in a programme built around Bertram’s large-scale Fantaisie-Sonata, with shorter piano works completing the portrait.

Front cover art for 126 Variations on "Twinkle Twinkle Little Star"

126 Variations on "Twinkle Twinkle Little Star"

Michael Kieran Harvey performs Julian Yu’s 126 variations on Twinkle, Twinkle Little Star, a pedagogical tour of compositional craft. The tune appears in an immense range of classical, jazz and folk styles, many developed from well-known works.

Front cover art for Patañjali

Patañjali

This CD and performance DVD celebrates Patañjali’s Yoga-Sūtra in music and āsana (2015). Michael Kieran Harvey composed the score and plays keyboards, with Arabella Teniswood-Harvey (piano) and Eugene Ughetti (percussion).

Front cover art for Women He's Undressed

Women He's Undressed

Cezary Skubiszewski's soundtrack for the documentary on Australian costume designer and three-time Oscar winner Orry-Kelly is full of variety. It ranges across popular twentieth-century styles, with never a dull moment.

Front cover art for Remembering Gallipoli

Remembering Gallipoli

Premiere recordings of two Australian works—one contemporary, one nearly a century old—mark the centenary of the Gallipoli landings. Thomas Jones (violin), Laura Chislett Jones (bass flute) and Rachel Valler perform.

Front cover art for Piano Inside Out

Piano Inside Out

Internationally acclaimed Australian pianist Zubin Kanga releases his first CD with Move Records, Piano Inside Out. It presents seven innovative solo piano works by Australian composers, commissioned by Kanga and shaped in close collaboration with him over several years.

Front cover art for Geoffrey Tozer in Concert: Auckland 1990

Geoffrey Tozer in Concert: Auckland 1990

Recorded live with the Auckland Symphonia under Vladimir Verbitsky, Geoffrey Tozer plays Rachmaninov’s complete Rhapsody on a Theme of Paganini, Op. 43, and Liszt’s Hungarian Rhapsody No. 2.

Front cover art for Unfold: Sequence for solo cello

Unfold: Sequence for solo cello

This thirteen-minute work by Don Banks was recorded alongside the Kreutzer Quartet’s Unfold album. Time limits kept the track off that CD, so it appears here as a separate release.

Front cover art for Amir Farid plays Javad Maroufi

Amir Farid plays Javad Maroufi

Javād Maroufi was among the first composers of piano music in Persia, celebrated for his contribution to Persian classical music. Born in Tehran to musician parents Musa and Ezra Maroufi – both pupils of Darvish Khan – he lost his mother young, was raised by his father, and learned violin and tar from an early age.

Front cover art for Inferno

Inferno

Michael Kieran Harvey plays two solo piano works by Elliott Gyger. Harvey writes that they bookend Gyger’s extraordinary musical universe – which, like Messiaen, appeared fully-formed at a precocious age, and has deepened across a long career.

Front cover art for Timeless

Timeless

The title Timeless marks Tamara Smolyar’s personal reading of classic piano works she has lived with since childhood, offered for family and listeners alike, and the music’s power to cross generations and cultures.

Front cover art for Fluteman

Fluteman

John Sangster wrote the score for the little-known 1982 Australian film Fluteman. Led by Don Burrows on flute, with eight other jazz players, the music makes wonderful listening quite apart from the picture.

Front cover art for The Messiaen Nexus

The Messiaen Nexus

This disc offers an extraordinary insight into the intellectual and creative talent of a fertile period at the Paris Conservatoire. Centred on Olivier Messiaen, the programme of violin and piano works traces his influence on students György Kurtág, George Benjamin and Pierre Boulez, and the mark of his teacher Paul Dukas.

Front cover art for Psychosonata

Psychosonata

Michael Kieran Harvey’s own works from 2007–2013, spanning serious intensity and cheerful pastiche. The half-hour piano sonata anchors shorter pieces with leading young Australian instrumentalists.

Front cover art for Seasons of Love

Seasons of Love

A jazz trio, string orchestra and guest soloists join vocalists Gian Slater and Eddie Perfect. Graeme Lyall’s rich arrangements refresh Great American Songbook standards and other stage and screen favourites.

Front cover art for Such a Sky

Such a Sky

Such a Sky gathers live Salon performances from the Melbourne Recital Centre. Cellist Imogen Manins and pianist Tony Gould are joined by Slava Grigoryan, David Jones, Gian Slater, Riley Lee and Eugene Ughetti.

Front cover art for Bach Motets

Bach Motets

The Australian Chamber Choir, directed by Douglas Lawrence, performs motets by J.S. Bach with works by Johann Michael Bach and Johann Christoph Bach.

Front cover art for Hymne à l’amour

Hymne à l’amour

Hymne à l’amour is an exquisite collection of art songs from soprano Siobhán Stagg and pianist Amir Farid. The programme traces the frailty of the human condition through flirtation, deep love and heartbreaking truths.

Front cover art for Joy to the World

Joy to the World

Christmas at the Sydney Town Hall, presented annually by the City of Sydney, began in 1978 when Robert Ampt became the fourth Sydney City Organist. The event has since grown into one of the city’s major Christmas celebrations.

Front cover art for Kenneth Leighton: Music for Violin and Piano

Kenneth Leighton: Music for Violin and Piano

Winner of Gramophone critic Peter Dickinson’s personal best for 2014, this recording presents the premiere of neglected masterpieces for violin and piano, opening a distinctive duo sound world.

Front cover art for Astra 60

Astra 60

This recording captures a concert of Australian piano music celebrating Astra’s long support of Australian composers and performers. For sixty years the Astra Chamber Music Society has placed new Australian work beside international new-music currents, always with a distinctive cultural frame.

Front cover art for Beethoven Cello

Beethoven Cello

Cellists often bemoan the lack of a cello concerto by Beethoven – and rightly so, but these eight works for cello and piano are the envy of many other instruments. The complete cello sonatas and variations of Beethoven are here on this two-CD set.

Front cover art for The Ring of Bone

The Ring of Bone

While the past decade has seen recordings of Elisabeth Lutyens’ chamber and choral works released to critical acclaim, her piano music has remained obscure. Pianist Arabella Teniswood-Harvey has carefully researched and here presents that neglected repertoire.

Front cover art for Kinetic Conversations

Kinetic Conversations

A set of free improvisations by composer–pianist Keith Humble and American double-bass virtuoso Bertram Turetzky, taped in 1986. Two new-music pioneers meet in spontaneous, high-energy dialogue for piano and bass.

Front cover art for China Wind: the clarinet music of Julian Yu, Vol. 1

China Wind: the clarinet music of Julian Yu, Vol. 1

Five chamber and concertante works for clarinet with strings, piano and flute show Julian Yu drawing on the inner structures of Chinese tradition rather than its surface colour, with remarkable versatility and emotional range.

Front cover art for Argentine Cello

Argentine Cello

More than Piazzolla alone: seven Argentine composers shape a cello-and-piano programme of tango, pampas colour and lyric nationalism, played by Zoe Knighton and Amir Farid.

Front cover art for Home

Home

Pianist Tony Gould and singer Emma Gilmartin offer intimate voice-and-piano readings of cherished songs, including three Gould originals, centred on home, family and childhood memory.

Front cover art for Bridges, Vol. 2

Bridges, Vol. 2

Monash University–based Chamber Mélange present an engaging collection of modern Czech and Romanian chamber works shaped by European folk music and neo-classicism.

Front cover art for 48 Fugues for Frank

48 Fugues for Frank

A musical homage to the life and work of Frank Zappa, composed and performed by Michael Kieran Harvey, and complemented by Lingua Franka – concrete poetry by Arjun von Caemmerer.

Front cover art for Bossa Eyes

Bossa Eyes

Laid-back jazz vocals drift over bossa and samba grooves in a programme inspired by Antônio Carlos Jobim. Familiar standards sit beside originals on an acoustically open set that favours space, lyric and a gentle Latin pulse.

Front cover art for Sombras: The Music of Astor Piazzolla

Sombras: The Music of Astor Piazzolla

La Tin Shed Orquesta presents the music of Astor Piazzolla, whose compositions from the 1930s to 1990 redefined the tango. His celebrated Quintet of the 1970s gave the world ‘Tango Nuevo’, drawing classical and jazz influences into the Argentine form.

Front cover art for North of the Yarra: Organs of Melbourne

North of the Yarra: Organs of Melbourne

Gordon Atkinson plays seven of Melbourne's finest organs, from the oldest surviving city instrument to the giant Town Hall organ, including St Patrick's Cathedral, The Scots' Church, St Paul's Cathedral and St Mary Star of the Sea, West Melbourne.

Front cover art for The Way of the Cross

The Way of the Cross

Dupré's depictions of the fourteen Stations of the Cross, with his Variations sur un Noël, are played by Dr Robin Batterham on the 4/68 Rieger organ of The Scots' Church, Melbourne.

Front cover art for Veiled Virtuosity

Veiled Virtuosity

Amir Farid’s debut solo recording, made after his win at the 2006 Australian National Piano Award, ranges from Beethoven’s Waldstein Sonata and works by Brahms, Liszt and Prokofiev to Australian scores by Stuart Greenbaum and Carl Vine, with two pieces by Iranian composer Javad Maroufi.

Front cover art for Elektra

Elektra

Australian piano music by Helen Gifford, Tony Gould, Andrew Ford, Julian Yu and Michael Kieran Harvey. The title work, Elektra, extends acoustic piano sound through computer processing, in a collaboration with sound engineer Michael Hewes, who shaped the instrument’s resonances in real time.

Front cover art for Russian Rarities

Russian Rarities

Larry Sitsky’s two-disc survey of Russian piano rarities spans the late Romantic world of Anton Rubinstein and the suppressed early twentieth-century avant-garde that followed the Revolution.

Front cover art for Passing

Passing

Recorded at the 2007 Asian Composers League Festival in Wellington, this album presents nine orchestral works by Australian and New Zealand composers, performed by the New Zealand Symphony Orchestra under Kenneth Young.

Front cover art for More Bizarre or baRock

More Bizarre or baRock

"The hottest, hippest harpsichord in the world today," said one critic of the best-selling Bizarre or baRock. Melbourne harpsichordist Elizabeth Anderson returns with the long-awaited sequel.

Front cover art for Dimensions of Night

Dimensions of Night

Michael Kieran Harvey performs Larry Sitsky's epic solo-piano cycle. Dimensions of Night draws on ancient legend, myth and spiritual history, with a series of chords underpinning the harmonic sequence across the whole work.

Front cover art for The School of Natural Philosophy

The School of Natural Philosophy

Michael Kieran Harvey plays new music for keyboard by Graham Hair, Douglas Knehans, Martin Friedel, Richard Meale and Hilda Paredes, linking science, landscape and modernist piano writing.

Front cover art for Midsummer's Night

Midsummer's Night

Jonathan Paget’s solo guitar recital traces an enchanted night-world of magic, mischief and romance, from Walton’s sparkling Five Bagatelles through Barrios’s Paraguayan dreamscapes to Sculthorpe’s Aboriginal dreaming.

Front cover art for Uttered Nonsense (The Owl and the Pussycat)

Uttered Nonsense (The Owl and the Pussycat)

Uttered Nonsense (The Owl and the Pussycat) sets eight Edward Lear poems, spoken with grave poise by Ivan Smith, among fourteen instrumental jazz pieces drawn from the Nonsense Books. Sangster’s large Australian ensemble answers the verse with playful colour.

Front cover art for Quiet on the Bridge

Quiet on the Bridge

Like the group's earlier releases, this disc ranges across electronic and electro-acoustic music, contemporary chamber writing, interactive computer pieces, open indeterminate works and improvisation.

Front cover art for The Remarkable Norman Kaye

The Remarkable Norman Kaye

Move Records has gathered material for this CD paying tribute to the wonderful Norman Kaye. The main focus is the musician and organist, without forgetting his acting career.

Front cover art for In the Time of Sakura: The Piano Music of Mike Nock

In the Time of Sakura: The Piano Music of Mike Nock

Michael Kieran Harvey plays twenty-seven fully notated piano pieces by Mike Nock. Eclectic in range, they draw on long-standing repertoire and new work written for this collection, a sonic diary shaped by jazz, classical and personal influence.

Front cover art for KAPPA

KAPPA

Italian chamber group Trio Altrove 1.3 joins six Australian composers of contemporary classical music – Steve Adam, Melanie Chilianis, Brendan Colbert, Philip Czaplowski, Paul Moulatlet and Thomas Reiner – in a programme of works written or arranged for the ensemble.

Front cover art for Pictures at an Exhibition: Reflected and Refracted

Pictures at an Exhibition: Reflected and Refracted

Unique orchestral arrangements of Pictures at an Exhibition, Glière’s Coloratura Concerto for Oboe and Orchestra, Glinka’s The Nightingale, and two movements from Tchaikovsky’s The Seasons.

Front cover art for The Way of the Seeker

The Way of the Seeker

Written by Larry Sitsky in 2004 and played by Michael Kieran Harvey, The Way of the Seeker is a highly virtuosic solo piano work whose thematic material is drawn from fragments of oriental chant.

Front cover art for Preludes and Sonata of Messiaen and Shostakovich

Preludes and Sonata of Messiaen and Shostakovich

Michael Kieran Harvey, piano. Olivier Messiaen (1908–1992) and Dmitri Shostakovich (1906–1975) were two of the greatest composers of the twentieth century. Both were remarkable in that they discovered their own unique and distinctive creative voice when they were in their teens.

Front cover art for Origami

Origami

Music from BalletLab’s dance work Origami, premiered in Melbourne on 13 July 2006. David Chisholm’s score, partly electronic and partly for Silo Quartet, was nominated for the 2006 Green Room Awards.

Front cover art for Laughing

Laughing

The internationally acclaimed Choir of Ormond College, directed by Douglas Lawrence, turns to the lighter side of a cappella singing across jazz, madrigal and spiritual repertoire.

Front cover art for Cosmosis

Cosmosis

The album explores the many combinations throat singing can take. Dean Frenkel pairs overtone singing with a children’s choir, guitar and mandolin, Australian birds, contemporary piano, vibraphone duet, and a female vocal duo in song form.

Front cover art for Anna Magdalena Bach's Book

Anna Magdalena Bach's Book

Harpsichordist Elizabeth Anderson and boy soprano Jacob Lawrence present the complete musical contents of the 1725 notebook of Anna Magdalena Bach, from the beloved Bist du bei mir to suites, chorales and the aria later known from the Goldberg Variations.

Front cover art for David Joseph Selected Works, Vol. 2

David Joseph Selected Works, Vol. 2

The second volume of David Joseph’s selected works brings together the Melbourne Symphony Orchestra, The Academy of Melbourne, and pianist Michael Kieran Harvey in three substantial late-twentieth-century scores.

Front cover art for David Joseph Selected Works, Vol. 1

David Joseph Selected Works, Vol. 1

David Joseph Selected Works, Vol. 1 gathers live orchestral performances by the Adelaide Symphony Orchestra, the Tasmanian Symphony Orchestra and the Adelaide Chamber Orchestra.

Front cover art for Catalogue d'oiseaux

Catalogue d'oiseaux

Virtuoso pianist Michael Kieran Harvey’s dazzling pianistic pyrotechnics are on full display in this live performance recorded in Hobart in April 2005. Each of the thirteen pieces in Messiaen’s Catalogue d’oiseaux explores the calls and environment of a single bird species.

Front cover art for Songe

Songe

Emma Gilmartin’s follow-up to her collaboration with Tony Gould, Tomorrow, just you wait and see, is a poised jazz vocal set: standards, two of her own songs, and a clear, understated delivery.

Front cover art for On the Wings of a Butterfly

On the Wings of a Butterfly

Cross-cultural music by Australian composers. This 2005 collection from Lê Tuấn Hùng gathers works by Ros Bandt, Brigid Burke, Warren Burt, Deborah Kayser and others, and was nominated for an ARIA Award.

Front cover art for Chinese Whispers and other contemporary dance music

Chinese Whispers and other contemporary dance music

Piano works by leading contemporary composers from Australia and China, played by Gabriella Smart. The programme ranges across prepared piano, film-related pieces and dance-inspired solos by Griswold, Tan Dun, Curran, Jia Daqun, Nyman and others.

Front cover art for Ephemeral Densities

Ephemeral Densities

ephemeral densities is re-sound's third CD, devoted to new Australian work by members Steve Adam, Melanie Chilianis, Paul Moulatlet and Thomas Reiner. It brings together contemporary chamber writing, computer music and popular electronic idioms.

Front cover art for Organs of the Ballarat Goldfields

Organs of the Ballarat Goldfields

Fifteen historic organs from the Ballarat region are heard on this disc, released to mark the 2005 Organs of the Ballarat Goldfields festival. A fully illustrated 16-page booklet surveys the builders, churches, instruments, music and performers.

Front cover art for Great Hall Grandeur

Great Hall Grandeur

Amy Johansen plays the Rudolf von Beckerath organ in the Great Hall at the University of Sydney. Great Hall Grandeur presents one of Australia’s most beautiful and versatile pipe organs – among Beckerath’s last masterpieces – in the hands of one of the country’s finest concert organists.

Front cover art for Sing Together Alleluia

Sing Together Alleluia

Hymns sung by the Sing Alleluia Music Ministry Team, drawn from Sing Alleluia, appear in Together in Song: Australian Hymn Book II. The selection favours material not already on the earlier two-disc companion set.

Front cover art for Conversations

Conversations

The recording of Conversations is an outcome of a research project at Monash University’s School of Music. Six composers worked with performers to shape this electro-acoustic piece, joining team-based composition, contemporary performance practice, and music technology.

Front cover art for Rabid Bay

Rabid Bay

Michael Kieran Harvey is one of the foremost interpreters of contemporary piano music of his generation. This recording presents some of Australia's cutting-edge piano music – bold and experimental, but also increasingly lyrical.

Front cover art for Jacinta's Song

Jacinta's Song

ARIA-winning pianist Andrea Keller, guitarist Steve Magnusson and percussionist Peter Neville join multi-saxophonist and composer Jenny Game-Lopata on Jacinta's Song, a set of original works for the Jenny Game Ensemble.

Front cover art for Organ at an Exhibition

Organ at an Exhibition

West Australian organist Dominic Perissinotto’s first solo Move disc pairs Guilmant, Schumann and Mussorgsky on the Grand Organ of the Basilica of St Patrick, Fremantle.

Front cover art for Hard Chamber

Hard Chamber

A retrospective of chamber works by Melbourne contemporary composer Thomas Reiner, written for varied small forces. Soloists from Monash University and ensemble re-sound present music that asks for close, unconditioned listening.

Front cover art for Japanese Story (Original Soundtrack)

Japanese Story (Original Soundtrack)

Elizabeth Drake's award-winning score for the Australian feature Japanese Story, starring Toni Collette, layers Japanese instruments and Okinawan folksong with western orchestra. Two bonus cues and a 16-page booklet complete the release.

Front cover art for The Rage in Placid Lake (Original Soundtrack)

The Rage in Placid Lake (Original Soundtrack)

Bossa nova meets hip hop on this soundtrack by the award-winning Australian composer of Two Hands, Bootmen and After the Deluge – Cezary Skubiszewski – complete with bonus remixes by the Melbourne outfit Jacket.

Front cover art for Golden Sounds

Golden Sounds

Ian King returns to the studio to enthral us once more with the golden sounds of his tuba, in arrangements of Falla, Corelli, Rimsky-Korsakov, Debussy, Ravel, Gershwin and more.

Front cover art for Hearing Place

Hearing Place

Ten sound artists and composers from around the world respond to notions of place. With binaural sound, electroacoustic composition and field recordings, Hearing Place journeys the acoustic environment and our internal response to it.

Front cover art for Prism

Prism

Years in the making, Tabula Rasa’s debut Prism blends thought-provoking lyrics with a strikingly original mix of classical, Celtic and jazz, coloured by Spanish influences and Brazilian rhythms.

Front cover art for After the Deluge (Original Soundtrack)

After the Deluge (Original Soundtrack)

Award-winning Australian film composer Cezary Skubiszewski’s soundtrack to the acclaimed mini-series After the Deluge. Scored for orchestra and choir, it ranges from haunting violin solos to 40s jazz, Irish airs and on-screen band pop.

Front cover art for McJad Goes Organic

McJad Goes Organic

Those who knew the Melbourne jazz scene of the 1970s will fondly remember McJad, the free-improvising duo of trumpeter Keith Hounslow and pianist Tony Gould. This double CD pairs a new pipe-organ session with a bonus reissue of their original LPs: a true collector's item.

Front cover art for Carillon and Organ

Carillon and Organ

Enjoy the spectacular sound of organ and carillon as never before. Recorded at the University of Sydney, this disc features organist Amy Johansen and master carillonneur Jill Forrest in music drawn from the University's ceremonial life.

Front cover art for The 12 Days of Christmas

The 12 Days of Christmas

The Choir of Ormond College sings carols long held in affection around the world, and pairs them with newer works, accompanied by renowned Australian pianist Stephen McIntyre.

Front cover art for Tomorrow, just you wait and see

Tomorrow, just you wait and see

Pianist Tony Gould and vocalist Emma Gilmartin share a programme of standards and originals, shaped as first-take, spontaneously conceived duets. Favourites sit beside less familiar songs, all chosen for melodic beauty and meaning.

Front cover art for Little Wing: Standards Inspired by Angels

Little Wing: Standards Inspired by Angels

Tried-and-true jazz standards fashioned around the theme of angels. Vocalist Debra Blaquiere is joined by award-winning pianist Joe Chindamo and bassist Philip Rex.

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africussia

Innovative ensemble d'volv, formed in 1999, pairs electric, steel-string and nylon-string guitars in original works drawing on Spain, Ireland, contemporary art music, blues and jazz.

Front cover art for Scent of Time

Scent of Time

Six Australian composers take Asian instruments and voices beyond their own traditions. From dan tranh and sheng to shakuhachi and erhu, the programme is cross-cultural concert music at its most exploratory.

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In C

Melbourne ensemble re-sound gives Terry Riley's minimalist landmark In C its first electroacoustic reading, folding chamber forces into beats, sequences and electric bass and guitar.

Front cover art for Venice to Versailles

Venice to Versailles

Venice and Versailles stand for the two dominant Baroque styles in Europe: Venice for the robust, joyous exuberance and barocco character of the Italian manner, and Versailles for the refinement, delicacy, elegance and douceur of the French.

Front cover art for Devils of the Night

Devils of the Night

On this, his first CD for Move Records, Tasmanian composer and didjeridu virtuoso Ron Nagorcka is joined by long-time collaborator Robert Williams, the Melbourne pianist, educator and co-composer.

Front cover art for Pablo

Pablo

Melbourne a cappella sextet Pablo make their Move debut with pop, folk and spirituals. Close harmony takes in Billy Joel, The Beatles, sea shanties and gospel-tinged arrangements.

Front cover art for Wordless Meanings

Wordless Meanings

In the beginning there was harmony – before anyone asked “What sort of music do you play?”, before everyone grew too busy to listen, before music became ‘the industry’. Somewhere along the way, harmony was lost in a cacophony of meaningless words.

Front cover art for The Brass Band Music of George Dreyfus

The Brass Band Music of George Dreyfus

This release features Fanfare for a New Dome played by Melbourne's Kew Band. There is a great variety of music composed by George Dreyfus here — even a band version of his famous Theme from Rush.

Front cover art for Beethoven Moonlight

Beethoven Moonlight

You may have been fortunate enough to hear pianist Ronald Farren-Price performing Beethoven in past years. Over seven years in the making, he has completed his long-awaited recording of selected, much-loved Beethoven piano works. This first album in the two-volume set opens the survey.

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stack

In Stack, Ros Bandt turns Melbourne’s CityLink exhaust chimney into a living instrument. Site recordings, electrified steel and unusual acoustic sources become a sixty-minute electroacoustic portrait of an industrial space now silenced.

Front cover art for The Rieger at Scots'

The Rieger at Scots'

So just what does one play to demonstrate the resources of a large, beautifully voiced new organ? Douglas Lawrence sets out the wide tonal palette of the Rieger at The Scots' Church, Melbourne, completed in 1999.

Front cover art for Ráfaga

Ráfaga

Award-winning Melbourne guitarist Owen Thomson presents a selection of Spanish virtuoso guitar works from the twentieth century, with music by Joaquín Turina, Federico Mompou and Joaquín Rodrigo.

Front cover art for The Convict Harpsichordist

The Convict Harpsichordist

John Grant, frustrated in love, shot a London lawyer in the buttock and was sentenced to death at the Old Bailey. Granted a reprieve, he reached Sydney Cove in 1804 with Australia’s first harpsichord. What music did he play? Elizabeth Anderson answers on the instrument he brought.

Front cover art for Intuition

Intuition

Intuition is the Move debut of Italian guitarist–composer Rosario De Marco. Solo guitar pieces of quiet, reflective character draw on flamenco, jazz, classical, folk and popular traditions, and carry the warmth of the southern Mediterranean.

Front cover art for The Film Music of George Dreyfus, Vol. 2

The Film Music of George Dreyfus, Vol. 2

Move again draws on Screensound Australia's archive for the film music of George Dreyfus, with the first release of his unused score for Bruce Beresford's Tender Mercies (1982).

Front cover art for Serenades (Original Soundtrack)

Serenades (Original Soundtrack)

Davood A. Tabrizi's haunting score for Mojgan Khadem's film Serenades was extended in the studio so the album stands alone, away from the motion picture, as a complete listening experience.

Front cover art for Recorded Messages: Violin

Recorded Messages: Violin

Composer Eve Duncan commissioned violinists in Austria, China, Japan and Australia to record her works, gathering solo, duo, quartet and ensemble pieces onto this cross-cultural violin programme.

Front cover art for A Souldiers Resolution: The First Part of Ayres

A Souldiers Resolution: The First Part of Ayres

Countertenor Christopher Field and viol player Miriam Morris present Tobias Hume’s The First Part of Ayres (1605), the first English collection devoted exclusively to the lyra viol and bass viol, ranging from bawdy humour to fashionable melancholy.

Front cover art for A Shropshire Lad

A Shropshire Lad

Baritone Blake Fischer and pianist Claire Cooper, winners of the 1998 Song Recital Award, present English and American folk, traditional and art songs by Butterworth, Copland, Finzi and Britten.

Front cover art for Prayer Dances

Prayer Dances

Recorded in the Concert Hall of the Faculty of Music, University of Newcastle, Christian Heim's debut Move disc presents Nicholas Routley directing the Sydney Chamber Choir and Sprung Percussion in the two sacred Prayer Dances and other premiere works.

Front cover art for The Star of the Sea

The Star of the Sea

A superb programme of Italian and French organ favourites, shaped to draw on every resource of the celebrated George Fincham grand organ at St Mary's Star-of-the-Sea, West Melbourne.

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Australian Songs

A comprehensive survey of Richard Peter Maddox’s vocal music, with the composer at the Stuart & Sons piano, joined by soprano Samantha Smith and, in the closing cycle, his brother Graham Maddox on oboe.

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Tuba Recital

One of the world’s finest tuba players, and the first to give a tuba recital in Australia, Ian King presents a programme from Bach and Vivaldi through to Paul Hindemith’s remarkable Sonata for Tuba and Piano.

Front cover art for Music of the Spanish Renaissance

Music of the Spanish Renaissance

La Compañia's first CD gathers seventeen Spanish Renaissance works on period instruments with soprano Vivien Hamilton, including cues heard in the film Elizabeth but omitted from its commercial soundtrack.

Front cover art for Yes, It Rings a Bell!

Yes, It Rings a Bell!

Adrian Tien takes Australia’s National Carillon in Canberra through a wide-ranging programme: Bach and Gershwin, folk airs, carillon originals, and music from some of today’s finest carillon composers.

Front cover art for A Handful of Rain

A Handful of Rain

Inspired by Javanese gamelan and Japanese Shinto music, Mark Clement Pollard's ambient concert works pursue beauty and simplicity. A Handful of Rain gathers this acclaimed Australian composer's popular style from the mid-1990s.

Front cover art for Tyrannick Love

Tyrannick Love

The Orpheus Ensemble with Vivien Hamilton. Songs for soprano, harpsichord, baroque cello (viola da gamba and baroque violins on occasion), each written for famous singers and actresses in popular Restoration dramas of late 17th-century England.

Front cover art for ABC of American Art Song

ABC of American Art Song

Melanie Duncan blitzed the 1999 Mietta Song Recital Award, taking the Popular Choice award and the Musical Partnership with accompanist Claire Cooper as well as the Award itself. This is her recital of twentieth-century American art song.

Front cover art for Concert Organ Masterpieces

Concert Organ Masterpieces

Masterpieces from the concert organ repertoire, played by Thomas Heywood on the restored Hill organ at St John’s Church, Toorak. The programme draws on his 1997 Grand Organ Concerts at the church.

Front cover art for O Rose So Red

O Rose So Red

Melbourne-based Schola Cantorum, directed by Gary Ekkel, present chants, songs and motets that honour the Virgin Mary across more than a thousand years of sacred repertoire.

Front cover art for La Prima Stravaganza

La Prima Stravaganza

Sonatas of 17th-century Italy from Capella Corelli: a window on instrumental music as it found its own voice, from the experimental works of Cima, Castello, Montalbano, Fontana, Frescobaldi, Marini and Uccellini through to Corelli.

Front cover art for Classical Allusion: Selected Works by Julian Yu

Classical Allusion: Selected Works by Julian Yu

Julian Yu takes famous pieces from the Western musical tradition and ornaments them in the manner of Chinese folk music, until the familiar becomes something newly made.

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Via Frescobaldi

Seventeenth-century Italian composer Girolamo Frescobaldi was at once conservative and innovative. La Romanesca presents improvisatory toccatas, imitative polyphonic instrumental works, and songs from his arie musicali of 1630.

Front cover art for Exposé

Exposé

This album spans nearly a quarter of a century of Peter Tahourdin’s chamber music, from 1971 to 1995. The works chart his compositional metamorphosis and draw on a wide range of influences and themes, from the structural procedures of Indian raga to texts from the Carmina Burana.

Front cover art for Bright Tracks

Bright Tracks

Winner of the 1998 ABC Classic FM Listeners’ Choice Award, this double CD gathers chamber music by Brenton Broadstock, one of Australia’s most established and respected composers.

Front cover art for Adele Johnston sings Wagner and Korngold Lieder

Adele Johnston sings Wagner and Korngold Lieder

Adele Johnston, 1997 winner of the City of Melbourne Song Recital Award, sings rarely heard Wagner and Korngold lieder with pianist Andrew Greene, including Australian and world premiere recordings.

Front cover art for Kodály Missa Brevis

Kodály Missa Brevis

Recorded on their 1997 European tour in Northern Italy and Germany, the Choir of Ormond College sings Kodály’s Missa Brevis, with works by Tye, Howells and Bach.

Front cover art for Echoes of Ancestral Voices

Echoes of Ancestral Voices

Le Tuan Hung and Dang Kim Hien present traditional Vietnamese classical and folk music on Echoes of Ancestral Voices, following their earlier Move disc Landscapes of Time.

Front cover art for A Classic Case of Love

A Classic Case of Love

Soprano Helen Noonan and guitarist Peter Constant present an intimate programme of love songs spanning centuries, from folk and early music to Schubert, Satie, Villa-Lobos and the twentieth-century stage and songbook.

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Merry Christmas

Elizabeth Anderson and friends put a fresh twist on Christmas carols: eight tracks packaged as a Christmas card, with a vibrant cover and space for a personal inscription.

Front cover art for Light on the Edge

Light on the Edge

The landscape and atmosphere of Australia come to life in this varied collection of solo and chamber guitar works by Australian composer Phillip Houghton.

Front cover art for Nardoo

Nardoo

Nardoo weave original improvisations from jazz, ethnic and medieval strands. Zana Clarke and Peter Biffin play new and traditional wind and string instruments on this debut of haunting, cross-cultural duo music.

Front cover art for John Heuzenroeder sings Mozart

John Heuzenroeder sings Mozart

Tenor John Heuzenroeder, winner of the 1996 City of Melbourne Song Recital Award, joins pianist Jennifer Marten-Smith in a recital of Mozart songs both celebrated and rarely heard.

Front cover art for The Bedroom of the King (La Chambre du Roi)

The Bedroom of the King (La Chambre du Roi)

Elysium Ensemble bring French chamber music of the early 18th century into the private apartments of Louis XIV: Couperin and Hotteterre in the douceur of Versailles and the Paris salons.

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Redror

Six chamber works by Australian composer Michael Whiticker, recorded by the Libra Contemporary Ensemble. The programme ranges from solo guitar to mixed ensemble and works with tape.

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Essentially Australian

A programme of original compositions for carillon, with transcriptions and arrangements that share an Australian connection, played on Canberra’s National Carillon.

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Music from Heaven

The Choir of Ormond College, directed by Douglas Lawrence, in a highly acclaimed programme of unaccompanied sacred works by Allegri, Byrd, Poulenc, Britten, Barber and J.S. Bach.

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Bizarre or baRock

Elizabeth Anderson explores harpsichord music across four centuries: from Conceição’s raw 17th-century battle piece and traditional Baroque repertoire to jazz, blues, Gershwin and the Beatles with drums and bass. Weird, wild, wacky and wonderful – you’ve never heard the harpsichord like this.

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Courts in Colour

Traditional melodies from four important courts of the Middle Ages: Eleanor of Aquitaine, the Gaon of Tiberias, Saladin of Egypt, and Alfonso X of Castile and León. Cantigas bring them to life on authentic mediæval instruments.

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20th Century Piano Trios

Highly acclaimed Trio Melbourne presents 20th Century Piano Trios, a collection of rarely heard and newly recorded works that includes first recordings of pieces by Australian composers Peter Sculthorpe and Julian Yu.

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The Fair Dinkum Matilda

Songs of the Australian bush, including the first ever recording of the original Craigielea setting of Waltzing Matilda. Another disc of bush songs? You bet – and brought to life by one of Australia’s most respected folk singers, Denis Gibbons.

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WindSong

Eric Klay brings his bass trombone centre-stage in a varied selection of stylish classic, contemporary, and big band pieces.

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Mistika

Composer and keyboardist Linda Ceff sets past and present inspirations beside her own contemporary works. Homages to Stravinsky, Messiaen and Skryabin sit with multi-tracked piano, synthesised colour, bells and Asian-inflected writing.

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The Virtuoso Harpsichord

Melbourne harpsichordist Jacqueline Ogeil presents the instrument’s virtuosic, dramatic and passionate sides, from Bach and Scarlatti to Handel, Rameau and the premiere of Naji Hakim’s suite Shasta.

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Music for the Countess of Sandwich

First Australian release of Charles Dieupart’s complete suites for flûte du voix and harpsichord (1701), including two suites later copied by J. S. Bach.

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Melbourne Mandolin Orchestra

A prize-winning Melbourne Mandolin Orchestra programme of easy-listening classical works, with guitar soloist Slava Grigoryan and other featured players under Fred Witt.

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With Tenderness, With Fire

Ronald Farren-Price encores his hugely popular Reflections with this solo recital, ranging from the sublime beauty of a Beethoven Adagio to the thundering splendour of Prokofiev’s Toccata.

Front cover art for Historic Organs of the Barossa Valley, Vol. 1

Historic Organs of the Barossa Valley, Vol. 1

Christopher Dearnley and John Stiller give striking performances on six historic church organs of South Australia’s Barossa Valley. A 16-page booklet traces the instruments, their builders and the music.

Front cover art for Louise Page sings Richard Strauss

Louise Page sings Richard Strauss

Soprano Louise Page, with pianist Phillipa Candy, sings lyrical and romantic Strauss lieder spanning early Op. 10 songs, the Op. 48 cycle, the Ophelia songs and the late Fünf kleine Lieder. Winner of the 1995 City of Melbourne Song Recital Award.

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Travellers' Tapestry

Cantigas weave mediæval and folk-based music from Europe, Asia and the Middle East into a tapestry of trade-route exchange, played on recorder, percussion and early string instruments.

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What if a Day or a Month or a Year

Elizabethan lute songs and Ayres sung by Gerald English, a founding member of the Deller Consort, with Jonathan Rubin on lute and Sharyn Wicks on gamba.

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Centenary Plus

Sydney City Organist Robert Ampt plays the restored William Hill and Son Grand Organ at Sydney Town Hall in a programme spanning more than a century of music linked with the instrument, from Handel and Bach to Koehne, Dubois, Best and Ampt.

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Hæc Dies

Easter at Notre Dame, Paris, c.1220. Music for Easter Sunday Mass as it may have been heard at Notre Dame early in the thirteenth century: chant propers, a complete ordinary cycle in two-part Leoninus-style settings, and three-part organum in the style of Perotin.

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Torquing Points

An exciting juxtaposition of 20th-century Australian and 19th-century European styles. Gordon Kerry's Torquing Points for String Quartet and Mark Pollard's The Quick or the Dead sit approachably beside the classical works on this programme.

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Songs and Praises

Favourite hymns from the Australian Hymn Book, Vol. 3. Choir and organ fill Trinity College Chapel, Melbourne, with the thrilling sound that hymn lovers know so well.

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Quivering String

Four composer-performers of Back to Back Zithers weave Vietnamese, Sundanese and mediaeval European strands into new Australian chamber music for zithers, flutes, voice and found sound.

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Silk and Spice

Cantigas follow the mediæval Silk Road in dance, monophonic song and improvisation. Recorders, rebec, vielle, oud, lute and percussion carry music shaped by Europe, Asia and the Middle East.

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Bamboo Organ

Douglas Lawrence and the Manila Chamber Orchestra. Manila's suburb of Las Piñas boasts the world's only organ with pipes made from bamboo. Solo pieces and Handel's Organ Concerto in G minor show the instrument's range; a bonus disc interviews the restorer.

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Footsteps

The sound of feet on the earth’s surface is a reminder of how location shapes our lives. Ros Bandt’s journey of place, from Western Australia and Florida to suburban Melbourne, is unlike anything else on record.

Front cover art for The Marvellous World of George Dreyfus, Vol. 1

The Marvellous World of George Dreyfus, Vol. 1

A survey of marvellous music by the well-known Australian composer George Dreyfus, one of the country’s most animated musical personalities, spanning concert, film, choral and children’s repertoire.

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Musical Transfiguration

An acoustic journey across Vietnamese soundscapes, from majestic court music and the subtle flow of lullabies to chanted poetry, classical chamber music and lively village festival songs.

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Melbourne Sounds Grand

Thomas Heywood’s first commercial recording presents the Melbourne Town Hall Grand Concert Organ in a grand-concert programme of virtuoso showpieces and transcriptions, chosen to display its orchestral colour, dynamics and power.

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Reflections

Internationally acclaimed pianist Ronald Farren-Price offers superb performances of some of the greatest music written for the piano, in a wide-ranging recital of favourite short works.

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Captain Quaver's Merry Go Rounds

A cheerful set of nursery rhymes and songs for little folk, mixing traditional favourites with pieces by Lorraine Milne, Malvina Reynolds and others. First issued in 1969 and reissued by Move in 1990.

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A Night at the Opera

Highly acclaimed wind arrangements of favourite operatic excerpts, given as they were heard in Vienna between 1792 and 1821, when Harmonie ensembles carried the latest stage hits beyond the opera house.

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I Can Tell The World

Saucy Purcell rounds, madrigals, drinking songs, spirituals and English folk settings from one of Australia's finest choirs, directed by Douglas Lawrence.

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Horn Destinations

Horn player Richard Runnels presents a wide-ranging recital for horn and keyboard, joined by Brachi Tilles and Tony Gould in repertoire from French divertissements to Australian and jazz-inflected works.

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Pacific Sound

Colin Offord's Pacific Sound presents musical landscapes built from everyday objects and his own invented instruments of metal, bamboo, timber, bells and shells, evoking oceans, wind, rain and Pacific wildlife.

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Bach Byrd Britten

The Choir of Ormond College, directed by Douglas Lawrence, presents Bach, Byrd and Britten. Bach’s motet Lobet den Herrn, alle Heiden and Byrd’s Mass for Four Voices stand beside Britten’s Five Flower Songs and A Ceremony of Carols.

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Maurice Duruflé: Organ Music

Sydney organist Edward Theodore, a pupil of Maurice Duruflé, performs the French master's complete organ works on the magnificent organ of St. Patrick's Cathedral, Melbourne, in six pieces crowned by the celebrated Prélude, Adagio and Chorale Variations on the Theme of the 'Veni Creator', Op. 4.

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Just For The Record

Renowned jazz singer Linda Cable gathers moody ballads and up-tempo standards in a polished set that moves from cool and slinky to full swing.

Front cover art for The Film Music of George Dreyfus, Volume 1

The Film Music of George Dreyfus, Volume 1

Fourteen of George Dreyfus’s best-loved film and television themes, recorded with the Melbourne and Queensland Symphony Orchestras under the composer’s direction.

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Sydney Carter In Concert

Poet and songwriter Sydney Carter visited Australia in 1972 for concerts and workshops across the country. This recording captures one of those live events in full, preserving his wry, questioning songs as they were heard on the tour.

Front cover art for I am Music - The Music of the 14th Century Vol. 3

I am Music - The Music of the 14th Century Vol. 3

The Music of the Fourteenth Century series presents some of the earliest and most significant polyphonic settings of late medieval lyric poetry. Songs by Francesco Landini, performed by the Ensemble of the Fourteenth Century.

Front cover art for Every Delight and Fair Pleasure - The Music of the 14th Century Vol. 2

Every Delight and Fair Pleasure - The Music of the 14th Century Vol. 2

Northern Italian music from the second decade of the 14th century to the early 15th. Anonymous Rossi manuscript songs sit beside madrigals and ballatas by Maestro Piero and Bartolino da Padova.

Front cover art for Two Gentlemen of Verona - The Music of the 14th Century Vol. 1

Two Gentlemen of Verona - The Music of the 14th Century Vol. 1

Two Gentlemen of Verona gathers secular polyphony from the first known generation of Italian composers. This volume presents madrigals, caccie and a motet by Jacopo da Bologna and Giovanni da Firenze.

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Images

Prudence Davis, Jeffrey Crellin and Peter Lynch in French salon and Impressionist chamber music for flute, oboe and guitar: Fauré and Ravel pavanes, Giuliani’s Serenade, Coste miniatures, Ponce’s Sonata III, Debussy’s Syrinx and Rêverie, and Duarte folk settings.

Front cover art for Listen to the Band, Vol. 3

Listen to the Band, Vol. 3

A musical experience for children, this recording follows on from Volumes 1 and 2 of the series with Australia's best-known bush band, Cobbers.

Front cover art for Listen to the Band, Vol. 1

Listen to the Band, Vol. 1

It has been apparent for some time that of all the children’s records available, many styles of music have been neglected. That gap is the reason this series was begun.

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Did You See the Wind Today?

Many of these songs will be remembered from the ABC's famous Kindergarten of the Air radio programme. The 25 songs follow a child's day from dawn through to bed-time.

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Marshall-Hall Symphony

In this first-ever recording of Marshall-Hall’s symphonies, Melbourne University Professor of Music Warren Bebbington conducts the Queensland Theatre Orchestra in late-Romantic orchestral works of striking colour and drive.

Front cover art for Move to Mozart: Music for Movement – Resting and Running

Move to Mozart: Music for Movement – Resting and Running

Instrumental music for resting and running, made for kindergarten and home. Children always move to music, and rhythmic movement underpins much early learning. John Seal leads a colourful percussion palette, with flute, guitar and acoustic bass.

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We Wish You a Merry Christmas

The Choir of Ormond College, directed by Douglas Lawrence, presents a varied selection of twenty-eight Christmas carols. Familiar favourites sit beside Bach and Pachelbel organ pieces and twentieth-century settings.

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Australia's Billy Williams

Recorded between 1907 and 1914, these 23 songs offer a fascinating historical overview of one of Australia's first pop recording stars and music-hall favourites.

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Fly: An Australian Opera

Barry Conyngham’s opera Fly, to a libretto by Murray Copland, dramatises the life of inventor and explorer Lawrence Hargrave. The Victoria State Opera premiere recording is conducted by John Hopkins.

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Stargazer

Ros Bandt explores the resonance of a large hollow concrete cylinder five storeys underground in the Collins Place car park, Melbourne. Stargazer gathers improvisations and compositions for recorders, psaltery, bells, cymbals, kalimba, PVC pipe and music boxes, shaped by that vibrating space.

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The Spirit of the Lord

The Choir of St Paul’s Cathedral, Melbourne, directed from the organ by June Nixon, presents sacred choral works by Edward Elgar and Edward Bairstow.

Front cover art for Rush, The Adventures of Sebastian the Fox and Other Goodies

Rush, The Adventures of Sebastian the Fox and Other Goodies

An enjoyable collection built around two of George Dreyfus’s best-known scores, the charting TV theme Rush and the suite from the ABC children’s series The Adventures of Sebastian the Fox.

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Contemporary Australian Piano

A valuable collection of Australian piano works by some of the country’s most respected and inventive composers, performed by pianist-composer Larry Sitsky.

Front cover art for When David heard that Absalom was slain

When David heard that Absalom was slain

The Choir of Ormond College specialised in liturgical music of the 16th and 20th centuries. This recording also includes psalm settings, among them Allegri’s Miserere, a setting of the penitential Psalm 51 once reserved for the Sistine Chapel in Holy Week.

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Le Rossignol

Margaret Lynch, soprano, and Peter Lynch, guitar, present works from the sixteenth to the twentieth century. The recital was recorded in the natural acoustic of the Great Hall at Montsalvat in Eltham, Victoria.

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Elgar Organ Sonatas

Recorded in 1984 for the fiftieth anniversary of Edward Elgar's death, this album presents both of his organ sonatas. June Nixon, long-time organist of St Paul's Cathedral Melbourne, plays the cathedral's Lewis organ with mastery and clear affection for the music.

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Journeys

Peter Clinch leads Australian chamber works with the Peter Clinch Saxophone Quartet, the Petra String Quartet and pianist Nehama Patkin, in music by Eric Gross, William Lovelock and Barry Conyngham.

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L'Infidèle

William Bower plays solo lute works by Lauffensteiner, Weiss, Mésangeau and Gallot, much of it first heard on disc when this programme was recorded in 1977.

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Tone-stuffs

The Melbourne Brass Ensemble presents a varied brass-quintet programme of Australian works alongside Renaissance and Baroque arrangements. The playing is dynamic and accurate, with a full sound and a true-to-life concert-hall acoustic.

Front cover art for The Choir of Ormond College Melbourne

The Choir of Ormond College Melbourne

Directed by Douglas Lawrence, who led chapel music at Ormond College, Melbourne, for more than twenty years, this recording presents the college choir in English church music of the sixteenth and twentieth centuries.

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O Come All Ye Faithful

A Melbourne choir under Faye Dumont, whose Christmas programme shows variety and finesse as part of its charter.

Front cover art for Daniel Blumenthal plays Mozart

Daniel Blumenthal plays Mozart

The University of Adelaide Chamber Orchestra with soloists Daniel Blumenthal (piano) and Jiří Tancibudek (oboe). Tancibudek conducts all three works on the programme.

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A Beethoven Recital

Recorded in 1976, Ronald Farren-Price’s Beethoven recital mixes rarely heard piano pieces with works long loved by students, from the Ten Variations on Salieri’s La stessa, la stessissima to Für Elise.

Front cover art for A Recital of organ music from St. Paul's Cathedral Melbourne

A Recital of organ music from St. Paul's Cathedral Melbourne

The works on this recording span some eighty years of organ writing. Three come from the latter half of the nineteenth century; the remaining three were written in the first half of the twentieth.

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Glass & Clay

Ros Bandt, the internationally acclaimed sound artist, composer, performer and sound sculptor, shapes subtle, shimmering sonorities from glass and clay. The programme includes Soft and Fragile, first issued on LP in 1983.

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Monodies

Music from twelfth- and thirteenth-century Spain and southern France. The programme centres on Martin Codax’s sea-haunted Cantigas de amigo, with songs by the troubadour Marcabru and anonymous fourteenth-century istanpittas.

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Jinker Ride

A recital collection celebrating the modern pianoforte, drawing on its full range of colour and touch across repertoire from Scarlatti and Clementi to Liszt, with special place given to Australian works by Dorian Le Gallienne and Raymond Hanson.

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Rhapsodie

Australian saxophonist Peter Clinch presents a recital of fine classical chamber music. Often linked with jazz, the saxophone is heard here in a classical programme that ranges from the Italian Baroque to the early twentieth century.

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The World is a Beautiful Place

The Australian Rosny Children’s Choir presents A Dozen of Dennis, Peter Davies’s settings of twelve poems from C. J. Dennis’s A Book for Kids, with the Tasmanian Symphony Orchestra.

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Ding Dong Merrily on High

A baker's dozen of well-loved traditional Christmas carols featuring children's and men's voices. Recorded in the magnificent acoustics of St Patrick's Cathedral, Melbourne.

Front cover art for Petra String Quartet plays Conyngham and Tibbits

Petra String Quartet plays Conyngham and Tibbits

Barry Conyngham's String Quartet No. 1 and George Tibbits' Second String Quartet, two Albert H. Maggs Award commissions, performed by the Petra String Quartet.

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A Baroque Collection

Douglas Lawrence plays Baroque organ masterworks on Jürgen Ahrend’s acclaimed instrument in Monash University’s Robert Blackwood Hall, a programme spanning Zipoli to Buxtehude.

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Improvisations in Acoustic Chambers

Environmental composer Ros Bandt’s first vinyl LP is now available on CD. She works with the sonorities of man-made chambers — a water tank and a wheat silo — where bamboo flute, recorders, lute and voice reverberate. It may sound electronic, but is entirely natural.

Front cover art for Love Lyrics and Romances of Renaissance Spain

Love Lyrics and Romances of Renaissance Spain

This is the first recording by the early music group La Romanesca, devoted to Spanish villancicos and romances of the Renaissance.

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Sing Out With Joy

Cantus Choro, directed by Peter Chapman, sings seventeen favourite hymns from the Australian Hymn Book. Norman Kaye’s imaginative organ accompaniments give the well-known settings fresh dramatic shape and room for the choir to breathe.

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Sydney Opera House Concert Hall Grand Organ

Historic recordings from the 1979 inaugural recital series that launched the Sydney Opera House Concert Hall Grand Organ, Ronald Sharp’s vast mechanical-action instrument.

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Great Bass Ballads

Baritone Alan Light brings operatic presence to fourteen popular bass ballads, from drinking songs and sea shanties to Australian bush songs, in orchestral and choral arrangements by Eric Gross.

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Victorian Time Machine

The Victorian Time Machine, directed by Richard David Hames, grew out of the Victorian College of the Arts as an instrumental and vocal ensemble for new music. This 1979 programme pairs Guillaume Dufay with works by Hames, Barry Conyngham and James Fulkerson.

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Full Spectrum

An early Move survey of Australian computer and digital music from the 1970s, opening with Barry Conyngham's realisation of Percy Grainger's Free Music 1 and 2, and continuing with works by Tristram Cary, Warren Burt and Darius Clynes.

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Gould Plays Gould

Some of Australia's finest players of spontaneous, improvised music show their talents on this disc, compiled from two earlier LPs. Original pieces by Tony Gould, directed and conducted by John Sangster.

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15 Favourite Christmas Carols

Christmas carols without choir or singers, heard in the acoustics of St Patrick’s Cathedral, Melbourne. Cathedral organ, brass ensemble and tubular bells carry fifteen familiar carols in special arrangements by Christopher Willcock.

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Psalms for Feasts and Seasons

Christopher Willcock’s twenty-two responsorial psalm settings cover the feasts and seasons of the church year, written for cantor, congregation and modest choral forces with organ, flute and guitar.

Front cover art for Stravinsky: The Rite of Spring (piano four hands)

Stravinsky: The Rite of Spring (piano four hands)

Stravinsky's The Rite of Spring was first composed in 1913 for piano four hands, eight years before the orchestral score was published. Ronald Farren-Price and Rosslyn Farren-Price give an intense, highly rhythmic performance of the Rite, set against Ravel's melodic Mother Goose Suite, also originally written for piano four hands.

Front cover art for Pachelbel, His Canon and Much More

Pachelbel, His Canon and Much More

Douglas Lawrence plays the Ronald Sharp organ in the Ormond College Chapel, Melbourne, in favourite Baroque organ works by Pachelbel, Buxtehude, Scheidt, Camidge and Greene.

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Joseph and the Amazing Technicolor Dreamcoat

A favourite since its 1968 school premiere, this Canadian recording of Lloyd Webber and Rice’s biblical musical features the dramatic vocals of soloist Rob Gillespie.

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Gabriel's Mother's Highway

Franciscus Henri presents songs by Sydney Carter, Elton John and Arlo Guthrie alongside three of his own. Produced by Brian Cadd, the album settles into a gentle folk-rock style with clear acoustic colour.

Front cover art for The Present Tense: Songs of Sydney Carter

The Present Tense: Songs of Sydney Carter

The songs of Sydney Carter are an enigma. Folk, religious, satire and protest never quite fit. They have depth and integrity, and they press us to face and question our innermost thoughts and conflicts.

Front cover art for Seven Whole Days: Music for the Contemporary Church

Seven Whole Days: Music for the Contemporary Church

Seven Whole Days is Jim Minchin’s second Move album of contemporary church song, recorded across Melbourne and Singapore in 1969 with singers and instrumentalists from both places.

Front cover art for Words, Love, Music: Sydney Carter

Words, Love, Music: Sydney Carter

Songs and poems by Sydney Carter from the 1950s to the 1970s, spanning social protest, faith and everyday life, performed by Carter and guest singers including Sheila Hancock, Franciscus Henri and Nadia Cattouse.

Front cover art for George Dreyfus: Chamber and Orchestral Music

George Dreyfus: Chamber and Orchestral Music

The Adelaide Wind Quintet and the Melbourne Symphony Orchestra present the serious side of George Dreyfus: the Sextet for Didjeridu and Wind Instruments and his two symphonies, a core chamber and orchestral portrait of the composer.

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Exquisite Harmonies

Exquisite Harmonies features works for viola da gamba and harpsichord, and several harpsichord solos, largely from the French Baroque. The exceptions are Telemann, Abel and Australian composer Troy Russell. A nice treat is an improvised harpsichord fantasia in the style of Telemann.

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My Heart

Naarm/Melbourne pianist Danaë Killian presents an expressionist programme of solo piano, spoken word and tarot, centred on her own My Prussian Blue Heart and works by mostly Australian composers.

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Shifting Landscapes

Shifting Landscapes is Australian flautist Kathryn Moorhead’s survey of the flute’s contemporary sound world, gathering works that push the instrument past its familiar range through extended technique, colour, and texture.

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Homegrown

Themes of nature, motherhood, and a profound spiritual connection to place pervade Homegrown — art song by Australian women composers, performed by soprano Rebecca Cassidy and pianist Alex Raineri.

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A Thousand Beautiful and Graceful Inventions

Subtitled ‘The glorious age of medieval and renaissance canons’, this programme of late Middle Ages and Early Modern choral music is sung by the University of Queensland Chamber Singers under Graeme Morton. The illustrated booklet has programme notes by Denis Collins and Jason Stoessel, with complete texts.

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Gold

The Australian Chamber Choir, directed by Douglas Lawrence, performs works by eight Australian composers. From Gordon Kerry’s Shakespeare setting to Malcolm Williamson’s English Eccentrics, the programme turns individual voices into pure gold.

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Keys to Heaven

The Australian Chamber Choir opens with the first recording of Agata della Pietà’s cantata Ecce nunc, written in eighteenth-century Venice by an orphan of the Ospedale della Pietà and reconstructed by Elizabeth Anderson. Sacred works by Palestrina and Allegri complete the programme.

Front cover art for Sun Fun and other Disappointments: The music of Michael Easton

Sun Fun and other Disappointments: The music of Michael Easton

This compilation gathers British–Australian composer Michael Easton’s output from 1981 to 1993: solo and duo piano, a flute sonata, a piccolo concerto, song cycles, and four songs from his one-woman show Dorothy Parker Says.

Front cover art for By the Winding River: songs from old Chinese Poems by Lachlan Brown

By the Winding River: songs from old Chinese Poems by Lachlan Brown

In the tradition of Gustav Mahler’s The Song of the Earth, Lachlan Brown shapes ancient Chinese poems into a modern song cycle of wonder, nature, friendship and longing.

Front cover art for Tango Fantasy

Tango Fantasy

An alluring Latin American odyssey: Ken Herrera’s solo piano programme of original tangos, a Baroque-tinged suite and a sultry nocturne that lean into waltz, milonga, bossa nova and blues.

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Sidekick

Sidekick is the debut CD from guitar duo Ziggy and Miles. It pairs new works written for the brothers with their own arrangement of Debussy’s Clair de Lune and repertoire from Spain, Latin America and Australia that has shaped their musical identity.

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Night Thoughts

During the long still nights of Melbourne’s Covid lockdowns, pianist Len Vorster listened widely and thought hard about what he heard. Those evening ruminations became this programme of fifteen nocturnes and night pieces, from Schumann’s circle to Copland.

Front cover art for Contra

Contra

Contra Guitar Duo’s debut recording presents the lyricism, complex rubato and colour the pair most enjoy in two-guitar playing, across a short programme of romantic and contemporary works.

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Together Apart

Together Apart gathers original chamber works by Sydney composer and UTS lecturer Brent Keogh. Written in the Covid-19 lockdown, the music holds the strain of that period alongside a clear hope of renewal.

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Latin American Piano Music

Alejandro Téllez performs both well-known and overlooked Latin American piano music from Mexican and Cuban composers.

Front cover art for Threading the Light

Threading the Light

Threading the Light was composed between 2008 and 2012 as the cornerstone of a PhD in composition. Spurred by its 2022 world premiere by The Cooperative after a decade’s wait, Felicity Wilcox presents this personal, ethereal and strongly symbolic work.

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In Flight

Classical guitarist Harold Gretton offers a varied programme spanning some three centuries of solo guitar music, from Sylvius Leopold Weiß in the eighteenth century to his own Australian bird-inspired pieces of the twenty-first.

Front cover art for Acacia Quartet: Mozart Dvorak Chance

Acacia Quartet: Mozart Dvorak Chance

Three four-movement string quartets — Mozart’s D minor K. 421, Alice Chance’s Sundried, and Dvořák’s American — played with the clarity and ensemble blend Acacia Quartet is known for.

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Bass Instincts

The bass recorder has grown from consort roots into a virtuosic solo voice: deep, earthy, mellow and haunting. Alicia Crossley, one of Australia’s leading recorder players, presents a programme of new Australian works written for the instrument.

Front cover art for The Latin Muse

The Latin Muse

Pianist Nancy Tsou brings fire and tenderness to Spanish and Latin American works by Piazzolla, Granados, de Falla, Albéniz and Ginastera. Chosen for intensity of feeling, the programme is played with deep sympathy for the Latin idiom.

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Two

Two brings together Marais Project founding members Jennifer Eriksson, viola da gamba, and Tommie Andersson, gallichon, theorbo and baroque guitar. Each plays alternate brackets of solos before they join in a splendid suite by Marin Marais.

Front cover art for Liquid Crystal

Liquid Crystal

Clarinetist Luke Carbon and pianist Alex Raineri offer a varied duo programme spanning Brahms, Berg, Beach, Bernstein and Elliott Gyger, framed as a personal mixtape of cherished clarinet and piano works.

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Duos

An extraordinary acoustic frames extraordinary music: Ruth Wilkinson (recorders and bass viola da gamba) and Cynthia O’Brien (baroque violin), the duo known as Capella Corelli, in late Baroque two-part repertoire.

Front cover art for Moonlight Reflections

Moonlight Reflections

A recital album full to the brim with exquisite art song, this recording gathers hidden treasures and classic favourites performed by Opera Australia star Stacey Alleaume.

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Over Under

Over Under is the debut album of cellist Luke Severn and pianist–composer Evan Fein as a duo, the fruit of five years of shared touring, writing and close artistic exchange.

Front cover art for Shades of Ivory

Shades of Ivory

Shades of Ivory is unlike most piano albums. Bill Canty, a highly accomplished Australian musician equally at home in orchestras and rock bands, builds a suite from digital pianos alone, reshaping familiar keyboard sound into something spacious, atmospheric and often unrecognisable.

Front cover art for Siegfried's Story

Siegfried's Story

"Brassy revamp for Wagner" (The Age, 29 April 2020). Mark Papworth’s arrangement of highlights from Wagner’s Ring of the Nibelung for horn, tuba and piano traces the cycle as chamber drama.

Front cover art for Winter Journey

Winter Journey

For this recording of Schubert’s Winterreise, Op. 89 (D. 911), pianist Brian Chapman prepared a new English translation and, with baritone Nathan Lay, recorded the full cycle in English and German across two CDs, presented with a lavish 56-page book of 24 paintings by Lucy Chapman.

Front cover art for Snow in Summer

Snow in Summer

In 18th-century Scotland, folk songs sat beside Corelli and Vivaldi without hierarchy. Across thirteen tracks, Snow in Summer pairs period sonatas with folk arrangements: sparse strings, plucked notes like stars, and a voice high above.

Front cover art for Chromatic Flight

Chromatic Flight

Music for flute and piano by Graham Jesse, played by Virginia Taylor and Simon Tedeschi. Melodic contemporary pieces sit beside Latin and jazz suites, bridging classical technique and jazz inflection.

Front cover art for The Dew Gatherers

The Dew Gatherers

Playing its own arrangements and realisations of the songs and arias of Johann Philipp Krieger, the Cole, Heymink and Brewer trio (voice, harpsichord and bassoon) has created a ground-breaking recording. Krieger (1649–1725) is one of the important forerunners of Bach and Handel.

Front cover art for Spinning Forth

Spinning Forth

The title points to music still to come. The programme gathers French baroque viola da gamba repertoire with Swedish roots and newly commissioned Australian works, spinning forth in fresh directions.

Front cover art for Amy Castles: Court Singer

Amy Castles: Court Singer

Amy Castles, the Australian dramatic soprano once hailed as the “Australian nightingale”, left landmark gramophone sides from London and Australian sessions in the early twentieth century. This disc gathers eighteen restored arias, salon songs and ballads.

Front cover art for Luminescence

Luminescence

Light is integral to colour, and musical integrity is often described in terms of its colour or luminescence. Celebrating Canticum’s 21st birthday, the programme seeks composers whose music shows a particular sensitivity to the choral instrument and to beautiful text.

Front cover art for Ringing the Strings

Ringing the Strings

Melbourne’s Concordia Mandolin and Guitar Orchestra present a programme of original works and arrangements for plucked strings, including music by Sculthorpe and Fauré alongside pieces by the ensemble’s own Michelle Nelson.

Front cover art for …for Sonja

…for Sonja

Dedicated to Tony Gould’s dear friend Sonja Krawatt, this album gathers traditional Jewish melodies of lasting emotional warmth. Cello and clarinet join Gould’s piano on several tracks, framing two original pieces written for her.

Front cover art for Barefoot in the Sky

Barefoot in the Sky

Barefoot in the Sky fuses ancient and contemporary practice: rhythmic and melodic, organic and electronic, choral and tribal. It moves through enough moods for several albums, in a vein the artists call ambient space-world jazz.

Front cover art for Lotus Dreams

Lotus Dreams

Soprano Shu-Cheen Yu and pianist Katherine Day present eighteen favourite songs and ballads, from Brahms and Schubert to Chinese and Irish folk airs, a personal path through Lieder and art song.

Front cover art for Dream Song

Dream Song

A charming collection of well-known songs, sure to delight. Immortal sacred favourites sit beside theatre and film themes, from Franck’s Panis Angelicus and Lloyd Webber’s Pie Jesu to Blake, Rodgers and Bart.

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Birds Bees and Butterflies

Songs of love and springtime sung by Pamela Wainwright and accompanied by Andrew Frampton.

Front cover art for Automne: Changing Colours of Harp Music

Automne: Changing Colours of Harp Music

From classical to folk, from sweeping glissandi to the strikingly contemporary, the range and diversity of the harp always entrances and amazes.

Front cover art for The Shepherd and the Mermaid

The Shepherd and the Mermaid

The winning combination of voice, clarinet and piano delighted intimate gatherings and inspired many lovely works. Australian soprano Elena Xanthoudakis is joined by clarinettist Jason Xanthoudakis and pianist Clemens Leske as TrioKROMA.

Front cover art for I Heard You Singing: Songs My Father Taught Me

I Heard You Singing: Songs My Father Taught Me

Baritone Jonathan Morton's first solo album is a personal programme of English art song, drawn from cycles and favourites his father once sang around the family piano.

Front cover art for John Tallis 1911–1996: A Composer of His Time

John Tallis 1911–1996: A Composer of His Time

John Tallis was born in Australia at the end of the golden era before the world was ripped apart by the horrors of the First World War; his music reflects the optimism of the much vaunted, if unfulfilled, Second Elizabethan Age.

Front cover art for Silver: Celebrating 25 Years

Silver: Celebrating 25 Years

Pot-Pourri marks twenty-five years with Silver, a seventh album that mixes contemporary classics, Broadway, and opera into one sparkling programme.

Front cover art for Character Interludes

Character Interludes

Virginia Taylor and Timothy Kain present a Southern Hemisphere program for flute and guitar, pairing Argentine and Bolivian guitarist-composers with Australian works by Phillip Houghton and Elena Kats-Chernin.

Front cover art for Anthony Halliday plays Saint-Saëns, Beethoven, Duruflé, Bach

Anthony Halliday plays Saint-Saëns, Beethoven, Duruflé, Bach

Few Australian musicians match Anthony Halliday’s versatile splendour. This latest of his all-too-few organ CDs emphasises his gifts in transcribing orchestral works, recorded on the organ of St Francis’ Church, Melbourne.

Front cover art for Miscellany for Flute and Harp

Miscellany for Flute and Harp

Throughout history composers have been drawn to the flute and harp pairing, from the shepherd’s pan-pipes and Orphean lyre of ancient Arcadia to the French court of Marie-Antoinette and Mozart’s duo concerto for the two instruments.

Front cover art for Music for Strings

Music for Strings

String orchestra music from Wolf-Ferrari and Grieg to Britten, Grainger and living Australian voices. Gerald Gentry leads the Southern Cross Philharmonia, with Amir Farid at the piano in Grainger’s clog-dance romp.

Front cover art for A tissue of quotations

A tissue of quotations

A Tissue of Quotations (2009) celebrates the classical piano repertoire. Each of its eight parts was conceived as a clear, distilled expression of a particular composer’s emotional soundprint.

Front cover art for The Flowers

The Flowers

All works on this recording are Australian compositions exploring the aesthetics of contemporary art music. The disc offers a fresh perspective on Australian music-making through starkly varied new pieces.

Front cover art for Lobe den Herren

Lobe den Herren

Anthony Halliday gives a varied organ recital on the historic instrument at Melbourne's Trinity Lutheran Church. The programme runs from grand Bach works through Mozart and a Bach–Vivaldi concerto to his own transcription of the finale of Beethoven's Fifth Symphony.

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Love Reconciled

A landmark in Australian early-music performance, The Marais Project’s Love Reconciled is a recording to return to often and savour deeply.

Front cover art for Burns and Beyond

Burns and Beyond

This recording, Burns and Beyond, gathers art songs for voice and modern piano drawn from Robert Burns, and includes Percy Grainger’s Three Scotch Folksongs, built on ancient Scottish tunes.

Front cover art for The Magic of Operetta

The Magic of Operetta

Soprano Louise Page and pianist Phillipa Candy have long delighted Australian audiences with a partnership of varied and entertaining programmes for Musica Viva, the ABC and many other organisations.

Front cover art for Just A Dreamer

Just A Dreamer

Linda Cable’s 1997 Move EP gathers five original songs in a jazz-vocal vein, led by the title track.

Front cover art for Original Transcriptions for Piano

Original Transcriptions for Piano

Piano transcriptions of rare originality and virtuosity. Australian pianist-composer Cameron Roberts turns orchestral showpieces and intimate songs into a solo-piano tour de force.

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Music for French Horn

Andrew Blyth’s Horn Concerto of 2001 anchors this programme for French horn and virtual orchestra, with four shorter lyrical pieces. Soloist Geoff Viking Lierse is Associate Principal Horn of the Melbourne Symphony Orchestra.

Front cover art for Cool Black: Chamber Works by Rosalind Page

Cool Black: Chamber Works by Rosalind Page

Inspired by Apollinaire, Lorca and Harðarson, Cool Black gathers three contrasting chamber song cycles by Rosalind Page, performed by the Australian vocal ensemble Halcyon.

Front cover art for The Rose and the Willow

The Rose and the Willow

Saxophone and piano rebuild Piazzolla, Ginastera and Guastavino from bare elements, treating improvisation as equal partner so both instruments share the musical weight.

Front cover art for Sketches of a Better Time

Sketches of a Better Time

Extraordinarily popular with children, not least as a soundtrack for rollerblading and skateboarding, these light musical classics are performed live by former circus musician and well-known Sydney organist Peter Carroll-Held.

Front cover art for Magic Sounds

Magic Sounds

Magic Sounds moves through meditation, ambient, chill-out, fine world, soundtrack, spiritual (non-religious) and contemporary choral territory, built from authentic human voices rather than synthesizers.

Front cover art for Looking to the Light: Songs of Christmas

Looking to the Light: Songs of Christmas

Looking to the Light is an easy-listening Christmas collection of favourites such as O Holy Night, The Little Drummer Boy, Ave Maria and Have Yourself a Merry Little Christmas, with Australian carols, lesser-known songs and children's numbers including All I Want for Christmas Is My Two Front Teeth and I Want a Hippopotamus for Christmas.

Front cover art for Matthew Kam introduces the new Schimmel K 230

Matthew Kam introduces the new Schimmel K 230

A wide-ranging solo programme opens with Brahms’s demanding Variations and Fugue on a Theme of Handel. Matthew Kam and the Schimmel K 230 meet its musical and technical challenges with striking tonal beauty and colour.

Front cover art for Sit Down Beside Me

Sit Down Beside Me

In its inimitable style, Pastance again brings together music from the folk traditions and the early music world.

Front cover art for Live for Life

Live for Life

An extremely popular pairing of clarinettist Nicole Canham and accordionist Anton Wurzer, bringing French musette, tango and salon repertoire to the Move catalogue.

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Organ of the Antipodes

Organists Rhys Boak and Ryoko Mori mark the centenary of a landmark Australian instrument: the 1906 George Fincham & Son organ at Malvern Presbyterian Church.

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Unity

A wide-ranging blend of traditional, contemporary and original Scottish music — from haunting Gaelic airs and foot-stomping dance sets to chamber textures and evocative new works.

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Flight

Concordia Mandolin and Guitar Ensemble gathers its more virtuosic, lively and passionate repertoire under the idea of flight. Flight of the Bumble Bee and Le Streghe (The Witches) lead the way; the remaining works answer with energy and vitality that suggest flights of fancy.

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Guitar Concerto

This recording looks toward a twenty-first-century classical aesthetic, deliberately crossing the line between concert music and popular song so that new work can again speak plainly to listeners and performers.

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Mandolino Italiano

Italian repertoire for mandolin orchestra, from Bitelli and Bellini fantasies to Verdi’s La Traviata, period arias, Toselli’s Serenade, and popular songs.

Front cover art for Six Organ Concertos - G. F. Handel

Six Organ Concertos - G. F. Handel

These ever-popular concertos by Handel appear here in the composer's own arrangements for organ alone, played on the historic 1888 George Fincham organ in Richmond Uniting Church.

Front cover art for A Year in Paris

A Year in Paris

Clarinet and piano music by Poulenc, Carmichael, Benjamin, Cahuzac, Debussy, Stanhope, Brumby and Françaix. Nicole Canham spent a year in Paris studying at the Versailles Conservatoire.

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Breathe

Melbourne duo Nougat – guitarist and composer Tania Ravbar Costantino with mandolinist Ruth Roshan – place Breathe on the cusp of world and classical music.

Front cover art for Josquin to Martin

Josquin to Martin

A miscellany spanning High and Late Renaissance motets and nineteenth- and twentieth-century sacred works, drawn from Ensemble Gombert’s first European tour in 2004. The programme was chosen to complement Hommage à Gombert, then in production, with Gombert, Lassus and Monteverdi.

Front cover art for re-sound

re-sound

re-sound's first, self-titled album gathers chamber works by John Cage and five Australian composers – Brendan Colbert, Paul Moulatlet, Ken Murray, Thomas Reiner and Harvey Sollberger – in a programme of late twentieth-century sound.

Front cover art for A Valley Fair

A Valley Fair

Pastance's then most recent offering is a delightful collection of traditional, original and early music for Celtic harp, recorders and voices.

Front cover art for Bach Sacred Songs and Chorus

Bach Sacred Songs and Chorus

Melbourne choir Aspiration in Harmony, with soprano Bente Lancaster and director Andrew Blackburn, presents sacred songs and chorales from the Anna Magdalena Notebook and Schemelli’s hymn book.

Front cover art for Forgotten Dreams

Forgotten Dreams

In 1999 Concordia director Basil Hawkins first heard Hadjidakis’s The Waltz of Forgotten Dreams. Struck by its atmospheric, evocative character, he shaped a programme of kindred nostalgia, including Eileen Pakenham’s Reverie and Fred Witt’s Memories of Bendigo.

Front cover art for Love Rhapsody

Love Rhapsody

Emma Sidney’s debut jazz album Love Rhapsody traces love in every mood, from triumph to loss. Standards sit beside three of her own songs, sung with swing, Latin colour and intimate ballad feeling.

Front cover art for The Concert Band Music of George Dreyfus

The Concert Band Music of George Dreyfus

Conducted by the composer, the Symphonic Wind Ensemble of the Johannes-Gutenberg-University, Mainz, performs George Dreyfus’ complete music for wind orchestra.

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Millennium Magic

Live from the Melbourne Concert Hall on St David's Day 2000, the Melbourne Welsh Male Voice Choir's first solo concert of the new millennium, with Linda O'Brien, Rhys Boak, Delyth Stafford and Lynlee Williams.

Front cover art for Tchaikovsky Concerto / Shostakovich Song of the Forests

Tchaikovsky Concerto / Shostakovich Song of the Forests

The New Monash Orchestra under André de Quadros joins pianist Yuri Rozum, the Monash Women's Choir and Viva Voce in an all-Russian programme: Tchaikovsky's first piano concerto and Shostakovich's rarely heard Song of the Forests, his first major work for choir and orchestra.

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titlewave

On their first Move disc, titlewave, Loco Tempo – vocalist Colleen Hunt and pianist/arranger Rick Freeman – are joined by a first-rate jazz combo, including guitarist Mark Viggiani and trombonist Jordan Murray, in standards chosen for their timeless quality.

Front cover art for The Litanies of St. Francis Xavier

The Litanies of St. Francis Xavier

A generous 2-CD set of Jan Dismas Zelenka’s liturgical music from the Schola Cantorum of Melbourne: the Litaniae Xaverianae, five Vespers psalms, the Magnificat in D and the Alma Redemptoris Mater.

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Last Christmas

Live from the Melbourne Welsh Male Voice Choir’s 10th Anniversary Christmas Charity Concert in 1999, this recording supports Mid-Eastern Palliative Care with Welsh favourites, carols and seasonal song.

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One Two One

Yoram Levy (trumpet) and Christopher Wrench (organ) explore the contrasting textures and styles of twentieth-century works by Genzmer, Tomasi, Persichetti, Duruflé and Hakim.

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Repose

Beautiful lullabies and cradle songs by Australian composers from 1890–1999. Soprano Linda Thompson and pianist Deviani Segal present world premiere recordings drawn from a century of Australian cradle song.

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Moscow State RTV Symphony Orchestra

Live from Moscow Radio Hall in December 1998, André de Quadros leads the Moscow State RTV Symphony Orchestra with pianist Yuri Rozum in Rachmaninov's Rhapsody on a Theme of Paganini and Beethoven's Seventh Symphony.

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Joy

Joy names the intent behind much of this music: carols of piety, the longing of Landini and Machaut, and Hildegard von Bingen’s soaring beauty. The collection shows how song shaped everyday life in the Middle Ages.

Front cover art for Eclectic Collection

Eclectic Collection

The mandolin orchestra is remarkably versatile. This recording sets out to show that range and the ensemble’s distinctive colour across a programme that moves freely between styles and cultures.

Front cover art for World Music

World Music

The Melbourne Mandolin Orchestra presents music from around the world: Latin American dances, Klezmer, Slavic folk and blues, in contemporary works that still draw on traditional song and dance.

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New Monash Orchestra

Conducted by André de Quadros, the New Monash Orchestra offers a live programme of Shostakovich, Mahler and Beethoven, captured at the Robert Blackwood Hall.

Front cover art for Maid in Sweden

Maid in Sweden

Swedish-Australian soprano Monique Brynnel brings cabaret intimacy to a programme of musical theatre, jazz standards, Swedish art song and operetta, spanning Arlen, Gershwin, Stenhammar, Lehár and Strauss.

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Senzenina

The Melbourne Welsh Male Voice Choir and friends offer an eclectic programme of favourites, African songs and chants, with guest soloists drawn from past ‘Singers of the Year’.

Front cover art for …a little z.o.o.

…a little z.o.o.

Peter Constant and Marion Schaap as the Z.O.O. Duo follow their acclaimed A Sympathetic Resonance and Light on the Edge with a short, polished programme of classical guitar duos drawn from familiar concert repertoire.

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World Rhythm Band

An unexpected cross-fertilisation: contemporary jazz melody and harmony joined with rhythmic traditions of the Third World, especially West Africa, in a distinctive ensemble sound.

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Great Southern Lands

The Melbourne Welsh Male Voice Choir marks a South African concert tour with Welsh hymnody, folk song, spirituals and a Zulu–Xhosa chant under conductor Phillip Smith.

Front cover art for Something Familiar! Something Peculiar!

Something Familiar! Something Peculiar!

Pot-Pourri’s second Move album ranges freely across Broadway, opera, musical theatre and popular song, pairing cherished favourites with sharper comic turns in chamber-scale arrangements.

Front cover art for Falling Through Time

Falling Through Time

All the colour and mystique of the Middle Ages and the Renaissance come alive in a presentation rich in music and drama, spanning troubadour song, Machaut, courtly dance and English lute song.

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Heritage

The Melbourne Welsh Male Voice Choir celebrate Victoria’s architectural heritage in song, recorded in the unaltered acoustics of National Trust colonial buildings.

Front cover art for Binneas Quartet

Binneas Quartet

Haydn’s String Quartet Op. 76 No. 1, Bartók’s String Quartet No. 6 and arrangements from Dvořák’s Cypresses form a warm, assured programme from Melbourne’s Binneas Quartet.

Front cover art for Homage to Brahms

Homage to Brahms

A handsome recital paying homage to Brahms, with two-piano variations, late Intermezzi, the G major Violin Sonata, and the complete Liebeslieder Walzer.

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Cornet Caprice

Tom Paulin and pianist Len Vorster explore the cornet’s brilliance in a recital of virtuoso showpieces and contemporary writing by Bozza, Arban, McCabe, Dreyfus and others.

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Rhythm of Life

A delicious blend of highlights from Broadway shows, popular music theatre, traditional songs and operatic hits, sung with style by Melbourne vocal ensemble Pot-Pourri.

Front cover art for The Welsh in Australia, Vol. 2

The Welsh in Australia, Vol. 2

Volume two gathers hymns and traditional Welsh songs in commemoration and celebration of St David, uniting two Victorian male voice choirs in concert and community hymn singing.

Front cover art for Carols Psalms and Anthems

Carols Psalms and Anthems

Under the direction of Professor Emeritus Peter Godfrey, CBE, the Trinity College Chapel Choir offers a striking programme of rarely heard carols, psalms and anthems spanning several centuries of sacred choral writing.

Front cover art for The Welsh in Australia, Vol. 1

The Welsh in Australia, Vol. 1

The Melbourne Welsh Male Voice Choir and Victorian Welsh Singers join forces under Alwyn Humphreys for a St David’s Day celebration of Welsh hymns and traditional songs.

Front cover art for Christmas Joy and a Ceremony of Carols

Christmas Joy and a Ceremony of Carols

The Melbourne Academy Boys Choir, directed by Andrew Blackburn, offers a Christmas programme of familiar carols and distinctive concert works by Kodály, Grüber, Britten and others.

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Hamilton

The Team of Pianists present a programme of excellent piano works for solo, duo and two pianos, spanning popular classics and Australian repertoire.

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Merrily at Christmas

Sixty-three festive Christmas songs and rhymes, old and new, for children. Voices and instruments share simple arrangements prepared for the Australian Breastfeeding Association.

Front cover art for Merrily Merrily

Merrily Merrily

Eighty-five songs and rhymes for young children, drawn from the Australian Breastfeeding Association book Merrily Merrily. Voices, instruments and sound effects give a bright, singable accompaniment across a lively 54 minutes.

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A Sense of Wonder

After several years of musical involvement in television, radio and film, Alwyn and Laurie Lewis decided to change direction and concentrate on songwriting. Here is the result: eleven new songs.

Front cover art for Flute Perspectives, Vol. 4

Flute Perspectives, Vol. 4

Derek Jones’s fourth Flute Perspectives volume gathers contemporary Australian flute music with Jerry Wong and Joshua Hyde. Sonatas, solos and electronics chart lyric landscape, multiphonic colour and modernist drive.

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Shichiseki

Collaborations with violinist Miwako Abe and cellist Alister Barker sit beside solos written for Michael Kieran Harvey by Gabriella Vici and Andrián Pertout, spanning Japanese, Latin American and South Indian influences.

Front cover art for Through Tropical Stars

Through Tropical Stars

David Joseph’s Through Tropical Stars gathers five chamber works inspired by the natural world. From the garden-like imagery of Concertino to the quiet melancholy of The Afternoon, the music brings nature’s textures, patterns and sounds into focus.

Front cover art for Flute Perspectives, Vol. 3

Flute Perspectives, Vol. 3

The third release in Derek Jones’s series, Flute Perspectives 3 continues to convey the synergy of Australia’s varied classical flute repertoire, with newly commissioned works, some recorded here for the first time.

Front cover art for Schumann Cello

Schumann Cello

Cellist Zoe Knighton and pianist Amir Farid continue their partnership in a programme of short works by Clara and Robert Schumann, pairing song transcriptions with chamber pieces for cello and piano.

Front cover art for Rhythms of Change

Rhythms of Change

In 2020 Claire Edwardes, often called the wonder woman of percussion, launched Rhythms of Change, a commissioning project for solo percussion that confronts the under-representation of women in classical programming and builds a lasting new repertoire.

Front cover art for Scarlatti's Steinways at Melbourne

Scarlatti's Steinways at Melbourne

The remarkable output of 555 keyboard sonatas by Domenico Scarlatti (1685–1757) remains one of the most original contributions in Western art music. Pianist Ian Holtham selects 23 sonatas, sequenced into four Baroque tonal groupings and recorded on the Conservatorium’s four Steinway Model Ds.

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Brahms Cello

Zoe Knighton and Amir Farid present their seventh cello–piano collaboration, turning to Johannes Brahms. The programme pairs his two cello sonatas with three songs in which the cello takes the vocal line wordlessly.

Front cover art for Jazz Music Series (set)

Jazz Music Series (set)

The five volumes of John Sangster's Jazz Music Series are available individually or together as a set at a reduced price.

Front cover art for Jazz Music Series, Vol. 5: Ripper

Jazz Music Series, Vol. 5: Ripper

The fifth and final volume in John Sangster’s jazz series of suites, written for a lively little orchestra that gathers some of Australia’s finest jazz musicians around his vibraphone writing.

Front cover art for Jazz Music Series, Vol. 4: Take That

Jazz Music Series, Vol. 4: Take That

Volume four of John Sangster’s Jazz Music Series finds his “lively little orchestra” of leading Australian jazz players in a ten-movement suite of wit, swing and colour.

Front cover art for Jazz Music Series, Vol. 3: Steady Lads

Jazz Music Series, Vol. 3: Steady Lads

Third in John Sangster’s series of suites for a lively little orchestra of some of Australia’s finest jazz musicians: ten pieces of small big-band writing with Sangster on vibraphone.

Front cover art for Jazz Music Series, Vol. 2: Requiem (for a loved one)

Jazz Music Series, Vol. 2: Requiem (for a loved one)

Volume 2 of five suites by John Sangster, played by his fine small orchestra of leading Australian jazz musicians. A 1980 requiem for Janice Patricia Byrnes, nicknamed Bo Diddley.

Front cover art for Jazz Music Series, Vol. 1: Don't Mean a Thing if It Ain't Got That Doo-wup

Jazz Music Series, Vol. 1: Don't Mean a Thing if It Ain't Got That Doo-wup

As John Sangster put it, "Here is the first in a series of Suites written for this lively little orchestra, a gathering that includes some of Australia's finest jazz musicians."

Front cover art for Peaceful

Peaceful

John Sangster's Peaceful gathers nine quiet jazz pieces for tenor saxophone, flutes, acoustic guitar, electric piano, vibraphone, marimba and percussion. The mood is contemplative, with room for gentle improvisation.

Front cover art for Johannes Brahms: Sonata No. 3 in F minor, Op. 5

Johannes Brahms: Sonata No. 3 in F minor, Op. 5

Prepare to be swept away by the soulful and powerful performance of Johannes Brahms' Sonata No. 3 in F minor, Op. 5, as played by the incomparable Ronald Farren-Price. Farren-Price's mastery of the piano is evident in his interpretation of this masterpiece, showcasing the intricacies of Brahms' composition.

Front cover art for Franz Schubert: Sonata No. 20 in A Major, D. 959

Franz Schubert: Sonata No. 20 in A Major, D. 959

Australian pianist Ronald Farren-Price brings intimacy and power to Schubert’s late Sonata No. 20 in A major, D. 959, balancing virtuosity with a deep feeling for the work’s melodic beauty and shifting moods.

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Christmas Bells

More carillon music from Canberra’s National Carillon: Joan Chia plays Christmas carols and Australian seasonal pieces in a short festive programme.

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The Pleyel Harpsichord

Roger Heagney plays one of the last harpsichords made by the French Pleyel piano company (1963). Founded in 1807, Pleyel built pianos until 2014. The Concert Grand Harpsichord offers a distinctive sound and seven-pedal colour.

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Masters of Baroque

Trio Polyphonica was active between 1980 and 1990, with a repertoire spanning more than three centuries. This programme presents Baroque chamber works by Frescobaldi, Hellendaal, Couperin, Leclair, Rameau and Corelli.

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The Art of Melody

Jazz legends Tony Gould (piano) and Graeme Lyall (saxophone) offer superb readings of well-known standards, joined by Ben Robertson on double bass and Joe Batrouney on drums.

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Bach Cello

Debate still rages over the origins and purpose of Bach’s cello suites. Were they written for court cellists Christian Ferdinand Abel and Christian Bernhard Linke, for the unusual violoncello da spalla, or as progressive exercises for Bach himself?

Front cover art for Dances and Delights

Dances and Delights

Premiere recordings of Australian and American works for modern flute ensemble fill this album with spirit and serenity, from waltzes and two-steps to cherished song arrangements.

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Pieces after Childhood

The remarkable compositions of Geoffrey Tozer were almost entirely unknown and unpublished at the time of his death in 2009. This premiere recording features nine works for piano composed during the years 1972–1988, performed by Lachlan Redd.

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Portrait of Bob Brown

Produced in support of the Bob Brown Foundation, this disc presents three new Australian chamber works from 2016: two by Michael Kieran Harvey and one by violinist and violist Emily Sheppard.

Front cover art for Bach's Tonal Soundscape

Bach's Tonal Soundscape

Ian Holtham’s distinctive approach to Bach’s monumental Well-Tempered Clavier lets listeners hear the preludes and fugues organised by key, rather than the traditional and more artificial order by book.

Front cover art for Tony Gould on the Art of Creative Music

Tony Gould on the Art of Creative Music

This is a tribute to revered Australian pianist, praised educator and musical thinker Dr Tony Gould, Australia’s first professor of jazz. It comprises an audio CD and bonus one-hour video DVD documentary.

Front cover art for McGann LIVE 81 / 83

McGann LIVE 81 / 83

Live recordings of Australian alto saxophonist Bernie McGann from two celebrated concerts: three originals with Chuck Yates in Sydney in 1981, and standards with the Ted Vining Trio in Melbourne in 1983.

Front cover art for Carpe Diem: Piano Music from Italy

Carpe Diem: Piano Music from Italy

This recording celebrates Italy, and Rome above all, as a lasting place of artistic pilgrimage and inspiration. Italian-themed solo piano works frame the premiere of Michael Kieran Harvey’s Carpe Diem (2015).

Front cover art for Atmospheros

Atmospheros

The Christopher Young Quartet presents ten new pieces by Young and the group, spanning atmosphere, hard bop and free collective improvisation.

Front cover art for Flute Perspectives, Vol. 1

Flute Perspectives, Vol. 1

Flautist Derek Jones and pianist Leigh Harrold present this anthology of contemporary Australian flute music, from Sculthorpe’s Torres Strait cycle to solo and duo works by leading local composers.

Front cover art for 70 More Variations on "Twinkle Twinkle Little Star"

70 More Variations on "Twinkle Twinkle Little Star"

The tune “Twinkle Twinkle Little Star” has fascinated and irritated composers through the ages. In this second collection Julian Yu has commissioned a staggeringly diverse cornucopia of stylistic arrangements. Michael Kieran Harvey tackles scores from the frivolous to the frenetic, the fragile to the fragrant, the popular to the profound.

Front cover art for Continental Drift

Continental Drift

Continental Drift features compositions for two bass flutes and cello. As the Earth’s continents drift across the ocean floor, new music makes its own slow migration around the globe, across time and space into various lands and cultures.

Front cover art for Satellite Mapping

Satellite Mapping

Amir Farid performs Stuart Greenbaum’s complete solo piano works composed between 1989 and 2014, a two-disc survey of more than two hours of music.

Front cover art for Our Favourite Things

Our Favourite Things

The Ted Vining Trio’s first studio album since bassist Barry Buckley’s death in 2006. With Gareth Hill now on bass, Bob Sedergreen and Ted recorded standards and originals after their August 2015 south-east Australian tour.

Front cover art for Siva

Siva

Michael Kieran Harvey plays Australian piano masterworks of the last fifty years. Raymond Hanson, Gordon Kerry, Brendan Colbert, Helen Gifford and Neil Kelly are the composers gathered on this recital of concentrated virtuoso writing.

Front cover art for JS Bach Sonatas for Viola da Gamba and Harpsichord

JS Bach Sonatas for Viola da Gamba and Harpsichord

Considering the fame of Bach’s solo violin partitas and cello suites, it is remarkable that his sonatas for viola da gamba and keyboard still sit in the shadows for many listeners. That some of their material appears elsewhere in his output hardly explains the neglect.

Front cover art for For Ever

For Ever

The idea for this recording came about after the Alan Lee Quartet reunion concert on the closing night of the 2014 Stonnington Festival in Melbourne, which saw the vibraphonist in collaboration with old friends Ted Vining, Tony Gould and Derek Capewell.

Front cover art for 2 Pinots 2 Pales and 2 Hours – TNT

2 Pinots 2 Pales and 2 Hours – TNT

Two pinots, two pales and two hours later, with little discussion and no rehearsal, five spontaneous improvisations and three standards were captured with the ease that only comes when three dedicated jazz musicians meet solely to make music.

Front cover art for Russian Cello

Russian Cello

Enter the world of Russia. Zoe Knighton and Amir Farid present unknown works alongside much-loved classics. The recording celebrates a romanticism in composition inspired by the combination of cello and piano.

Front cover art for Geoffrey Tozer in Concert: Hobart 1991

Geoffrey Tozer in Concert: Hobart 1991

Live solo piano recital by Geoffrey Tozer, recorded at the University Centre, Hobart, on 18 May 1991. Bach’s Italian Concerto and Schumann’s Carnaval open a programme that also takes in Medtner, Liszt, Beethoven and Elgar.

Front cover art for Geoffrey Tozer in Concert: Canberra 1987

Geoffrey Tozer in Concert: Canberra 1987

This live recording of pianist Geoffrey Tozer was made in June 1987, during a series of four recitals marking his twenty-fifth anniversary as a performer.

Front cover art for Music for Trumpet and the King of Instruments

Music for Trumpet and the King of Instruments

In the world of classical music, one of the most special and enduring combinations of instruments is that of the trumpet and the pipe organ. Dating back over a millennium, the pairing has produced a tradition of heroic and majestic music-making.

Front cover art for Peter Sculthorpe

Peter Sculthorpe

A retrospective compilation of favourite chamber works by the late Peter Sculthorpe, drawn from Move’s own catalogue. Torres Strait song, Kakadu landscapes and intimate string writing are heard in performances by leading Australian musicians.

Front cover art for Pieces from Childhood

Pieces from Childhood

Geoffrey Tozer’s Pieces from Childhood offer a brief window onto a young genius finding his way in classical music. The emotions he shapes – sometimes tumultuous, sometimes meditative – are the embodiment of a growing artist.

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Sonorous Sonatas

Peter Sheridan set out to bring the larger, lower flutes to centre stage, testing their sound and colour within one of Western music’s most traditional forms: the sonata. Commissioned works and substantial duo writing put alto, bass, contrabass and subcontrabass flutes in the foreground.

Front cover art for Haydn Opus 20

Haydn Opus 20

As first prize winners of the 9th Banff International String Quartet Competition, the Tinalley String Quartet was awarded the opportunity to make this CD at The Banff Centre, Banff, Alberta, Canada.

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The Broken Shore

This CD won Best Soundtrack Album at the APRA/AMCOS Screen Music Awards on 12 November 2014. It is Cezary Skubiszewski’s original score for the film The Broken Shore.

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Unfold

The Kreutzer Quartet, long regarded as one of Europe’s most dynamic and inventive ensembles, turns here to four Australian string quartets from the 1960s and 1970s.

Front cover art for A Little French Cello

A Little French Cello

A charming collection from the rich French school of the late nineteenth century. Cello sonority and piano clarity make the programme both approachable and moving. Zoe Knighton and Amir Farid are masters of their art.

Front cover art for Fantasie Australis

Fantasie Australis

Compositions by living Australian composers, most based in Melbourne, performed by the Monash University Flute Ensemble under Peter Sheridan. Australia’s flute-ensemble repertoire is still small beside other national traditions, yet the country has a rich store of fine woodwind writing.

Front cover art for Butterfly Modernism

Butterfly Modernism

Composer Eve Duncan’s third release is a two-CD set of chamber works that marks a clear shift in her musical language.

Front cover art for Lennox Berkeley: Music for Violin and Piano and Solo Violin

Lennox Berkeley: Music for Violin and Piano and Solo Violin

Sir Lennox Berkeley was one of the most accomplished British composers of the twentieth century. His prolific output spanned opera, theatre and film scores, symphony, chamber and piano music, and a large body of choral work.

Front cover art for Fluid Lines

Fluid Lines

After nearly a decade of hanging out, talking shop and drinking coffee, virtuoso guitarists Daniel McKay and Antony Field formed Duo 19. Their debut presents an eclectic programme of twentieth- and twenty-first-century works, including music by Australians Nigel Westlake and Phillip Houghton.

Front cover art for The Cello and the Mockingbird

The Cello and the Mockingbird

Improvisations on beautiful melodies from cellist Imogen Manins with pianist Tony Gould and percussionist David Jones. Their second trio album gathers film themes, standards and original sketches, shaped in the studio through open improvisation.

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Psalms

Psalms and chants from the Anglican and Taizé traditions, with two hymns, directed by Peter Chapman. Cantus Choro’s recording shows his love of Anglican psalmody, lively musicianship, and care for phrasing and words.

Front cover art for Monologues & Dialogues

Monologues & Dialogues

This recording features the resonant, meditative colours of modern low flutes. Austere, breathy and at times eerie, these deep registers open a sound-world still little explored in woodwind writing, and invite a wide range of musical imaginings.

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Brood Groove

"One of the most rewarding sessions I've recorded for Jazztrack. Maybe the stars aligned that day... the musicians really listening and responding to each other. It's music that surprises and explores."

Front cover art for Music of Don Kay

Music of Don Kay

Chamber works for piano, flute and cello by Don Kay. Four of the six pieces were written for these performers, among them three piano sonatas receiving their premiere recordings.

Front cover art for The Lucky Ones

The Lucky Ones

This solo piano collection gathers old and new standards, original pieces, film music and three works composed spontaneously at the keyboard, capturing Gould’s playing and ideas at a particular moment in life.

Front cover art for Remixing Modernism

Remixing Modernism

A unique experiment by Stephen Emmerson: this two-CD set presents the same 1908–1909 piano repertoire with contrasting styles of mixing and sound production, from traditional to modern.

Front cover art for Mendelssohn Cello

Mendelssohn Cello

Mendelssohn is often cast as a composer who lived a charmed life, and whose music therefore lacks depth. The glory of that music, its likeability, and his gift for celebrating humanity remain primary reasons for its lasting hold.

Front cover art for Chopin Showcase

Chopin Showcase

Ian Holtham, piano. The genesis of this recording was to assemble a number of the composer’s most attractive and original works as a mark of homage to one of the most outstandingly innovative and important composers for the piano who has ever lived.

Front cover art for Below: Music for Low Flutes

Below: Music for Low Flutes

This charming and rare recording features predominantly commissioned chamber music for low flutes, written to showcase their lyrical and colourful tonal qualities and to expand a small yet growing repertoire.

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d'aujourd'hui

Crossing ragtime, tango, modern classical and folk idioms, this violin and guitar programme runs from Piazzolla’s 1986 Histoire du Tango to Tim Hansen’s 2007 rescoring of Earwig for Zoë Black and Daniel McKay.

Front cover art for Curiosities: Chamber Music by Eve Duncan

Curiosities: Chamber Music by Eve Duncan

Chamber music by Australian composer Eve Duncan, performed by artists from Australia and abroad, among them the Australian National Academy of Music String Ensemble and pianist Michael Kieran Harvey.

Front cover art for Crystal Vision

Crystal Vision

This volume in the Michael Kieran Harvey Collection presents solo piano works by Japanese composer Kanako Okamoto. Two pieces written for Harvey, Petite Suite and Suite, join the title work Crystal Vision, which first drew him to her music.

Front cover art for Broadway Boogie

Broadway Boogie

Broadway Boogie gathers premiere recordings of recent Australian piano works by Andrew Ford, Andrew Byrne, John McCaughey, Nigel Westlake, Mark Pollard and Michael Kieran Harvey, loosely linked by allusions to New York. Melbourne’s Herald-Sun named it the best classical CD of 2008.

Front cover art for In Memoriam

In Memoriam

In Memoriam centres on John Lewis’s four-hand concert piece of that name, heard here in a world-premiere two-piano version. Martial Solal’s Suite for two pianos is likewise a first recording, framed by shorter works and improvisations from Tony Gould and David Ward-Steinman.

Front cover art for in depth

in depth

Emerging Brisbane-based ensemble Collusion has produced a disc of inspiration, imagery and energy in their first release for Move Records, In Depth. An enticing melting pot of influences, In Depth is comprised entirely of music written in the last twenty years.

Front cover art for Music of John Lewis

Music of John Lewis

John Lewis's music joins romantic and classical lines with blues and jazz. Written for the Modern Jazz Quartet, these chamber-jazz pieces are freshly taken up by Alan Lee (vibraharp), Jo Abbott (piano), Ivan Rosa (bass) and Ben Hendry (drums).

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Pictures at an Exhibition

Stephen Savage’s first Move release pairs Mussorgsky’s Pictures at an Exhibition with Liszt’s Two Legends and three Debussy piano works, including the less often heard Masques and … d’un cahier d’esquisses … beside L’isle joyeuse.

Front cover art for For Elvin...

For Elvin...

This live set captures a real night with the long-running Ted Vining Trio: Ted Vining on drums, Bob Sedergreen on piano and Barry Buckley on bass. Guitarist Stephen Magnusson makes a special guest appearance on two tracks.

Front cover art for Place

Place

When Aaron Choulai was only twenty-one, Paul Grabowsky called this debut “a milestone in Australian jazz”. The disc presents original compositions recorded in a New York studio with leading American players.

Front cover art for Chopin: Complete Ballades and Scherzi

Chopin: Complete Ballades and Scherzi

Having successfully recorded Chopin's complete études, pianist Ian Holtham turns to the four ballades and four scherzi: eight large-scale works among the composer's most individual, characteristic and dramatic pieces.

Front cover art for Bridges, Vol. 1

Bridges, Vol. 1

Chamber works by Australian, Korean and Romanian composers, recorded by Monash University staff and guests, mapping cultural bridges across Eastern Europe, North Asia and Australasia after decades of relative isolation.

Front cover art for Beethoven Pathetique

Beethoven Pathetique

On the second volume of his Beethoven piano sonatas, Ronald Farren-Price tackles the famous Pathétique Sonata, the G major Sonata (Op. 14 No. 2), two Rondos and the beautiful late-period A-flat sonata, Op. 110.

Front cover art for Southeast

Southeast

Southeast is the debut recording of the Baartz Freeman Sextet: original jazz that draws freely on West African, New Orleans, Cuban and New York currents in a warm, open contemporary language.

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From Within

Move's ARIA-nominated jazz duo returns to the studio for a long-awaited second album. The repertoire ranges further than before, lifting the energy of the spirited pieces and deepening the expression of the gentler ones.

Front cover art for The Last Will and Testament of John Sangster

The Last Will and Testament of John Sangster

Tony Gould, Len Barnard, Graeme Lyall and friends honour one of Australia's unsung jazz heroes. These final Sangster scores, played by leading colleagues, form a warm and fitting tribute.

Front cover art for Landscapes of Middle Earth

Landscapes of Middle Earth

The fourth and final volume in Move’s restored reissue of John Sangster’s jazz-inspired Tolkien cycle. First a late-1970s double LP, Landscapes of Middle Earth reached CD in 2006.

Front cover art for The Lord of the Rings, Vol. 3

The Lord of the Rings, Vol. 3

The third volume of John Sangster's classic jazz epic after J.R.R. Tolkien's The Lord of the Rings. First issued by EMI as a double LP more than twenty-five years earlier, this ambitious Australian trilogy reaches CD for the first time here.

Front cover art for The Lord of the Rings, Vol. 2

The Lord of the Rings, Vol. 2

The second volume of John Sangster's classic jazz epic on The Lord of the Rings. First issued by EMI as a double LP more than twenty-five years earlier, this music reaches CD for the first time in this Move reissue.

Front cover art for The Lord of the Rings, Vol. 1

The Lord of the Rings, Vol. 1

Not Howard Shore's film score, but Australian jazz and film composer John Sangster's ambitious 1970s musical portrait of Tolkien's characters and events, restored here on a double CD more than twenty-five years after the original EMI LPs.

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Mozart

Having already tackled Liszt, Chopin and Godowsky, Ian Holtham turns to Mozart in this solo piano recital for Move, continuing his survey of the virtuoso keyboard repertoire.

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Giants in the Land

Recorded in Melba Hall, this world premiere finds Melbourne pianist Ian Holtham in a brilliant cross-section of Australian contemporary piano works by Brenton Broadstock, Linda Kouvaras, Stephen Ingham, Stuart Greenbaum, Johanna Selleck and Christine McCombe.

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Tuba Magnifique

Ian King, painter, scientist and tuba player extraordinaire, joins pianists Margaret Schofield and Dean Sky-Lucas for a wide-ranging recital that is truly très magnifique, spanning Spanish dances, Bach, Fauré and Kreisler.

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The Impressionists

In his debut CD for Move Records, Stephen McIntyre offers a programme of impressionist piano favourites by Debussy, Ravel and Satie, including Images, Children's Corner, Gaspard de la Nuit and the Gnossiennes.

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PianoWorks

Linda Kouvaras’s piano works respond to three places: Ormond College at Melbourne University, bayside St Kilda, and Bundanon on the Shoalhaven. Each set reflects lived experience of a distinct site.

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Theme & Deviations

Sonny Chua performs a thrilling selection of his popular piano works, including the Sonatina, the subversively charming Assorted Fairies, and Theme and 12 Deviations – a wickedly hilarious, dazzling set of variations-to-end-all-variations on Chopsticks.

Front cover art for Poème: Music for the Romantic Violin

Poème: Music for the Romantic Violin

The internationally renowned violinist Miwako Abe and the pianist David McSkimming play works by French composers active in Paris at the end of the nineteenth century, sometimes inspiring each other and occasionally forming rivalries.

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River Story

Jazz pianist Tony Gould joins Australian guitarist and composer Peter Petrucci for a programme of originals and standards, shaped by spontaneous duo interplay rather than fixed arrangements.

Front cover art for A Liszt Recital

A Liszt Recital

Ian Holtham's acclaimed recital showcases works by the great, enigmatic, and quintessentially romantic pianist and composer Franz Liszt. The programme centres on Holtham's masterful reading of the monumental Sonata in B minor.

Front cover art for The Chopin Collection

The Chopin Collection

Rita Reichman's early studies with Mieczysław Horszowski and Jorge Bolet place her in a direct teaching line from Chopin. That heritage gives her playing of these piano masterworks uncommon integrity and authority.

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La Follia

La Follia variations by Corelli, Vitali, Vivaldi and Scarlatti, in vivid performances by German recorder virtuoso Susanne Ehrhardt with Australian harpsichordist and organist Jacqueline Ogeil.

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The Bach Family Circle

Music for oboe and harpsichord. Acclaimed historical oboist Geoffrey Burgess and harpsichordist Ann Murphy explore the hypothetical voice of the lost Bach oboe through realisations and rescorings.

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Sonate Metodiche

Two of Australia's finest Baroque musicians, Hans-Dieter Michatz and Linda Kent, perform Telemann's rarely heard Sonate Metodiche for Baroque flute and continuo. Six large-scale sonatas display the variety, colour and detailed ornamentation of the high Baroque.

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Pictures

In Pictures, Ian Holtham leads the listener through Romantic piano masterpieces: Mussorgsky’s gallery cycle Pictures at an Exhibition, Schumann’s masked-ball Carnaval, and Tchaikovsky’s rustic Doumka.

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Dreamtracks

Music for clarinet by Australian composers. Celebrating Australia’s landscape, spirit and composers, Dreamtracks gathers some of the finest contemporary Australian writing for solo clarinet, clarinet and piano, and unusual chamber combinations.

Front cover art for Buxtehude at the Harpsichord

Buxtehude at the Harpsichord

Acclaimed harpsichordist Jacqueline Ogeil performs rarely heard Buxtehude harpsichord works. Most of these secular pieces surfaced only in the twentieth century; suites, arias and variations in popular Baroque idioms, light and entertaining in character.

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Acts of Homage

Acclaimed pianist Ian Holtham marks the centenary of Brahms’s death and the bicentenary of Schubert’s birth. The programme sets Schubert’s late impromptus beside Brahms’s Handel Variations and late piano pieces, with Godowsky’s song transcriptions as a further homage.

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Bon Voyage!

Igor and Olga Piano Duo's debut album charts a piano-four-hands itinerary from Bernstein's America through Brahms, Rachmaninov, Gavrilin, Ravel and Moszkowski to Grainger's Faeroese dance.

Front cover art for Bolero: Music for Organ 4 Hands

Bolero: Music for Organ 4 Hands

Douglas Lawrence and Elizabeth Anderson play organ four hands on the Melbourne Concert Hall’s French-style Casavant. Bolero gathers favourites and rarities arranged or written for two players at one console.

Front cover art for The Tony Gould Quartet: Live in Concert

The Tony Gould Quartet: Live in Concert

Captured live in concert, this album of well-known and much-loved jazz pieces features the acclaimed pianist Tony Gould and Graeme Lyall, one of Australia’s greatest saxophonists.

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Con Sentimento

Thomas Jones gives exuberant, virtuosic performances of Fritz Kreisler’s best-loved compositions and arrangements, joined by pianist Rachel Valler in a celebration of Viennese romantic violin style.

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Organ at the Opera

One of Move's all-time best sellers. Sydney City organist Robert Ampt and Amy Johansen play popular organ duets on the famous Ronald Sharp organ in the Sydney Opera House Concert Hall.

Front cover art for A Golden Christmas: for Flute and Harp

A Golden Christmas: for Flute and Harp

Elizabeth Koch and Suzanne Handel. A superb collection of popular Christmas carols and songs, arranged for the charming combination of flute and harp.

Front cover art for Phoenix Songs

Phoenix Songs

Like the phoenix rising from the ashes, the recorder is enjoying something of a renaissance. Six well-known Australian contemporary composers pair it with piano, harpsichord, voice and live electronics.

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Imo Pectore

With Ian Holtham as guide, Imo Pectore – ‘music from the inner-most recesses of the heart’ – gathers four works of private intensity by Beethoven, Schubert, Schumann and Rachmaninov.

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Goldberg Variations

A rare chance to hear Bach’s complete Goldberg Variations with every repeat, the fourteen canons on the Goldberg bass, and the Italian Concerto, played by Elizabeth Anderson on harpsichord. Two CDs for the price of one.

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Teamwork

An eminently listenable collection of piano music for four and six hands. Romantic, brilliant and companionable by turns, it is an exciting, all-stops-out tour de force from the Team of Pianists.

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Unanimity

Two grand pianos, one disc: Bob Sedergreen and Tony Gould, leading Australian jazz improvisers, in a rare live duo of spontaneous piano performance.

Front cover art for Ronald Farren-Price Plays Chopin

Ronald Farren-Price Plays Chopin

With a virtuosity that has become the hallmark of his performing career, Farren-Price pays tribute to the creative genius of Frédéric Chopin in this carefully selected programme.

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Telemann Duo Sonatas

Lesley Lewis and Joanna Dudley give the first recording of Telemann's second book of Six Duo Sonatas on two recorders: light-hearted Baroque chamber music built on short, memorable themes.

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Études

Ian Holtham, piano. Chopin’s twenty-four Études, Op. 10 and Op. 25: perfect examples of their genre, wonderfully innovative in texture and uncompromisingly challenging in technical difficulty.

Front cover art for It's Music: Active Listening for Children

It's Music: Active Listening for Children

This CD and its accompanying booklet are designed to introduce children to basic musical concepts through active listening, movement and play.

Front cover art for Musical Portraits from the Salons of Paris

Musical Portraits from the Salons of Paris

Harpsichordist Elizabeth Anderson recreates a salon concert from pre-revolutionary Paris. Grand, lively ‘character pieces’ by Forqueray, Duphly and Balbastre — musical portraits of celebrated figures — are brought to life with deft, accomplished playing.

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Baroque Trumpet and Strings

Sonatas and suites by Corelli, Torelli, Telemann, Purcell and Handel sit beside rarely heard works by Molter, Grossi and Biber, several recorded here for the first time on original instruments.

Front cover art for Capella Corelli Plays Handel and Telemann

Capella Corelli Plays Handel and Telemann

Capella Corelli has long been one of Australia’s foremost baroque chamber ensembles. Here they present sonatas by Handel and Telemann for baroque violin, recorder, viola da gamba and harpsichord.

Front cover art for Complete Bach Flute Sonatas, Vol. 2

Complete Bach Flute Sonatas, Vol. 2

Acclaimed artists present superb performances of the complete Bach flute sonatas.

Front cover art for Complete Bach Flute Sonatas, Vol. 1

Complete Bach Flute Sonatas, Vol. 1

Acclaimed artists present superb performances of the complete Bach flute sonatas.

Front cover art for Australia Who? – America's Cup winner 1983

Australia Who? – America's Cup winner 1983

In 1983 Australia won the America's Cup, the first time a non-American yacht took the trophy in the race’s 132-year history.

Front cover art for Australian Folksongs... Now!

Australian Folksongs... Now!

A mid-1980s vocal synth-pop take on familiar Australian folk songs by The Australia Music Band, whose members include Peter Barlow and Brenton Broadstock.

Front cover art for The Echo of Opheus

The Echo of Opheus

Vihuela music of Renaissance Spain. On vihuela, the ‘Spanish lute’, John Griffiths offers an intimate programme of fantasies, variations, intabulations and dances by the great sixteenth-century Spanish masters, framed by the Orpheus legend.

Front cover art for Listen to the Band, Vol. 2

Listen to the Band, Vol. 2

This children's sing-along follows Volume 1, which featured Shirley Jacobs with a traditional jazz band, continuing the series with familiar songs for young listeners.

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Spirit of the Rainbow

Tony Gould’s sensitive, imaginative piano meets Brian Brown’s passionate flute, haunting pan pipes and saxophone. Some themes were written for the duo; others grow from spontaneous improvisation.

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Melbourne Windpower

Directed by Richard Runnels. Wind octets by Haydn, C.P.E. Bach, Beethoven, Bozza and Australian Graham Powning, recorded in the clear, natural acoustic of the Melbourne Concert Hall.

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Fandango

Flamboyant Spanish and French Baroque keyboard music from harpsichordist Elizabeth Anderson, joined by Douglas Lawrence on chamber organ for Soler’s two-keyboard concerto and Couperin’s musettes.

Front cover art for An anthology of sacred hymns for classical guitar

An anthology of sacred hymns for classical guitar

Twelve well-known sacred hymns in solo classical-guitar arrangements by American guitarist James Sundquist, among them How Great Thou Art, Joyful Joyful we adore thee and Morning has broken.

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Mostly Bach

Flautist David Bloom and guitarist Peter Lynch present Bach's D minor suite arranged for solo flute, the C major flute sonata, and Mauro Giuliani's Grande Sonata in A major for flute and guitar.

Front cover art for Debussy Preludes Book One

Debussy Preludes Book One

These first twelve preludes show Debussy’s achievement at the piano, expanding its range and orchestral colour. Ronald Farren-Price brings exceptional sensitivity to the set.

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Hymns For All Seasons

Sixteen further hymns from Cantus Choro, recorded in the grand acoustic of St Patrick's Cathedral, Melbourne. The programme opens with Advent and follows the great events of the Christian year, with Norman Kaye at the organ and the Melbourne Brass Ensemble.

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Ya-de-ya

A laid-back nightclub scene, a smoothed-out jazz band, and Linda Cable’s strong voice pouring down like silver: this classic LP from the Melbourne jazz singer gathers seven original songs in that polished club mood.

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Polyphony

The Phones were an a cappella group with a comedic bent. This 1984 album largely reflects their interest in contemporary music of the preceding twenty-five years, mixing pop classics with Australian songs and original pieces.

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Wildflowers

Composed in 1984, Wildflowers blends sounds of the Australian bush with free jazz. Across nine tracks the music is liberated from any obligation to fashion or idiom.

Front cover art for Haydn 250th Birthday Celebration

Haydn 250th Birthday Celebration

Pianist Ronald Farren-Price marks Haydn’s 250th birthday with three major keyboard works: the Sonatas in E minor and C minor, and the Variations in F minor.

Front cover art for Peter Sculthorpe: Piano Music

Peter Sculthorpe: Piano Music

Thirty years of piano music by Peter Sculthorpe, one of Australia's finest composers, in exemplary performances by the Team of Pianists, Michael Hannan and the composer himself.

Front cover art for Broken Words

Broken Words

Chamber works for concert flute, alto flute and piccolo; baritone saxophone, bass clarinet and alto saxophone; and piano by Frank Millward. Broken Words explores how technology is reshaping musical communication and meaning.

Front cover art for Life and Love

Life and Love

Cameron Roberts plays Johann Sebastian Bach at the piano, joining original keyboard works with his own arrangements and those of Busoni and Lipatti.

Front cover art for True Romantics

True Romantics

In True Romantics, clarinettist Philip Arkinstall and pianist Kristian Chong bring lyrical warmth to Brahms’s Clarinet Sonatas, Op. 120, and Clara Schumann’s Three Romances, Op. 22, here in Roger Young’s clarinet transcription.

Front cover art for The Well-Tempered Clavier: Books 1 and 2

The Well-Tempered Clavier: Books 1 and 2

Distinguished Australian pianist and harpsichordist Judith Lambden presents J.S. Bach’s complete Well-Tempered Clavier, Books I and II (BWV 846–893), recorded across nine years as a five-CD set.

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Solos Duos Trios

Chamber music by Haydn Reeder for soloists and small ensembles, composed between 1998 and 2023. Piano, strings, flute and harp in solos, duos and trios, nearly all recorded here for the first time.

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Being

Daniel Pini presents five works for solo cello by living Australian composers. Victoria Pham, Brett Dean, Deborah Cheetham Fraillon, Liza Lim and Carl Vine each shape a distinct sound world, offering a vivid survey of contemporary Australian composition.

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Summer Waves

Len Vorster plays a personal recital of short piano works by Gershwin, de Falla, Lord Berners, Berkeley, Field, Grieg, Debussy, Poulenc and Ravel, drawn toward summer light, dance rhythm and nocturne stillness.

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Bach Piano 2

More Bach keyboard works on piano from Judith Lambden. Of her first volume, Toby Wong praised ‘[Lambden’s] exceptional artistry … creates a compelling and vibrant musical narrative.’

Front cover art for Lachlan Brown Chamber Works

Lachlan Brown Chamber Works

Lachlan Brown’s Chamber Works offers an hour of beautiful, relaxing music for his favourite instruments and ensembles: piano, harp, organ, violin, cello and string quartet.

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Trying to Remember What I Chose to Forget

Three sonatas for violin, viola and cello with piano by Frank Millward probe how we listen, process and choose what to remember. Graeme Jennings, Trish Dean and Alex Raineri give the works their first recordings.

Front cover art for Evenings with the French Horn

Evenings with the French Horn

Mark Papworth (natural and valved horns) and Rosa Scaffidi (piano) play Berlioz and Blanc in repertoire that sets the two French horn types of the late nineteenth century side by side.

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Walsingham

Renowned Australian lutenist Rosemary Hodgson’s Walsingham gathers Elizabethan lute variations on a sacred ballad into a contemplative Marian rondo of mysticism and pilgrimage.

Front cover art for New Wine in an Old Bottle

New Wine in an Old Bottle

Mark Papworth on natural horn and Amanda Millar on piano and cello present New Wine in an Old Bottle, new sonatas for natural horn by Australian composer Thomas McConochie, cast in a neo-classical style that recalls the pre-valve golden age of Haydn, Mozart and Beethoven.

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Bach Piano 1

Pianist Judith Lambden continues her long-running survey of Bach’s keyboard works. This programme gathers four early toccatas with the Chromatic Fantasia and Fugue and the Italian Concerto.

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Fable

This solo harp collection spans sixty-six years of original Australian composition. Jacinta Dennett performs works by Australian women composers, showing the instrument’s distinctive colour, range and expressive force.

Front cover art for Rhythms of Green and Gold

Rhythms of Green and Gold

John Martin’s solo piano recital gathers nineteen short works by ten Australian composers, from ragtime and blues to waltz and jazz-tinged lyricism.

Front cover art for Flowers Still Bloom

Flowers Still Bloom

Guitarist–composer Michelle Nelson presents original works for solo guitar and concert ukulele, with harp and recorder duos, crowned by the eight-movement Isolation Suite written in Melbourne’s first Covid lockdown.

Front cover art for Dreaming in the Sand

Dreaming in the Sand

Robbie James’s String Quintet No. 3, Dreaming in the Sand, is given a raw live performance by the Bentley String Quintet at Brisbane’s New Benner Theatre. Across nine movements it visualises early colonisation through a dream of a nation founded on inclusivity—a dream that still shapes Australia.

Front cover art for Eclipse

Eclipse

Intended for 2020, this album and the Concordia Mandolin & Guitar Ensemble were eclipsed by the pandemic. Three years on comes Concordia’s sixth CD: chamber works by Michelle Nelson for plucked strings.

Front cover art for The Dying Sun

The Dying Sun

Composers have long been inspired by the idea that we are not separate from nature but part of it, and that music can speak from that innate part of us. Award-winning composer Rebecca Erin Smith’s piece is both a connection to and a reflection on natural landscapes, featuring violinist Madeleine Antoine and pianist Setsu Masuda.

Front cover art for Jazz-Funk

Jazz-Funk

Funk Engine, formed in 2013 by Sydney Conservatorium jazz graduates, returns with a tight, danceable set that revives jazz-funk for a new generation.

Front cover art for Liszt's Italian Pilgrimage

Liszt's Italian Pilgrimage

Pianist Tristan Lee performs nine works by Franz Liszt shaped by Italian art and literature: the seven pieces of Années de pèlerinage: Deuxième année: Italie, and the two Légendes.

Front cover art for Muse

Muse

Australian recorder virtuoso Alicia Crossley joins the Acacia Quartet for the premiere recording of six Australian works for lower-voiced recorders and string quartet, drawing on poetry, mythology, historic song and storybook characters.

Front cover art for Christmas Variations

Christmas Variations

Harpist Megan Reeve gathers Christmas music in theme and variation: familiar carols, a French Noël, Britten, Bach–Gounod, and an Australian lullaby, with flute on two tracks.

Front cover art for Ernest Bloch: Viola and Piano

Ernest Bloch: Viola and Piano

Violist Barbara Hornung and pianist Danaë Killian have long made the viola and piano works of Swiss-American composer Ernest Bloch (1880–1959) the heart of their duo, spanning Jewish-themed chamber music, solo viola and piano miniatures for children.

Front cover art for Six Concerti

Six Concerti

Hans-Dieter Michatz and Monika Kornel present Georg Philipp Telemann’s Six Concerti from the 1734 Six concerts et six suites, scored here for voice flute, tenor recorder and harpsichord.

Front cover art for Novum

Novum

Kitty Xiao’s chamber works from 2013 to 2016, played by the Nimbus Trio with guest bass clarinet on the closing score.

Front cover art for Duo Blockstix: Works for Percussion and Recorder

Duo Blockstix: Works for Percussion and Recorder

Duo Blockstix is a unique Australian ensemble of recorder player Alicia Crossley and percussionist Joshua Hill, formed around the woody tones and sharp articulation of this unusual pairing.

Front cover art for Chopin: The Nocturnes

Chopin: The Nocturnes

Pianist Nancy Tsou (pronounced "Zo") brings rare intensity to Chopin's nocturnes. She hears in this night music what few performers catch, and a lifelong devotion to the composer shapes every phrase.

Front cover art for Return to the Dance

Return to the Dance

Guitarist-composer Michelle Nelson presents original guitar works that reclaim the long bond between guitars and dance, from Spanish Baroque reflections through 1970s rock colour to contemporary EDM influence.

Front cover art for Kevin Kanisius Suherman presents Schimmel Konzert 219

Kevin Kanisius Suherman presents Schimmel Konzert 219

Kevin Kanisius Suherman presents the new Schimmel Konzert 219 concert grand in a recital that sets Romantic and early twentieth-century piano works beside his own arrangements of Indonesian song.

Front cover art for Aurora Borealis

Aurora Borealis

Pianist and composer Ken Herrera draws inspiration from across the world and the full colour of the musical spectrum. Embracing melody and meaning, he charts an independent course in contemporary waters.

Front cover art for Arnold Schoenberg: Complete Works for Piano Solo

Arnold Schoenberg: Complete Works for Piano Solo

Australian pianist Danaë Killian presents Arnold Schoenberg’s complete published solo piano works, a repertoire she has studied and performed since her Basel recital of the cycle in 2001.

Front cover art for The Sky Is Melting

The Sky Is Melting

Marianne Rothschild and Glenn Riddle formed as a duo in 2004, recording Stuart Greenbaum’s Sonata for Violin and Piano for the CD Mercurial. Broadcast on ABC Classic FM, ABC Radio National, 3MBS FM and Radio New Zealand, they have premiered and recorded many works by Melbourne composers including Broadstock, Greenbaum, Pertout, Schmidt and Kouvaras.

Front cover art for After the Fire

After the Fire

Australian composer and guitarist Michelle Nelson presents After the Fire, a programme of her own chamber works. Melodic and contemporary, the music draws on Australian places and histories while remaining rooted in traditional craft.

Front cover art for Diapason

Diapason

This CD marks 150 years of the Bishop Kelly Pipe Organ at St Patrick’s, Mentone. Built by Frederick Nicholson for Prahran’s Independent Church, it is among Australia’s most significant historic instruments. Christopher Trikilis and Dr Gordon Atkinson explore its colours for two and four hands, in music by Vierne, Walther, Hesse, Bonelli and others.

Front cover art for Six French Suites

Six French Suites

Judith Lambden plays Bach’s six French Suites on piano across two discs, offered for the price of one. The set presents the complete dance cycles BWV 812–817 in a clear, balanced reading.

Front cover art for Tales from the Dead Sea

Tales from the Dead Sea

Melbourne composer and pianist Ken Herrera's music draws together an extraordinary range of influences, from savage flamenco to delicate French impressionism, and from Middle Eastern and North African improvisation to the impassioned playing of John Coltrane and McCoy Tyner.

Front cover art for Kevin Kanisius Suherman plays Schimmel Konzert 280

Kevin Kanisius Suherman plays Schimmel Konzert 280

Young pianist Kevin Kanisius Suherman presents a full recital of Schumann’s Carnaval, Liszt, Chopin and Beethoven, recorded on the new Schimmel Konzert 280 concert grand.

Front cover art for New Norcia: A Spanish Rhapsody

New Norcia: A Spanish Rhapsody

The Team of Pianists present Spanish and Spanish-tinged piano music as a tribute to New Norcia’s Benedictine heritage, from Infante and de Falla to Ravel’s Rapsodie Espagnole.

Front cover art for Six English Suites

Six English Suites

Judith Lambden performs Johann Sebastian Bach’s six English Suites, BWV 806–811, complete on piano across two discs.

Front cover art for Spanish Fire - Danzas Españolas

Spanish Fire - Danzas Españolas

Two of Australia's foremost interpreters of Spanish music, Deanna Blacher (castanets) and Cameron Roberts (piano), join forces in a duo arrangement of Granados' twelve Danzas Españolas.

Front cover art for Sunburnt Aftertones

Sunburnt Aftertones

Katy Abbott’s chamber music, spanning her career to date, shows her gift for drawing listeners straight into an evocative sound world. Place, travel and instrumental colour shape these direct, pictorial scores.

Front cover art for Kevin Kanisius Suherman plays Schimmel Konzert 213

Kevin Kanisius Suherman plays Schimmel Konzert 213

For more than a century Schimmel pianos have delighted pianists and listeners. Here young pianist Kevin Suherman presents a recital of well-loved works chosen to display the Schimmel Konzert 213 concert grand.

Front cover art for Impromptu

Impromptu

A collection of Impromptus, Fantasies and Impressions for piano solo, played by Brian Chapman. Although only two pieces carry the title Impromptu, many of the other works share an improvisatory quality.

Front cover art for Voyage

Voyage

"Life is not about the beginning of the end, but rather the journey from one to the other . . . the Voyage." The songs are dedicated to the artists’ children Isabel, Natasha, Ricky and Macushla – who, for better or worse, are constantly inspirational.

Front cover art for Brolga Dances

Brolga Dances

The Melbourne Mandolin Orchestra presents contemporary Australian works written or arranged for mandolin and guitar, spanning landscape pieces, dances and chamber textures.

Front cover art for Now and Then

Now and Then

Although he first came to prominence on the jazz scene a half century ago, Ornette Coleman still scares people. But his compositions, rooted as they were in classic blues, have long appealed to jazz listeners of every stripe.

Front cover art for Quiet Place

Quiet Place

Each of the eleven tracks is a song without words. Written over a number of years, these pieces by Andrew Blyth share a concern for simplicity and directness of expression throughout the set.

Front cover art for Thinking with Paulo Freire

Thinking with Paulo Freire

Paulo Freire (1921–1997), the Brazilian educator then in exile, was a staff consultant with the Office of Education at the World Council of Churches in Geneva when these talks were recorded. Made during his 1974 visit to Australia, they were given in English.

Front cover art for Second door on the left

Second door on the left

What happens when you mix four dynamic performers with imaginative and unique compositional voices? Second Door on the Left explores the clarinet’s range, from fragments of ancient melody to twenty-first-century fusion.

Front cover art for Sonatas for Oboe and Violin

Sonatas for Oboe and Violin

The two sonatas began as traditional works with piano. The Oboe Sonata, written for teaching colleague Caroline O'Donnell, is a first sonata; here it is played by her sister Annabelle.

Front cover art for Still Gazing at the Moon

Still Gazing at the Moon

John Mills is an Australian composer working and recording in Melbourne. Raised in a musical household that nurtured his love of the guitar, he was already a keenly sought-after performer and teacher by his early twenties.

Front cover art for A Classical Christmas Journey

A Classical Christmas Journey

Deb Podbury’s piano programme recasts familiar Christmas carols as witty pastiches in the styles of Liszt, Bach, Debussy, Chopin and other masters—seasonal listening that pairs beauty with clever stylistic play.

Front cover art for Bach: Goldberg Variations, Original Transcriptions

Bach: Goldberg Variations, Original Transcriptions

Cameron Roberts, already marked out as one of Australia’s finest young artists, makes his recording debut with an all-Bach piano recital centred on the Goldberg Variations.

Front cover art for Hushhhhh little baby

Hushhhhh little baby

Hushhhhh little baby gathers well-known songs and lullabies on the C-Bass recorder, shaped to soothe a baby to sleep with a calm, repeating voice.

Front cover art for This is clarity

This is clarity

Take a journey of sonority and style with Australia's unique chamber ensemble, Clarity. Leave any pre-conceived notion of the clarinet at the door – they explore every genre from contemporary art music to Led Zeppelin, infusing their performances with energy and life.

Front cover art for Team of Pianists presents the Schimmel K 256

Team of Pianists presents the Schimmel K 256

Australia’s Team of Pianists inaugurates Schimmel’s Artist Collection on the new K 256 concert grand, with Brahms duets, Romantic and Impressionist solos, Saint-Saëns with clarinet, and Carl Vine.

Front cover art for Unearthly Music: Music by Australian Women Composers

Unearthly Music: Music by Australian Women Composers

A tribute to twentieth-century Australian women composers, this flute and piano recital gathers lesser-known chamber works in the hope that listeners, performers and programmers will bring the music to a wider audience.

Front cover art for Soul of the Viola

Soul of the Viola

Composed with the limited viola repertoire in mind, Gabriel Anthony Doheny and Fintan Murphy present new works and one Beethoven transcription for solo and accompanied viola, aimed at students and teachers seeking fresh teaching material.

Front cover art for Freshwater Road

Freshwater Road

Freshwater Road is a collection of music performed and composed by acoustic fingerstyle guitarist Lucas Michailidis. With a penchant for character-rich melodies he is lyrical, audacious and at times, downright scandalous.

Front cover art for About Time

About Time

Drummer Mark Lockett's debut About Time gathers a strong Melbourne jazz front line for modern standards and one original, telling fresh stories in the spirit of Art Blakey's Jazz Messengers.

Front cover art for Sparkling Keys

Sparkling Keys

Sparkling Keys celebrates the creative partnership of the National Trust and the Team of Pianists. Over a decade that partnership produced Twilight Chamber Music at Rippon Lea and concerts at Como, Labassa, Illawarra and Barwon Park.

Front cover art for Quirky

Quirky

Melbourne saxophonist Pete Mitchell’s debut with his quartet and guests: ten original jazz pieces that swing from funky grooves to ballads, samba and sly humour.

Front cover art for Kuri: Romantic Flute

Kuri: Romantic Flute

Australian–Japanese flautist Masahide Kurita (“Kuri”) offers Romantic virtuoso works for solo flute and flute with piano, with Len Vorster. The selection includes Nielsen’s Fantasy Pieces, the Donizetti Sonata, Lemmoné’s Graceful Dance and Honegger’s Danse de la chèvre.

Front cover art for Jewel

Jewel

Australian gems for violin and piano. Jewel gathers works by some of Australia’s finest composers, among them Peter Sculthorpe, Margaret Sutherland, Don Banks and Vincent Plush.

Front cover art for A Sympathetic Resonance

A Sympathetic Resonance

Peter Constant presents classical guitar works by Australian composers, joined by Marion Schaap on guitar, Mardi McSullea on flute and Helen Noonan, soprano.

Front cover art for Dusting Off Roses

Dusting Off Roses

The debut recording of Mark Pollard’s piece for two guitars, played by Z.O.O. Duo – Peter Constant and Marion Schaap – in five short movements of spare, atmospheric chamber writing.

Front cover art for Praise the Lord his Glories Show

Praise the Lord his Glories Show

Sacred music from the 16th century through Baroque and Romantic repertoire to Afro-American spirituals, sung by one of Melbourne's finest choirs under Douglas Lawrence.

Front cover art for Mozart at Melbourne

Mozart at Melbourne

Mozart works for piano and violin, two pianos, piano duet and solo piano, played by members of the Team of Pianists with guest violinist Leonard Dommett. 1967 sonata performances sit beside later keyboard sessions for the bicentenary.

Front cover art for Pianists of Excellence

Pianists of Excellence

The Team of Pianists is acclaimed in Europe and Australia for vitality and freshness of technique. This recital presents solo piano works by Haydn, Schubert, Schumann, Chopin, Brahms and Sculthorpe, played by four of its members.

Front cover art for Stir the Sky

Stir the Sky

Stir the Sky is pervaded with places visited and people met, with movement and music-making. Love, laughter, fond memories and bittersweet recollection run through it. Each track is like a journal extract, a highly personal record offered for sharing.

Front cover art for Julian Yu 10 CD Collection

Julian Yu 10 CD Collection

Ten Move CDs of Chinese-Australian composer Julian Yu, spanning chamber, piano and clarinet works written over decades, with Move 50 as a bonus disc.